Author: Diane Elise James
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 220
Book Description
A Selective Bibliography of Jazz, 1918-1961
Author: Diane Elise James
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 220
Book Description
Bibliography of Discographies: Jazz
Author: Michael H. Gray
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 270
Book Description
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 270
Book Description
Jazz Age Giant
Author: Robert F. Garratt
Publisher: U of Nebraska Press
ISBN: 1496235592
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
In the early 1920s, when the New York Yankees’ first dynasty was taking shape, they were outplayed by their local rival, the New York Giants. Led by manager John McGraw the Giants won four consecutive National League pennants and two World Series, both against the rival Yankees. Remarkably, the Giants succeeded despite a dysfunctional and unmanageable front office. And at the center of the turmoil was one of baseball’s more improbable figures: club president Charles A. Stoneham, who had purchased the Giants for $1 million in 1919, the largest amount ever paid for an American sports team. Short, stout, and jowly, Charlie Stoneham embodied a Jazz Age stereotype—a business and sporting man by day, he led another life by night. He threw lavish parties, lived extravagantly, and was often chronicled in the city tabloids. Little is known about how he came to be one of the most successful investment brokers in what were known as “bucket shops,” a highly speculative and controversial branch of Wall Street. One thing about Stoneham is clear, however: at the close of World War I he was a wealthy man, with a net worth of more than $10 million. This wealth made it possible for him to purchase majority control of the Giants, one of the most successful franchises in Major League Baseball. Stoneham, an owner of racehorses, a friend to local politicians and Tammany Hall, a socialite and a man well placed in New York business and political circles, was also implicated in a number of business scandals and criminal activities. The Giants’ principal owner had to contend with federal indictments, civil lawsuits, hostile fellow magnates, and troubles with booze, gambling, and women. But during his sixteen-year tenure as club president, the Giants achieved more success than the club had seen under any prior regime. In Jazz Age Giant Robert Garratt brings to life Stoneham’s defining years leading the Giants in the Roaring Twenties. With its layers of mystery and notoriety, Stoneham’s life epitomizes the high life and the changing mores of American culture during the 1920s, and the importance of sport, especially baseball, during the pivotal decade.
Publisher: U of Nebraska Press
ISBN: 1496235592
Category : Biography & Autobiography
Languages : en
Pages : 264
Book Description
In the early 1920s, when the New York Yankees’ first dynasty was taking shape, they were outplayed by their local rival, the New York Giants. Led by manager John McGraw the Giants won four consecutive National League pennants and two World Series, both against the rival Yankees. Remarkably, the Giants succeeded despite a dysfunctional and unmanageable front office. And at the center of the turmoil was one of baseball’s more improbable figures: club president Charles A. Stoneham, who had purchased the Giants for $1 million in 1919, the largest amount ever paid for an American sports team. Short, stout, and jowly, Charlie Stoneham embodied a Jazz Age stereotype—a business and sporting man by day, he led another life by night. He threw lavish parties, lived extravagantly, and was often chronicled in the city tabloids. Little is known about how he came to be one of the most successful investment brokers in what were known as “bucket shops,” a highly speculative and controversial branch of Wall Street. One thing about Stoneham is clear, however: at the close of World War I he was a wealthy man, with a net worth of more than $10 million. This wealth made it possible for him to purchase majority control of the Giants, one of the most successful franchises in Major League Baseball. Stoneham, an owner of racehorses, a friend to local politicians and Tammany Hall, a socialite and a man well placed in New York business and political circles, was also implicated in a number of business scandals and criminal activities. The Giants’ principal owner had to contend with federal indictments, civil lawsuits, hostile fellow magnates, and troubles with booze, gambling, and women. But during his sixteen-year tenure as club president, the Giants achieved more success than the club had seen under any prior regime. In Jazz Age Giant Robert Garratt brings to life Stoneham’s defining years leading the Giants in the Roaring Twenties. With its layers of mystery and notoriety, Stoneham’s life epitomizes the high life and the changing mores of American culture during the 1920s, and the importance of sport, especially baseball, during the pivotal decade.
