Notes on Mozart PDF Download
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Author: Conrad Wilson
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829290
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
This work reveals that Mozart enjoyed a good middle-class income in Vienna, his begging letters were less heart-rending than they seem, the myth of the mystery about Mozart's Requiem, and why Mozart's grave was not a pauper's grave as is commonly believed.
Author: Conrad Wilson
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829290
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
This work reveals that Mozart enjoyed a good middle-class income in Vienna, his begging letters were less heart-rending than they seem, the myth of the mystery about Mozart's Requiem, and why Mozart's grave was not a pauper's grave as is commonly believed.
Author: David M. Bynog
Publisher: Oxford University Press
ISBN: 0190916133
Category : Music
Languages : en
Pages : 433
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Book Description
Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.
![Sinfonia concertante in A (KV Anh. 104 [320e]) for violin, viola, cello and orchestra PDF](https://books.google.com/books/content/images/frontcover/VqYIAQAAMAAJ?fife=w80-h100)
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : String trio with orchestra
Languages : en
Pages : 68
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Book Description
Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337
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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: Neal Zaslaw
Publisher: University of Michigan Press
ISBN: 9780472103140
Category : Music
Languages : en
Pages : 502
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Book Description
A celebration and exploration of a monumental achievement
Author: William E. Caplin
Publisher: Oxford University Press
ISBN: 0199881758
Category : Music
Languages : en
Pages : 320
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Book Description
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Author:
Publisher:
ISBN:
Category : Viola
Languages : en
Pages : 408
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Book Description
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Alfred Einstein
Publisher: Galaxy Books
ISBN: 0195007328
Category : Biography & Autobiography
Languages : en
Pages : 514
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Book Description
Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musicalcontemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies.
Author: Jan Swafford
Publisher: HarperCollins
ISBN: 0062433598
Category : Biography & Autobiography
Languages : en
Pages : 832
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Book Description
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
