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Author: Margaret Liu Wen Tsai
Publisher: AuthorHouse
ISBN: 1481707205
Category : Biography & Autobiography
Languages : en
Pages : 389
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Book Description
A posthumous family memoir by QinXiao-meng. She wrote this book in 1998, from her acute memories of her brother-in-law Liu Tien Oung. As a highly-educated woman, Ms. Qin was able to participate in the intellectual circle which her brother-in-law also belonged, therefore, her insight of his life and character goes beyond the family, providing a worldly view of a man who was a aspiring student, an enthusiastic intellectual, a successful businessman, and a generous philanthropist. Ms. Qin graduated from the former University of Shanghai, and then started a four-decade-long teaching career. Among her many accomplishments, she was Professor and Vice Chairwoman of the English Department (1964-1983) of Shanghai International Studies University, and a Visiting Professor/Researcher at the University of Michigan, Ann Arbor (1986-1989). Before she died in 2006, she lived in San Jose, California.
Author:
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 298
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Book Description
Richly illustrated with 200 black-and-white and 32 color plates, this stimulating collection surveys the full range of 20th-century Chinese painting, covering all the schools and major artists, both within the People's Republic and elsewhere. Chinese artists now draw their inspirations from an amazing variety of subjects--airplanes and automobiles, Vietnamese refugees and Beijing opera, ancient cave murals and historical figures--and they have developed new techniques and formats that have greatly expanded the range of Chinese paintings. Their work reveals how traditional techniques, when reintroduced into unexpected contexts, can bring about strikingly new results. In light of the tremendous variety of artistic impulses and stylistic approaches that exist in 20th-century Chinese painting, and the rapidity with which these changes have occurred, it is quite remarkable that China's artistic tradition has not only been able to sustain itself, but continues to evolve in new and exciting directions. This beautiful volume captures the vibrancy of a national art that is stunning in its complexity and diversity.
Author: Minglu Gao
Publisher: MIT Press
ISBN: 0262294710
Category : Art
Languages : en
Pages : 422
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Book Description
A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
Author: Rebecca E. Karl
Publisher: Duke University Press
ISBN: 0822393026
Category : History
Languages : en
Pages : 216
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Book Description
Throughout this lively and concise historical account of Mao Zedong’s life and thought, Rebecca E. Karl places the revolutionary leader’s personal experiences, social visions and theory, military strategies, and developmental and foreign policies in a dynamic narrative of the Chinese revolution. She situates Mao and the revolution in a global setting informed by imperialism, decolonization, and third worldism, and discusses worldwide trends in politics, the economy, military power, and territorial sovereignty. Karl begins with Mao’s early life in a small village in Hunan province, documenting his relationships with his parents, passion for education, and political awakening during the fall of the Qing dynasty in late 1911. She traces his transition from liberal to Communist over the course of the next decade, his early critiques of the subjugation of women, and the gathering force of the May 4th movement for reform and radical change. Describing Mao’s rise to power, she delves into the dynamics of Communist organizing in an overwhelmingly agrarian society, and Mao’s confrontations with Chiang Kaishek and other nationalist conservatives. She also considers his marriages and romantic liaisons and their relation to Mao as the revolutionary founder of Communism in China. After analyzing Mao’s stormy tenure as chairman of the People’s Republic of China, Karl concludes by examining his legacy in China from his death in 1976 through the Beijing Olympics in 2008.
Author: Margaret Liu Wen Tsai
Publisher: AuthorHouse
ISBN: 1481707183
Category : Biography & Autobiography
Languages : en
Pages : 391
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Book Description
A posthumous family memoir by QinXiao-meng. She wrote this book in 1998, from her acute memories of her brother-in-law Liu Tien Oung. As a highly-educated woman, Ms. Qin was able to participate in the intellectual circle which her brother-in-law also belonged, therefore, her insight of his life and character goes beyond the family, providing a worldly view of a man who was a aspiring student, an enthusiastic intellectual, a successful businessman, and a generous philanthropist. Ms. Qin graduated from the former University of Shanghai, and then started a four-decade-long teaching career. Among her many accomplishments, she was Professor and Vice Chairwoman of the English Department (1964-1983) of Shanghai International Studies University, and a Visiting Professor/Researcher at the University of Michigan, Ann Arbor (1986-1989). Before she died in 2006, she lived in San Jose, California.
