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Author: Carol Martin
Publisher: Routledge
ISBN: 1134844239
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.
Author: Carol Martin
Publisher: Routledge
ISBN: 1134844239
Category : Performing Arts
Languages : en
Pages : 336
Get Book Here
Book Description
This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.
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Publisher:
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Languages : en
Pages : 0
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Book Description
Author: Carol Martin
Publisher: Psychology Press
ISBN: 0415106451
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.
Author: Lynda Hart
Publisher: University of Michigan Press
ISBN: 9780472064793
Category : Art
Languages : en
Pages : 416
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Book Description
Both a critical account of contemporary feminist performance and illustration of its depth and diversity, Acting Out is essential reading for anyone interested in feminist theory, sexual difference, queer theory, or the politics of contemporary performance. Contributors include Philip Auslander, C. Carr, Kate Davy, Joyce Devlin, Elin Diamond, Jill Dolan, Hillary Harris, Lynda Hart, Lynda M. Hill, Julie Malnig, Vivan M. Patraka, Peggy Phelan, Janelle Reinelt, Sandra L. Richards, Amy Robinson, Judy C. Rosenthal, Rebecca Schneider, Raewyn Whyte, and Yvonne Yarbro-Bejarano.
Author: Sue-Ellen Case
Publisher: Routledge
ISBN: 1136165592
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe. This unique anthology comes complete with: * seven of Split Britches' best loved performance texts * a critical, historical introduction by Sue-Ellen Case * programme notes to accompany each of the plays * a range of stunning photographic illustrations The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.
Author: Paul Allain
Publisher: Routledge
ISBN: 1134517963
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
Discussing some of the pivotal questions relating to the complementary fields of theatre and performance studies, this engaging, easy-to-use text is undoubtedly a perfect reference guide for the keen student and passionate theatre-goer alike.
Author: Deborah Bell
Publisher: McFarland
ISBN: 1476618046
Category : Social Science
Languages : en
Pages : 289
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Book Description
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Author: Komla Aggor
Publisher: MHRA
ISBN: 1839541318
Category : Performing Arts
Languages : en
Pages : 109
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Book Description
Coronada y el toro (Coronada and the Bull) is a play written in 1974 by Francisco Morales Nieva (1924–2016), a prominent figure in the history of Spanish theatre. Even though the aesthetic quality of his drama competed with that of his contemporaries, with many of whom he interacted (Ionesco, Genet, Brecht, Grotowski, et al.), Nieva’s recognition was unduly delayed within Spain and, on the international scene, his name remains eclipsed by playwrights such as Federico García Lorca and Antonio Buero Vallejo. Traditionalist and populist yet cosmopolitan and neo-avant-garde, Nieva began writing plays in the late 1940s but never got the chance to perform any on the commercial stage until 1976, a few months after the death of General Francisco Franco, whose censorship machine forced his work underground. Hard to subject to any single classification, Nieva’s theatre is as complex as it is innovative in its combination of resources from a wide range of artistic trends, from the género chico to the Baroque to postmodernism. Coronada y el toro is a sophisticated masterpiece, rich in intertextuality, humour, and suspense.
Author: Jennifer L. Griffiths
Publisher: University of Virginia Press
ISBN: 0813928958
Category : Literary Criticism
Languages : en
Pages : 145
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Book Description
Studies of traumatic stress have explored the challenges to memory as a result of extreme experience, particularly in relation to the ways in which trauma resonates within the survivor’s body and the difficulties survivors face when trying to incorporate their experience into meaningful narratives. Jennifer Griffiths examines the attempts of several African American writers and playwrights to explore ruptures in memory after a traumatic experience and to develop creative strategies for understanding the inscription of trauma on the body in a racialized cultural context. In the literary and performance texts examined here, Griffiths shows how the self is reconstituted through testimony—through the attempt to put into language and public statement the struggle of survivors to negotiate the limits placed on their bodies and to speak controversial truths. Dessa in her jail cell, Venus in the courtroom, Sally on the auction block, Ursa in her own family history, and Rodney King in the video frame—each character in these texts by Sherley Anne Williams, Suzan-Lori Parks, Robbie McCauley, Gayl Jones, and Anna Deavere Smith gives voice not only to the limits of language in representing traumatic experience but also to the necessity of testimony as the public enactment of memory and bodily witness. In focusing specifically and exclusively on the relation of trauma to race and on the influence of racism on the creation and reception of narrative testimony, this book distinguishes itself from previous studies of the literatures of trauma.
Author: Helen Krich Chinoy
Publisher: Theatre Communications Grou
ISBN: 9781559362634
Category : Drama
Languages : en
Pages : 602
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Book Description
First full-scale revision since 1987.
