Author: Wei-Qin Claire Tang
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 140
Book Description
A Study of Karol Szymanowski's Musical Evolution in Selected Piano Works
Author: Wei-Qin Claire Tang
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 140
Book Description
Szymanowski on Music
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 688
Book Description
Karol Szymanowski: His Life and Music
Author: B. M. Maciejewski
Publisher: London : Poets & Painters' Press
ISBN:
Category : Composers
Languages : en
Pages : 170
Book Description
Publisher: London : Poets & Painters' Press
ISBN:
Category : Composers
Languages : en
Pages : 170
Book Description
The Music of Szymanowski
Author: Jim Samson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
Studie over het werk van de Poolse componist (1882-1937)
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
Studie over het werk van de Poolse componist (1882-1937)
An Investigation of Representative Piano Works by Karol Szymanowski (1882-1937)
Author: Pei Chu
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 254
Book Description
Harmonic Language and Structure Unification in Selected Piano Works of Karol Szymanowski
Author: Michael T. Barnett
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 64
Book Description
Karol Szymanowski
Author: Zdzisław Sierpiński
Publisher: Warsaw : Interpress Publishers
ISBN:
Category : Composers
Languages : en
Pages : 224
Book Description
Publisher: Warsaw : Interpress Publishers
ISBN:
Category : Composers
Languages : en
Pages : 224
Book Description
A Study of Selected Piano Works by Robert Chumbley and Lera Auerbach
Author: Jeong Yun Yang
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 85
Book Description
The purpose of this treatise is to provide a close examination of the compositional styles of two pianist-composers, Robert Chumbley (born 1954) and Lera Auerbach (born 1973), as well as critical analyses of selected solo piano works. It expands upon two doctoral lecture recitals I gave in the spring semesters of 2020 and 2021. The treatise is divided into two parts: the first part focuses on Robert Chumbley's Brahmsiana II (2011) and Three Etudes (... by any other name ...) (2015) and the second focuses on Lera Auerbach's Diabellical Waltz (2019) and Il Segno: Piano Sonata No. 2 (2006). Both Chumbley and Auerbach began their careers as pianists and have performed in concerts across the globe. Their compositional aesthetics are rooted in the Western musical tradition from the seventeenth to the twentieth centuries; however, the particular stylistic idioms they each have drawn from these musical roots have manifested differently in their work. Thus, their music provides listeners with distinctive musical vignettes of the past, viewed through unique lenses. My intention is to illustrate how Chumbley and Auerbach fused specific stylistic idioms with their individual compositional approaches. The first chapter, which focuses on Chumbley, investigates the influence of Beethoven, Chopin, Brahms, Debussy, Scriabin, Shostakovich, and Copland on his creative approach, as demonstrated in the two selected piano works. Specifically, it focuses on motivic treatment, harmonic color, and textural placement that render the characteristic atmosphere, mannerisms, and material in each piece. The second chapter highlights Auerbach's particular brand of polystylism and synthesis of past and present. Using Schnittke's two principles of polystylism-citation and allusion-my analysis demonstrates the way in which Auerbach perceives and incorporates musical idioms and materials from the past in an organic way, remaking them in new contexts. Brief performance guides to the works are provided at the end of each chapter.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 85
Book Description
The purpose of this treatise is to provide a close examination of the compositional styles of two pianist-composers, Robert Chumbley (born 1954) and Lera Auerbach (born 1973), as well as critical analyses of selected solo piano works. It expands upon two doctoral lecture recitals I gave in the spring semesters of 2020 and 2021. The treatise is divided into two parts: the first part focuses on Robert Chumbley's Brahmsiana II (2011) and Three Etudes (... by any other name ...) (2015) and the second focuses on Lera Auerbach's Diabellical Waltz (2019) and Il Segno: Piano Sonata No. 2 (2006). Both Chumbley and Auerbach began their careers as pianists and have performed in concerts across the globe. Their compositional aesthetics are rooted in the Western musical tradition from the seventeenth to the twentieth centuries; however, the particular stylistic idioms they each have drawn from these musical roots have manifested differently in their work. Thus, their music provides listeners with distinctive musical vignettes of the past, viewed through unique lenses. My intention is to illustrate how Chumbley and Auerbach fused specific stylistic idioms with their individual compositional approaches. The first chapter, which focuses on Chumbley, investigates the influence of Beethoven, Chopin, Brahms, Debussy, Scriabin, Shostakovich, and Copland on his creative approach, as demonstrated in the two selected piano works. Specifically, it focuses on motivic treatment, harmonic color, and textural placement that render the characteristic atmosphere, mannerisms, and material in each piece. The second chapter highlights Auerbach's particular brand of polystylism and synthesis of past and present. Using Schnittke's two principles of polystylism-citation and allusion-my analysis demonstrates the way in which Auerbach perceives and incorporates musical idioms and materials from the past in an organic way, remaking them in new contexts. Brief performance guides to the works are provided at the end of each chapter.
American Doctoral Dissertations
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 728
Book Description