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Author: International Correspondence Schools
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
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Book Description
Author: International Correspondence Schools
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
Get Book Here
Book Description
Author: International Correspondence Schools
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
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Book Description
Author: Robert Scott Burn
Publisher:
ISBN: 9781330518304
Category : History
Languages : en
Pages : 156
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Book Description
Excerpt from Illustrated Architectural, Engineering,& Mechanical Drawing-Book: For the Use of Schools, Students, and Artisans Where this has been departed from, and an apparent mixing up of examples has resulted, considerations involving obvious advantages have suggested the change. On the whole, however, we trust that the classification so desirable has in some measure been obtained. Although aware that architectural and mechanical drawing has for some time taken its place in many scholastic establishments as a branch of ordinary education, we are nevertheless anxious to see it still more extensively adopted. We conceive it likely to be of more general use - even to those who may not at all contemplate following up any of the professions to which it is more specially useful - than may at first sight be acknowledged. Apart from the habit of method, which, if it does not create, it will at least foster and encourage, we see many advantages accruing to those desirous of having a knowledge of science by an acquaintance with its practice. And there are few, we think, in these days of practical science, who are not likely to be interested in its progress. Geometrical drawing - taking the term in its widest sense - is an art which will enable those acquainted with its principles to understand a scientific exposition with greater readiness than those can do who are ignorant of it. To convince the reader of the truth of this, we have only to remind him, that few expositions of improvements or inventions in practical science, in its widest range, are ever made without the aid of sketches, - these ranging from the simple diagram up to the more complicated drawing; and the ready understanding of these is open only to those acquainted with drawing. This consideration should, we think, weigh very forcibly with those who are doubtful of the propriety of following the example of so many educational establishments, in introducing geometrical drawing as an ordinary branch of education. To those desirous of following out the profession of architect, engineer, or mechanic, an acquaintance with the art is as indispensable as a knowledge of sketching from nature or objects is to the artist or painter. Without it, the practical man, however ingenious, will inevitably fail in perfecting, unaided, his ideas with that facility available to the accomplished draughtsman. Its usefulness in the workshop, moreover, is no less conspicuous than in the study or bureau, in enabling the inventor or improver to communicate his ideas clearly and readily to the workman. To the latter also it is equally important and indispensable, - we mean to those who are desirous of raising themselves above the level of the mere operative, the handler of the hammer or the mallet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: T.B. Nichols
Publisher: Routledge
ISBN: 1317742826
Category : Architecture
Languages : en
Pages : 241
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Book Description
Geometry of Construction has long been acknowledged as the most concise and instructive guide to the technical geometry of the construction industry, and a vital resource for students in architecture, carpentry, stonemasonry and engineering. Beginning with the very basics of technical drawing, it provides a series of increasingly complex exercises to clearly explain all that the reader needs to know about geometry. Each topic is covered with a detailed diagram and carefully written instructions, enabling the student to progress from basics such as the circle and construction of scales, to some of the most complex challenges including the entasis of a column, an ionic volute, the hemispherical dome and the setting out of barrel vaulting. The authors, T. B. Nichols and N. P. Keep, both worked extensively in the construction industry before moving into teaching, so they were ideally suited to produce this highly practical guide. First published in 1947, a revised edition, incorporating numerous suggestions from students and lecturers on Raking Sections, the Projection of Points, of Lines, and of Planes, the True Lengths of Lines, the Oblique Plane and on Roof Surfaces, was produced in 1954. Last published in 1966, it has been unobtainable since then. It remains one of the most useful books for any student in the construction industry.
Author: David Ross Scheer
Publisher: Routledge
ISBN: 1317803035
Category : Architecture
Languages : en
Pages : 289
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Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Author: Robert Bork
Publisher: Routledge
ISBN: 1351888978
Category : History
Languages : en
Pages : 783
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Book Description
The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
Author: Anthony Gerbino
Publisher: Springer
ISBN: 331905998X
Category : Architecture
Languages : en
Pages : 326
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Book Description
This volume explores the mathematical character of architectural practice in diverse pre- and early modern contexts. It takes an explicitly interdisciplinary approach, which unites scholarship in early modern architecture with recent work in the history of science, in particular, on the role of practice in the “scientific revolution”. As a contribution to architectural history, the volume contextualizes design and construction in terms of contemporary mathematical knowledge, attendant forms of mathematical practice, and relevant social distinctions between the mathematical professions. As a contribution to the history of science, the volume presents a series of micro-historical studies that highlight issues of process, materiality, and knowledge production in specific, situated, practical contexts. Our approach sees the designer’s studio, the stone-yard, the drawing floor, and construction site not merely as places where the architectural object takes shape, but where mathematical knowledge itself is deployed, exchanged, and amplified among various participants in the building process.
Author: Wilfred Eric Kelsey
Publisher:
ISBN: 9780258967720
Category : Building
Languages : en
Pages : 140
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Book Description
Author: Robin Evans
Publisher: MIT Press
ISBN: 9780262550383
Category : Architecture
Languages : en
Pages : 460
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Book Description
Robin Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century. From the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory. Evans describes the ambivalent role that pictures play in architecture and urges resistance to the idea that pictures provide all that architects need, suggesting that there is much more within the scope of the architect's vision of a project than what can be drawn. He defines the different fields of projective transmission that concern architecture, and investigates the ambiguities of projection and the interaction of imagination with projection and its metaphors.
Author: William Minifie
Publisher:
ISBN:
Category : Geometrical drawing
Languages : en
Pages : 324
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