A Treatise on the Law of Copyright in Literature, the Drama, Music, Engraving, and Sculpture PDF Download
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Author: Peter BURKE (Serjeant at Law.)
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 154
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Book Description
Author: Peter BURKE (Serjeant at Law.)
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 154
Get Book Here
Book Description
Author: Peter Burke
Publisher: BoD – Books on Demand
ISBN: 3385129028
Category : Fiction
Languages : en
Pages : 150
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Book Description
Reprint of the original, first published in 1842.
Author: Peter Burke
Publisher: Rarebooksclub.com
ISBN: 9781458920638
Category :
Languages : en
Pages : 68
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1842 edition. Excerpt: ... APPENDIX. No. I. 3 Will. IV. c. 15. An Act to amend the Laws relating to Dramatic and Literary Property. 10th June, 1833. Whereas by an act passed in the fifty-fourth year of the reign of his late Majesty King George the Third, intituled "An Act to amend the several 54 o. s. Acts for the Encouragement of Learning, by securing c-156the Copies and Copyright of Printed Books to the Authors of such Books, or their Assigns," it was amongst other things provided and enacted, that from and after the passing of the said act the author of any book or books composed, and not printed or published, or which should thereafter be composed and printed and published, and his assignee or assigns, should have the sole liberty of printing and re-printing such book or books for the full term of twenty-eight years, to commence from the day of first publishing the same, and also, if the author should be living at the end of that period, for the residue of his natural life: and whereas it is expedient to extend the provisions of the said act; be it therefore enacted by the King's most excellent Majesty, by and with the advice and consent of the lords spiritual and temporal, and commons, in this present parliament assembled, and by the authority The author 0f the same, That from and after the passing of this matic piece act the author of any tragedy, comedy, play, opera, his property farce, or any other dramatic piece or entertainment, the sole ii-composed, and not printed and published by the presenting it, author thereof or his assignee, or which hereafter tobeUrepre-t s'la be composed, and not printed or published by sented, at any the author thereof or his assignee, or the assignee of dramatic en-such author, shall have as his own property the sole...
Author: Peter Burke
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Peter BURKE (Serjeant at Law.)
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 154
Get Book Here
Book Description
Author: Peter Burke
Publisher: BoD – Books on Demand
ISBN: 338512901X
Category : Fiction
Languages : en
Pages : 150
Get Book Here
Book Description
Reprint of the original, first published in 1842.
Author: Peter BURKE (Serjeant at Law.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Get Book Here
Book Description
Author: Wisconsin. State Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 660
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 1418
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Book Description
Author: David Saunders
Publisher: Taylor & Francis
ISBN: 1000884864
Category : Law
Languages : en
Pages : 272
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Book Description
First published in 1992, Authorship and Copyright traces the history of constructions of authorship as a legal reality. It offers an alternative to the two mainstream interpretations that have traditionally been assigned to authorship: the Romantic dialectical ‘birth of the author’ or the language-based post-structuralist ‘death of the author.’ Saunders examines the shortcomings of both schemes by arguing that they impose an arbitrary philosophical direction on the history of authorship and the law of copyright. Saunders addresses the issues relating to copyright and the construction of authorship as a legal status. Combining information and polemic, the author explores such matters as the historical and theoretical relations of copyright and the droit moral, the aestheticization of the law and the juridification of aesthetics, and the argument that authorship as a legal reality is a historically contingent and variable arrangement that cannot be separated from its cultural and juridical context. This book will be of interest to students of law, literature and philosophy.
