A Study of Shang Dynasty Aesthetic Consciousness PDF Download
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Author: Zhu Zhirong
Publisher: Taylor & Francis
ISBN: 1040144268
Category : Philosophy
Languages : en
Pages : 270
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Book Description
This book explores the aesthetic consciousness of the Shang Dynasty and its influence on Chinese aesthetic development and contemporary aesthetic creation. The Shang Dynasty is the first era in China with authentic historical documentation. Its artifacts and inscriptions have great aesthetic value and serve as vivid and rich records of aesthetic concepts. By examining the production and use of pottery, jade, bronze, and oracle bone inscriptions, the book sheds light on the functions of these creations as media for conveying emotions driven by human nature. By discussing how the Shang script was invented and used, the author explores the significant role it played in the development of the aesthetic consciousness of the Chinese ancients. Based on surviving documents, including the hexagrams in the Book of Changes, the Pan Geng in the Book of Documents, and the Shang Songs in the Book of Songs, he further examines the poetic characteristics of Shang literature, recognizing it as both historically and literarily significant. The title is essential reading for scholars, students, and general readers interested in Chinese aesthetics, ancient Chinese civilization, culture, and art.
Author: Zhu Zhirong
Publisher: Taylor & Francis
ISBN: 1040144268
Category : Philosophy
Languages : en
Pages : 270
Get Book Here
Book Description
This book explores the aesthetic consciousness of the Shang Dynasty and its influence on Chinese aesthetic development and contemporary aesthetic creation. The Shang Dynasty is the first era in China with authentic historical documentation. Its artifacts and inscriptions have great aesthetic value and serve as vivid and rich records of aesthetic concepts. By examining the production and use of pottery, jade, bronze, and oracle bone inscriptions, the book sheds light on the functions of these creations as media for conveying emotions driven by human nature. By discussing how the Shang script was invented and used, the author explores the significant role it played in the development of the aesthetic consciousness of the Chinese ancients. Based on surviving documents, including the hexagrams in the Book of Changes, the Pan Geng in the Book of Documents, and the Shang Songs in the Book of Songs, he further examines the poetic characteristics of Shang literature, recognizing it as both historically and literarily significant. The title is essential reading for scholars, students, and general readers interested in Chinese aesthetics, ancient Chinese civilization, culture, and art.
Author: Zhirong Zhu
Publisher:
ISBN: 9781032859149
Category : Philosophy
Languages : en
Pages : 0
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Book Description
Author: Jianping Gao
Publisher: Springer
ISBN: 3662567016
Category : Philosophy
Languages : en
Pages : 234
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Book Description
This book introduces traditional and modern aesthetics and arts, comparing the similarities and differences between traditional and modern Chinese aesthetics. It also explores the aesthetic implications of traditional Chinese paintings, and discusses the development of aesthetics throughout history, as well as the changes and improvements in Chinese aesthetics in the context of globalization.
Author: Rosila Bee Binti Mohd Hussain
Publisher: Springer Nature
ISBN: 2384760920
Category : Education
Languages : en
Pages : 1907
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Book Description
This is an open access book. 2023 9th International Conference on Humanities and Social Science Research (ICHSSR 2023) will be held on April 21-23, 2022 in Beijing, China. Except that, ICHSSR 2023 is to bring together innovative academics and industrial experts in the field of Humanities and Social Science Research to a common forum. We will discuss and study about EDUCATION , SOCIAL SCIENCES AND HUMANITIES, INTERDISCIPLINARY STUDIES and other fields. ICHSSR 2022 also aims to provide a platform for experts, scholars, engineers, technicians and technical R & D personnel to share scientific research achievements and cutting-edge technologies, understand academic development trends, expand research ideas, strengthen academic research and discussion, and promote the industrialization cooperation of academic achievements. The conference sincerely invites experts, scholars, business people and other relevant personnel from universities, scientific research institutions at home and abroad to attend and exchange! The conference will be held every year to make it an ideal platform for people to share views and experiences in financial innovation and economic development and related areas.
Author: Sarah Allan
Publisher: State University of New York Press
ISBN: 0791494497
Category : History
Languages : en
Pages : 248
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Book Description
Many Chinese philosophic concepts derive from an ancient cosmology. This work is the first reconstructions of the mythic thought of the Shang Dynasty (ca. 1700- 1100 B.C.) which laid the foundation for later Chinese patterns of thought. Allan regards the myth, cosmology, divination, sacrificial ritual, and art of the Shang as different manifestations of a common religious system and each is examined in turn, building up a coherent and consistent picture. Although primarily concerned with the Shang, this work also describes the manner in which Shang thought was transformed in the later textual tradition.
