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Author: William Holman Hunt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 372
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Book Description
Author: William Holman Hunt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 372
Get Book Here
Book Description
Author: Fiona MacCarthy
Publisher: Harvard University Press
ISBN: 0674065565
Category : Architecture
Languages : en
Pages : 696
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Book Description
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Author: Jan Marsh
Publisher: National Portrait Gallery
ISBN: 9781855147270
Category : ART
Languages : en
Pages : 0
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Book Description
Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "
Author: Pamela Todd
Publisher: Pavilion Books, Limited
ISBN: 9781862055834
Category : Artists
Languages : en
Pages : 192
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Book Description
Following on from the success of Bloomsbury at Home, Pamela Todd turns her attention to the fiery group of young artists, designers and thinkers, led by the charismatic figure of Dante Gabriel Rossetti, which, in 1848, came together as the semi-secret Pre-Raphaelite Brotherhood. She explores their personalities and work through the places and haunts they made their own, presenting an intimate view of an important section of the avant-garde artistic community and placing it firmly in its Victorian context. The Pre-Raphaelites at Home is a book about personality and place. Biographies of each of the extensive cast of characters open the book, followed by a chronology of the significant events affecting the group over more than 60 years. In the succeeding chapters Rossetti, John Everett Millais, William Holman Hunt and Thomas Woolner are joined by William Morris, Edward Burne-Jones and their intimate circle. Place by place, we are led through the story of subtly shifting allegiance, of love and deaths, adultery and illness, as the angry young men became successful, and, in some cases, even respectable. The lively narrative, packed with quotation from their own work, is lavishly illust
Author: Tim Barringer
Publisher: Routledge
ISBN: 1351536257
Category : Art
Languages : en
Pages : 412
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Book Description
This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.
Author: Elizabeth Macneal
Publisher: Atria/Emily Bestler Books
ISBN: 1982106778
Category : Fiction
Languages : en
Pages : 384
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Book Description
The #1 international bestseller and The New York Times Editor’s Choice “As lush as the novels of Kate Morton and Diane Setterfield, as exciting as The Alienist and Iain Pears’ An Instance of the Fingerpost, this exquisite literary thriller will intrigue book clubs and rivet fans of historical fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window “A lush, evocative Gothic.” —The New York Times Book Review “This terrifically exciting novel will jolt, thrill, and bewitch readers.” —Booklist, starred review Obsession is an art. In this “sharp, scary, gorgeously evocative tale of love, art, and obsession” (Paula Hawkins, bestselling author of The Girl on the Train), a beautiful young woman aspires to be an artist, while a man’s dark obsession may destroy her world forever. Obsession is an art. In 1850s London, the Great Exhibition is being erected in Hyde Park and, among the crowd watching the dazzling spectacle, two people meet by happenstance. For Iris, an arrestingly attractive aspiring artist, it is a brief and forgettable moment. But for Silas, a curiosity collector enchanted by all things strange and beautiful, the meeting marks a new beginning. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly, her world begins to expand beyond her wildest dreams—but she has no idea that evil is waiting in the shadows. Silas has only thought of one thing since that chance meeting, and his obsession is darkening by the day. “A lush, evocative Gothic” (The New York Times Book Review) that is “a perfect blend of froth and substance” (The Washington Post), The Doll Factory will haunt you long after you finish it and is perfect for fans of The Alienist, Drood, and Fingersmith.
Author: Elizabeth Prettejohn
Publisher: Cambridge University Press
ISBN: 0521719313
Category : Art
Languages : en
Pages : 335
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Book Description
A general introduction to the Pre-Raphaelite movement, treating both literature and visual art.
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Author: Jan Marsh
Publisher: National Portrait Gallery Comp
ISBN: 9781855144798
Category : Art
Languages : en
Pages : 0
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Book Description
The Pre-Raphaelite Brotherhood was a group of nineteenth-century artists who challenged contemporary art with their commitment to realism and 'truth to nature'. Renowned as much for their social relationships as for their artistic ideals, the lives of the Pre-Raphaelites - Holman Hunt, Rossetti, Millais, Burne-Jones and Morris - illustrate the full range of human experience, from personal tragedy to triumph. Jan Marsh explores both the individual personalities and the artistic force which bound the circle together.
Author: Christiana Payne
Publisher:
ISBN: 9781910807439
Category :
Languages : en
Pages : 240
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Book Description
Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group's champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford. Oxford's key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones's illustrated letters and paintbrushes. The collection of watercolors and drawings includes a wide variety of appealing works, from Hunt's first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin's advice to 'go to nature'. More than just an exhibition catalog, this book is a showcase of the Ashmolean's incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolor, bodycolor and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.
