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Author: Phoebe Yates Pember
Publisher: BoD – Books on Demand
ISBN: 3368925628
Category : Fiction
Languages : en
Pages : 90
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Book Description
Reproduction of the original.
Author: Phoebe Yates Pember
Publisher: BoD – Books on Demand
ISBN: 3368925628
Category : Fiction
Languages : en
Pages : 90
Get Book
Book Description
Reproduction of the original.
Author: Phoebe Yates Pember
Publisher:
ISBN:
Category : Charities
Languages : en
Pages : 208
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Book Description
An account of the author's experiences in Richmond hospitals during the Civil War.
Author: Phoebe Yates Pember
Publisher: American Civil War Classics
ISBN: 9781570034510
Category : History
Languages : en
Pages : 90
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Book Description
Phoebe Yates Pember's A Southern Woman's Story is the inaugural volume in the University of South Carolina Press's new paperback series, American Civil War Classics. First published in 1879, A Southern Woman's Story chronicles Phoebe Pember's experiences as matron of the Confederate Chimborazo Hospital from November 1862 until the fall of Richmond in April 1865. Long an important source in Confederate history, A Southern Woman's Story is also a valuable book for students and scholars of women's history and the social history of the Civil War.
Author: Phoebe Yates Pember
Publisher: Literary Licensing, LLC
ISBN: 9781498187855
Category :
Languages : en
Pages : 192
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Book Description
This Is A New Release Of The Original 1879 Edition.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Phoebe Yates Pember
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 109
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Book Description
"A Southern Woman Story" is a memoir written by an American Jewish woman from Charleston, South Carolina, who served as a nurse and female administrator at Chimborazo Hospital in Richmond, Virginia during the American Civil War. The narrative was first published in 1866 in The Cosmopolite, a Baltimore journal, as "Reminiscences of A Southern Hospital. By Its Matron." A Southern Woman's Story: Life in Confederate Richmond was published in 1879, based on the memoir. The author, in this memoir, describes her daily life through wartime vignettes, and it remains one of the best sources for understanding upper-class Southern Jewish women's experiences and thoughts before and during the Civil War.
Author: Carolyn Perry
Publisher: LSU Press
ISBN: 9780807127537
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.
Author: Elizabeth Spencer
Publisher: Modern Library
ISBN: 0593241185
Category : Fiction
Languages : en
Pages : 529
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Book Description
A stunning collection of stories from “one of the foremost chroniclers of the American South” (The Washington Post), including the novella “Light in the Piazza”—featuring an introduction by Afia Atakora, author of Conjure Women Over the course of a fifty-year career, Elizabeth Spencer wrote masterly, lyrical fiction about southerners. An outstanding storyteller who was unjustly denied a Pulitzer for her anti-racist novel The Voice at the Back Door despite being the unanimous choice of the judges, she is recognized as one of the most accomplished writers of short fiction, infusing her work with elegant precision and empathy. The Southern Woman collects the best of Spencer’s short stories, displaying her range of place—the agrarian South, Italy in the decade after World War II, the gray-sky North, and, finally, the contemporary Sun Belt. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance
Author: Elizabeth R. Varon
Publisher: Oxford University Press
ISBN: 0195179897
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
A portrait of the Union spy leader notes her organization's efforts to gather intelligence, compromise Confederate efforts, and aid Union prisoner escapes, citing her sometimes controversial stands on such issues as slavery and war. (Biography)
Author: Catherine Clinton
Publisher: LSU Press
ISBN: 0807164593
Category : History
Languages : en
Pages : 181
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Book Description
In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women’s contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton’s telling, a far more balanced and vivid understanding of women’s roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women’s overt and covert participation in activities designed to challenge the rebellion and on white women’s roles in reshaping the war’s legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men’s roles—including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton’s work demonstrates, the larger questions of women’s wartime contributions remain important correctives to our understanding of the war’s impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.