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 520
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Book Description
Author: Zhirong Zhu
Publisher: Springer Nature
ISBN: 9811677476
Category : Philosophy
Languages : en
Pages : 327
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Book Description
This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying China’s traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position.
Author: ZONG Baihua
Publisher: Taylor & Francis
ISBN: 1000838765
Category : Philosophy
Languages : en
Pages : 276
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Book Description
This book is a collection of insightful writings on aesthetics and Chinese and Western art by ZONG Baihua, one of the most esteemed scholars of aesthetics in China. The 22 essays in the book dive deep into a variety of topics, including the aesthetic theory and aesthetic thoughts in ancient China and the West, history of Chinese art, Western classical art, and art theory, as well as Chinese poetics. The book explores different types of art in the Chinese and Western culture, ranging from the painting, Chinese calligraphy, sculpture, ancient architecture, and music to Chinese classic and modern poetry. Taking a comparative approach, the author expounds on the key elements of traditional Chinese aesthetic thinking and artistic conception and also elucidates the art theory in ancient Greek and Kant’s aesthetics. Presented in an engaging way and written in poetic prose, this title will be a must-read for both academic and general readers interested in aesthetics, Chinese ancient art, and art theory.
Author: Brian J. McVeigh
Publisher: Andrews UK Limited
ISBN: 1845409736
Category : Psychology
Languages : en
Pages : 232
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Book Description
In his provocative but critically acclaimed theory about the origin of introspectable mentality, Julian Jaynes argued that until the late second millennium people possessed a different psychology: a "two-chambered" (bicameral) neurocultural arrangement in which a commanding "god" guided, admonished, and ordered about a listening "mortal" via voices, visions, and visitations. Out of the cauldron of civilizational collapse and chaos, an adaptive self-reflexive consciousness emerged better suited to the pressures of larger, more complex sociopolitical systems. Though often described as boldly iconoclastic and far ahead of it time, Jaynes's thinking actually resonates with a "second" or "other" psychological tradition that explores the cultural-historical evolution of psyche. Brian J. McVeigh, a student of Jaynes, points out the blind spots of mainstream, establishment psychology by providing empirical support for Jaynes's ideas on sociohistorical shifts in cognition. He argues that from around 3500 to 1000 BCE the archaeological and historical record reveals features of hallucinatory super-religiosity in every known civilization. As social pressures eroded the god-centered authority of bicamerality, an upgraded psychology of interiorized self-awareness arose during the Late Bronze Age Collapse. A key explanatory component of Jaynes's theorizing was how metaphors constructed a mental landscape populated with "I's" and "me's" that replaced a declining worldview dominated by gods, ancestors, and spirits. McVeigh statistically substantiates how linguo-conceptual changes reflected psychohistorical developments; because supernatural entities functioned in place of our inner selves, vocabularies for psychological terms were strikingly limited in ancient languages. McVeigh also demonstrates the surprising ubiquity of "hearing voices" in modern times, contending that hallucinations are bicameral vestiges and that mental imagery - a controllable, semi-hallucinatory experience - is the successor to the divine hallucinations that once held societies together. This thought-provoking work will appeal to anyone interested in the transformative power of metaphors, the development of mental lexicons, and the adaptive role of hallucinations.
Author: Zehou Li
Publisher: University of Hawaii Press
ISBN: 0824833074
Category : History
Languages : en
Pages : 282
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Book Description
Li Zehou (b. 1930) has been an influential thinker in China since the 1950s. Before moving to the U.S. in the wake of the Tiananmen Square protests of 1989, Li published works on Kant and traditional and contemporary Chinese philosophy. The present volume, a translation of his Huaxia meixue (1989), is considered among Li’s most significant works. Apart from its value as an introduction to the philosophy of one of contemporary China’s foremost intellectuals, The Chinese Aesthetic Tradition fills an important gap in the literature of Chinese aesthetics in English. It presents Li’s synthesis of the entire trajectory of Chinese aesthetic thought, from ancient times to the early modern period, incorporating pre-Confucian and Confucian ideas, Daoism, Chan Buddhism, and the influence of Western philosophy during the late-imperial period. As one of China’s As one of China's major contemporary philosophers and preeminent authority on Kant, Li is uniquely positioned to observe this trajectory and make it intelligible to today’s readers. The Chinese Aesthetic Tradition touches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi’s artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, to Chan Buddhist-inspired notions that nature and words can come together to yield insight and enlightenment. In this enduring and stimulating work, Li demonstrates conclusively the fundamental role of aesthetics in the development of the cultural and psychological structures in Chinese culture that define "humanity."
