Author: National Audiovisual Center
Publisher:
ISBN:
Category : Audio-visual equipment
Languages : en
Pages : 76
Book Description
A Reference List of Audiovisual Materials Produced by the United States Government
A Reference List of Audiovisual Materials Produced by the United States Government : Supplement, 1980
Author: National Audiovisual Center
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 76
Book Description
Monthly Catalog of United States Government Publications
Author: United States. Superintendent of Documents
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 248
Book Description
Prologue
Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 608
Book Description
Bridges to Employment: Practices for providing follow-through services to employment and training clients
Author:
Publisher:
ISBN:
Category : High school dropouts
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : High school dropouts
Languages : en
Pages : 120
Book Description
Monthly Catalog of United States Government Publications
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 514
Book Description
Resources in Education
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1296
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1296
Book Description
Monthly Catalogue, United States Public Documents
Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1574
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1574
Book Description
Equestrian Studies
Author: Myron J. Smith
Publisher: Scarecrow Press
ISBN: 9780810814233
Category : Reference
Languages : en
Pages : 374
Book Description
No descriptive material is avaialble for this title.
Publisher: Scarecrow Press
ISBN: 9780810814233
Category : Reference
Languages : en
Pages : 374
Book Description
No descriptive material is avaialble for this title.
Arctic Cinemas and the Documentary Ethos
Author: Anna Westerstahl Stenport
Publisher: Indiana University Press
ISBN: 0253040329
Category : Performing Arts
Languages : en
Pages : 387
Book Description
A collection of essays analyzing the representation of the Arctic region in documentary films. Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of “The Arctic” as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation. “Highly recommended.” —Choice “A thorough exploration of the inexorable links between the circumpolar regions and historic and contemporary documentary filmmaking. It will b valuable to Arctic humanities specialists, particularly as a welcome addition to scholarship on visual depictions of the Arctic by authors such as Ann Fienup-Riordan, Richard Condon, Russell Potter, and Peter Geller, as well as Mackenzie and Westerstahl Steport’s earlier co-edited volume, Films on Ice. It will also be of use to anyone interested in ways of studying linkages between filmmaking, environments, and local and outsider communities.” —Sarah Pickman, Yale University, H-Environment, January 2020
Publisher: Indiana University Press
ISBN: 0253040329
Category : Performing Arts
Languages : en
Pages : 387
Book Description
A collection of essays analyzing the representation of the Arctic region in documentary films. Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of “The Arctic” as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation. “Highly recommended.” —Choice “A thorough exploration of the inexorable links between the circumpolar regions and historic and contemporary documentary filmmaking. It will b valuable to Arctic humanities specialists, particularly as a welcome addition to scholarship on visual depictions of the Arctic by authors such as Ann Fienup-Riordan, Richard Condon, Russell Potter, and Peter Geller, as well as Mackenzie and Westerstahl Steport’s earlier co-edited volume, Films on Ice. It will also be of use to anyone interested in ways of studying linkages between filmmaking, environments, and local and outsider communities.” —Sarah Pickman, Yale University, H-Environment, January 2020