Author: Sigrid Schmalzer
Publisher: University of Chicago Press
ISBN: 0226738612
Category : History
Languages : en
Pages : 368
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Book Description
In the 1920s an international team of scientists and miners unearthed the richest evidence of human evolution the world had ever seen: Peking Man. After the communist revolution of 1949, Peking Man became a prominent figure in the movement to bring science to the people. In a new state with twin goals of crushing “superstition” and establishing a socialist society, the story of human evolution was the first lesson in Marxist philosophy offered to the masses. At the same time, even Mao’s populist commitment to mass participation in science failed to account for the power of popular culture—represented most strikingly in legends about the Bigfoot-like Wild Man—to reshape ideas about human nature. The People’s Peking Man is a skilled social history of twentieth-century Chinese paleoanthropology and a compelling cultural—and at times comparative—history of assumptions and debates about what it means to be human. By focusing on issues that push against the boundaries of science and politics, The People’s Peking Man offers an innovative approach to modern Chinese history and the history of science.
Author: Jeffrey N. Wasserstrom
Publisher: Routledge
ISBN: 1134647115
Category : History
Languages : en
Pages : 459
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Book Description
Twentieth Century China: New Approaches is an important revisionist study of China's recent past. The chapters throw light on a variety of subjects within the field, which has recently undergone considerable change. The three major parts of this reader take into account the historical shape of the century, local perspectives on national history, and reflections on cultural history. The chapters in this volume reflect a move away from a Western-centred analysis of Chinese history, as well as the new wealth of archival material made accessible over the last decade. They highlight in challenging ways important topics that have generated considerable excitement among historians. Subjects discussed include the watershed date of 1949, feminism, the revolutions, the discourse of the communist party, and political theatre in modern China.
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 0520075560
Category : Art, Chinese
Languages : en
Pages : 451
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Book Description
"Sullivan presents a wealth of material that has never before appeared in a Western language. I expect it will be the standard book on twentieth-century Chinese art for the foreseeable future."--Julia F. Andrews, author of Painters and Politics in the People's Republic of China "A most sympathetic and useful guide to twentieth-century Chinese art. Long the leading scholar on the subject, Professor Sullivan has presented a lucid account of a most dramatic chapter in Chinese art in a complex interplay of aesthetics, politics, cultural, and social history."--Wen C. Fong, Princeton University "So much of China's art in the twentieth century has to do with artistic (and political) ideas from the West that is is appropriate that one of its first comprehensive histories should be written by a Western scholar--especially one who has known personally many of China's leading artistic figures of the last fifty years. Not only does Professor Sullivan tell the complex story of twentieth century China art with lucidity and style, his learned text is also illuminated with witty anecdotes and incisive observations that can only come from an indsider."--Johnson Chang (Chang Tson-zung), Director, Hanart Tz Gallery, Hong Kong
Author: Michel Hockx
Publisher: Routledge
ISBN: 1136813888
Category : History
Languages : en
Pages : 164
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Book Description
At least since the late nineteenth century onwards, Chinese literature as a form of cultural production has been taking place within a specific social space, including writers, critics, journalists, editors, publishers, printers and booksellers. Focusing on people as well as on texts, and looking at what writers did as well as at what they wrote, the essays in this volume draw a vivid and variegated picture of Chinese literary life throughout the modern period. The book treats differences between periods, but also traces the continuities that have characterised modern Chinese literary practice and its discourses from the beginning to the present, including ties of allegiance, utilisation of 'the people' and appropriation of the west. The book places modern Chinese literature firmly within its socio-historical context, thereby increasing the reader's awareness of the hidden assumptions behind literary production. In doing so, it opens new perspectives on Chinese culture as a whole, and on literature as a cosmopolitan concept.
Author: Suzanne Pepper
Publisher: Cambridge University Press
ISBN: 9780521778602
Category : Education
Languages : en
Pages : 628
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Book Description
The first comprehensive book to cover the whole sweep of twentieth-century Chinese education.
Author: Xin Fan
Publisher: Cambridge University Press
ISBN: 1108905307
Category : History
Languages : en
Pages : 267
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Book Description
Nationalism is pervasive in China today. Yet nationalism is not entrenched in China's intellectual tradition. Over the course of the twentieth century, the combined forces of cultural, social, and political transformations nourished its development, but resistance to it has persisted. Xin Fan examines the ways in which historians working on the world beyond China from within China have attempted to construct narratives that challenge nationalist readings of the Chinese past and the influence that these historians have had on the formation of Chinese identity. He traces the ways in which generations of historians, from the late Qing through the Republican period, through the Mao period to the relative moment of 'opening' in the 1980s, have attempted to break cross-cultural boundaries in writing an alternative to the national narrative.
