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Author: Harry Carter
Publisher: Oxford : Clarendon P.
ISBN:
Category : Design
Languages : en
Pages : 206
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Book Description
Author: Harry Carter
Publisher: Oxford : Clarendon P.
ISBN:
Category : Design
Languages : en
Pages : 206
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Book Description
Author: Harry Carter
Publisher:
ISBN:
Category : Caractères d'imprimerie - Histoire
Languages : en
Pages : 137
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Book Description
Author: Harry Carter
Publisher: Hyphen Press
ISBN:
Category : Architecture
Languages : en
Pages : 224
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Book Description
This book examines the production and use of type in Europe from c1450-1600. Topics covered include the technicalities of the production of type, the diversity of letterforms (blackletter, roman, italic, and more), the tensions between Latin and the vernacular languages, and the establishment of standards and norms in type design.
Author: Rachel Stenner
Publisher: Taylor & Francis
ISBN: 1317012879
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
The typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imaginary as a framework for its analysis. Certain texts, Rachel Stenner states, describe the people, places, concerns, and processes of printing in ways that, over time, generate their own figurative authority. The typographic imaginary is posited as a literary phenomenon shared by different writers, a wider cultural understanding of printing, and a critical concept for unpicking the particular imaginative otherness that printing introduced to literature. Authors use the typographic imaginary to interrogate their place in an evolving media environment, to assess the value of the printed text, and to analyse the roles of other text-producing agents. This book treats a broad array of authors and forms: printers’ manuals; William Caxton’s paratexts; the pamphlet dialogues of Robert Copland and Ned Ward; poetic miscellanies; the prose fictions of William Baldwin, George Gascoigne, and Thomas Nashe; the poetry and prose of Edmund Spenser; writings by John Taylor and Alexander Pope. At its broadest, this study contributes to an understanding of how technology changes cultures. Located at the crossroads between literary, material, and book historical research, the particular intervention that this work makes is threefold. In describing the typographic imaginary, it proposes a new framework for analysis of print culture. It aims to focus critical engagement on symbolic representations of material forms. Finally, it describes a lineage of late medieval and early modern authors, stretching from the mid-fifteenth to the mid-eighteenth centuries, that are linked by their engagement of a particular aesthetic.
Author: Jane Desborough
Publisher: Springer
ISBN: 3030153533
Category : Science
Languages : en
Pages : 299
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Book Description
This book provides a reinterpretation of early modern clock and watch dials on the basis of use. Between 1550 and the emergence of a standard format in 1770, dials represented combinations of calendrical, lunar and astronomical information using multiple concentric rings, subsidiary dials and apertures. Change was gradual, but significant. Over the course of eight chapters and with reference to thirty-five exceptional images, this book unlocks the meaning embedded within these early combinations. The true significance of dial change can only be fully understood by comparing dials with printed paper sources such as almanacs, diagrams and craft pamphlets. Clock and watch makers drew on traditional communication methods, utilised different formats to generate trust in their work, and tried to be help users in different contexts. The calendar, lunar and astronomical functions were useful as a memory prompt for astrology up until the mid-late seventeenth century. After the decline of this practice, the three functions continued to be useful for other purposes, but eventually declined.
Author: Alex W. White
Publisher: Simon and Schuster
ISBN: 1581157800
Category : Design
Languages : en
Pages : 227
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Book Description
This very popular design book has been wholly revised and expanded to feature a new dimension of inspiring and counterintuitive ideas to thinking about graphic design relationships. The Elements of Graphic Design, Second Edition is now in full color in a larger, 8 x 10-inch trim size, and contains 40 percent more content and over 750 images to enhance and better clarify the concepts in this thought-provoking resource. The second edition also includes a new section on Web design; new discussions of modularity, framing, motion and time, rules of randomness, and numerous quotes supported by images and biographies. This pioneering work provides designers, art directors, and students--regardless of experience--with a unique approach to successful design. Veteran designer and educator Alex. W. White has assembled a wealth of information and examples in his exploration of what makes visual design stunning and easy to read. Readers will discover White's four elements of graphic design, including how to: define and reveal dominant images, words, and concepts; use scale, color, and position to guide the viewer through levels of importance; employ white space as a significant component of design and not merely as background; and use display and text type for maximum comprehension and value to the reader. Offering a new way to think about and use the four design elements, this book is certain to inspire better design. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
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Book Description
See:
Author: Kenneth Borris
Publisher: Manchester University Press
ISBN: 1526133474
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.
Author: Katherine A. East
Publisher: Springer
ISBN: 331949757X
Category : History
Languages : en
Pages : 288
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Book Description
This book uses a previously overlooked Neo-Latin treatise, Cicero Illustratus, to provide insight into the status and function of the Ciceronian tradition at the beginning of the eighteenth century, and consequently to more broadly illuminate the fate of that tradition in the early Enlightenment. Cicero Illustratus itself is the first subject for inquiry, mined for what its deliberately erudite and colorfully polemical passages of scholarly stratagems reveal about Ciceronian scholarship and the motives for exploring it within the context of early Enlightenment thought. It also includes an analysis of the role played by the Ciceronian tradition in the broader political and radical movements that existed in the Enlightenment, with particular attention paid to Cicero’s unexpectedly prominent position in major political and philosophical Republican and Erastian works. The subject of this book together with the conclusions reached will provide scholars and students with crucial new material relating to the classical tradition, the history of scholarship, and the intellectual history of the early Enlightenment.
Author: William Smith
Publisher: Routledge
ISBN: 1317012720
Category : History
Languages : en
Pages : 1053
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Book Description
The Use of Hereford, a local variation of the Roman rite, was one of the diocesan liturgies of medieval England before their abolition and replacement by the Book of Common Prayer in 1549. Unlike the widespread Use of Sarum, the Use of Hereford was confined principally to its diocese, which helped to maintain its individuality until the Reformation. This study seeks to catalogue and evaluate all the known surviving sources of the Use of Hereford, with particular reference to the missals and gradual, which so far have received little attention. In addition to these a variety of other material has been examined, including a number of little-known or unknown important fragments of early Hereford service-books dismembered at the Reformation and now hidden away as binding or other scrap in libraries and record offices. This is the fullest examination of Hereford liturgical sources ever undertaken and may stimulate similar and much-needed studies of other diocesan uses, in particular Sarum and York. As well as describing in detail the various manuscript sources, the rare single edition printed Hereford texts, the missals and breviaries, are also discussed. Unlike books of the Sarum and York rites, these ’one-offs’ were never revised and reissued. In addition to the examination of these sources, William Smith discusses the possible origins of the rite and provides an analysis of the Hereford liturgical calendar, of the festa, including those of the cathedral’s patron St Ethelbert and the no less famous St Thomas Cantilupe, that helped to make Hereford use so distinctive.
