Author: Rene Lenormand
Publisher:
ISBN: 9781436906890
Category :
Languages : en
Pages : 164
Get Book Here
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author: Rene Lenormand
Publisher: Literary Licensing, LLC
ISBN: 9781498185042
Category :
Languages : en
Pages : 160
Get Book Here
Book Description
This Is A New Release Of The Original 1915 Edition.
Author: René Lenormand
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 164
Get Book Here
Book Description
Author: Brooklyn Public Library
Publisher:
ISBN:
Category : Brooklyn (New York, N.Y.)
Languages : en
Pages : 474
Get Book Here
Book Description
Author: René Lenormand
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 104
Get Book Here
Book Description
Author: Brooklyn Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
Get Book Here
Book Description
Author: Rene Lenormand
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 272
Get Book Here
Book Description
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1582
Get Book Here
Book Description
Author: Mark McFarland
Publisher: Boydell & Brewer
ISBN: 1648250904
Category : Music
Languages : en
Pages : 210
Get Book Here
Book Description
Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux. This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913. Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes. McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further.
Author: San Francisco Public Library
Publisher:
ISBN:
Category : Acquisitions (Libraries)
Languages : en
Pages : 258
Get Book Here
Book Description