A People's Music
Author: Helma Kaldewey
Publisher: Cambridge University Press
ISBN: 1108486185
Category : History
Languages : en
Pages : 345
Book Description
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
Publisher: Cambridge University Press
ISBN: 1108486185
Category : History
Languages : en
Pages : 345
Book Description
Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
Popular Singers of the Twentieth Century
Author: Robert H. Cowden
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 524
Book Description
This guide to the biographical literature available on popular 20th-century singers covers nearly 1000 artists. Much of the literature cited is also cross-referenced to major biographical dictionaries, encyclopedias, and relevant periodicals. Entries not only list known publications associated with popular singers but also incorporate elements of analytical and descriptive bibliography. The artists included in this volume increasingly cross musical boundaries. The popular singer category, therefore, encompasses Broadway, Hollywood, cabaret, and operetta performers as well as recording artists. Scholars of popular music and popular music enthusiasts will appreciate the extensive research this work embodies. Divided among three sections, citations are arranged alphabetically and include information about literature published through 1997. An appendix of additional artists and an index complete the volume.
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 524
Book Description
This guide to the biographical literature available on popular 20th-century singers covers nearly 1000 artists. Much of the literature cited is also cross-referenced to major biographical dictionaries, encyclopedias, and relevant periodicals. Entries not only list known publications associated with popular singers but also incorporate elements of analytical and descriptive bibliography. The artists included in this volume increasingly cross musical boundaries. The popular singer category, therefore, encompasses Broadway, Hollywood, cabaret, and operetta performers as well as recording artists. Scholars of popular music and popular music enthusiasts will appreciate the extensive research this work embodies. Divided among three sections, citations are arranged alphabetically and include information about literature published through 1997. An appendix of additional artists and an index complete the volume.
Making Music Modern
Author: Carol J. Oja
Publisher: Oxford University Press
ISBN: 0190281626
Category : Music
Languages : en
Pages : 512
Book Description
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
Publisher: Oxford University Press
ISBN: 0190281626
Category : Music
Languages : en
Pages : 512
Book Description
New York City witnessed a dazzling burst of creativity in the 1920s. In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the perspective of composers of classical and modern music, who along with writers, painters, and jazz musicians, were at the heart of early modernism in America. She also illustrates how the aesthetic attitudes and institutional structures from the 1920s left a deep imprint on the arts over the 20th century. Aaron Copland, George Gershwin, Ruth Crawford Seeger, Virgil Thomson, William Grant Still, Edgar Varèse, Henry Cowell, Leo Ornstein, Marion Bauer, George Antheil-these were the leaders of a talented new generation of American composers whose efforts made New York City the center of new music in the country. They founded composer societies--such as the International Composers' Guild, the League of Composers, the Pan American Association, and the Copland-Sessions Concerts--to promote the performance of their music, and they nimbly negotiated cultural boundaries, aiming for recognition in Western Europe as much as at home. They showed exceptional skill at marketing their work. Drawing on extensive archival material--including interviews, correspondence, popular periodicals, and little-known music manuscripts--Oja provides a new perspective on the period and a compelling collective portrait of the figures, puncturing many longstanding myths. American composers active in New York during the 1920s are explored in relation to the "Machine Age" and American Dada; the impact of spirituality on American dissonance; the crucial, behind-the-scenes role of women as patrons and promoters of modernist music; cross-currents between jazz and concert music; the critical reception of modernist music (especially in the writings of Carl Van Vechten and Paul Rosenfeld); and the international impulse behind neoclassicism. The book also examines the persistent biases of the time, particularly anti-Semitisim, gender stereotyping, and longstanding racial attitudes.
Choral-Orchestral Repertoire
Author: Jonathan D. Green
Publisher: Rowman & Littlefield
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747
Book Description
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Publisher: Rowman & Littlefield
ISBN: 1442244674
Category : Music
Languages : en
Pages : 747
Book Description
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Dictionary Catalog
Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 960
Book Description
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 870
Book Description
The New Grove Dictionary of Jazz
Author: Barry Kernfeld
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 712
Book Description