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Author: Peter J. Chelkowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
The first book to examine this colossal political event through the images that set it in motion. With previously unpublished historical sources and essays by Peter Chelkowski and Hamid Dabashi.
Author: Peter J. Chelkowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
The first book to examine this colossal political event through the images that set it in motion. With previously unpublished historical sources and essays by Peter Chelkowski and Hamid Dabashi.
Author: Xing Fan
Publisher: Hong Kong University Press
ISBN: 9888455818
Category : History
Languages : en
Pages : 307
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Book Description
Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement. “This fascinating study is ground-breaking and timely. Xing Fan masterfully demonstrates how the creative choices made by playwrights, directors, musicians, actors, and designers intersected with one another in creating an aesthetics of the model theater during the Cultural Revolution. A must-read for anyone interested in Chinese literature and drama, theater studies, and comparative literature.” —Xiaomei Chen, University of California, Davis “Though no longer in fashion, the model revolutionary operas of the Cultural Revolution are still occasionally performed. Xing Fan has done us a great service by analyzing them in detail and reminding us of their merits. I thoroughly enjoyed this engaging book and learned a lot from it. I recommend it strongly.” —Colin Mackerras, Griffith University
Author: George Lakey
Publisher: Wipf and Stock Publishers
ISBN: 1498292690
Category : Religion
Languages : en
Pages : 305
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Book Description
The Arab Awakening and other nonviolent insurrections have often failed to produce lasting democratic change. A believer in empowerment, Lakey proposes a stage-by-stage developmental framework to get better, more transformational results. Still incorporating the nonviolent coercive force that has brought down dictators, Lakey uses historical “best practices” from movements to show how people can grow a revolution that roots itself even while it confronts. The five stages begin with consciousness change, lifting an intersectional vision that inspires and provides the basis for a critical mass to join the movement as it pushes through each developmental stage. Lakey shows how to reconcile pre-figurative alternative institutions with confrontive direct action teams, making the most of inherent synergistic potentials. With actual stories from confrontation with violent authorities he describes what works best for unifying and building the movement to the point where it can carry out the mass noncooperation that opens a power vacuum. Earlier democratic organizing structures—growing as the strategy unfolds—can then fill the vacuum. This stage prevents a relapse into the old oppression and defends the new society against counterrevolutionary forces. Although focused on how each society can realize its own revolution, this book acknowledges the context of global power and proposes a vision for transformed world institutions that are on the side of peace and justice. The principles in the book have particular application in the climate crisis humanity now faces, which is why the book describes a living revolution.
Author: Adela Pineda Franco
Publisher: State University of New York Press
ISBN: 1438475624
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution.
Author: Vladimir Ilʹich Lenin
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 144
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Book Description
Author: Xiaomei Chen
Publisher:
ISBN: 9780231166386
Category : Biography
Languages : en
Pages : 363
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Book Description
Introduction: Propaganda performance, history, and landscape -- The place of Chen Duxiu: political theater, dramatic history, and the question of representation -- Returning a people's hero: a "new" legacy in the plays of Mao -- Staging Deng Xiaoping: the "incorrigible capitalist roader" -- Performing the "red classics": three revolutionary music-and-dance epics and their peaceful restorations -- Epilogue: Where are the "founding mothers"?
Author: Mark Darlow
Publisher: Oxford University Press
ISBN: 0199773807
Category : Music
Languages : en
Pages : 416
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Book Description
Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.
Author: George Verwer
Publisher:
ISBN: 9780842304207
Category : Religion
Languages : en
Pages : 102
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Book Description
Author: Odai Johnson
Publisher: University of Iowa Press
ISBN: 1609384946
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
2017 Theatre Library Association Freedley Award Finalist In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens. London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.
Author: Nancy Van Norman Baer
Publisher:
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 216
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Book Description
