A Practical Approach to Jazz Improvisation PDF Download
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Author: Ben Markley
Publisher: Alfred Music
ISBN: 9781562242954
Category : Music
Languages : en
Pages : 0
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Book Description
Learn how to create your own etudes in the style of your favorite musicians! Doing so reveals their favorite phrases and stylistic tendencies, allowing you to better understand and absorb their approach and concept (plus, there are unique, hip etudes that will be fun to play and share with your friends and students). Well-known pianist David Hazeltine used this method to develop his own style and refined it over the years to help his students. Now, it is available in book form for all who want to master the art of better phrasing. This is not a piano book. This is a single-line approach designed for all instrumentalists, including piano. David Hazeltine is, quite simply, one of the finest musicians I've had the chance to perform with in my two-plus decades as a professional musician. Over the years, I've asked Dave to show me some of his harmonic and melodic concepts. Most times, he'll present me with a portion of one of his etudes that he's come up with. I've found them all to be tremendously informative. They are crafted in a way that makes the concepts contained in each exercise very organic, and readily accessible to me in my own improvisations. Dave's meticulous study of the masters of his instrument has yielded a treasure trove of information. His etudes are designed to maximize the internalization of particular styles and modern Jazz language in general. I'm confident that this book will provide countless hours---years even---of enjoyment and learning to all who take the time to look into the mind and the learning process of this brilliant musician." ---Eric Alexander"
Author: Ben Markley
Publisher: Alfred Music
ISBN: 9781562242954
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
Learn how to create your own etudes in the style of your favorite musicians! Doing so reveals their favorite phrases and stylistic tendencies, allowing you to better understand and absorb their approach and concept (plus, there are unique, hip etudes that will be fun to play and share with your friends and students). Well-known pianist David Hazeltine used this method to develop his own style and refined it over the years to help his students. Now, it is available in book form for all who want to master the art of better phrasing. This is not a piano book. This is a single-line approach designed for all instrumentalists, including piano. David Hazeltine is, quite simply, one of the finest musicians I've had the chance to perform with in my two-plus decades as a professional musician. Over the years, I've asked Dave to show me some of his harmonic and melodic concepts. Most times, he'll present me with a portion of one of his etudes that he's come up with. I've found them all to be tremendously informative. They are crafted in a way that makes the concepts contained in each exercise very organic, and readily accessible to me in my own improvisations. Dave's meticulous study of the masters of his instrument has yielded a treasure trove of information. His etudes are designed to maximize the internalization of particular styles and modern Jazz language in general. I'm confident that this book will provide countless hours---years even---of enjoyment and learning to all who take the time to look into the mind and the learning process of this brilliant musician." ---Eric Alexander"
Author: Tom Hall
Publisher: Tom Hall
ISBN: 9780615328621
Category : Improvisation (Music)
Languages : en
Pages : 101
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Book Description
Author: Michael Titlebaum
Publisher: Routledge
ISBN: 9780367854751
Category : Music
Languages : en
Pages : 300
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Book Description
Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent. This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities: musical examples performance exercises written assignments practice grids resources for advanced study and more! Nearly all musical exercises--presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments--are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."
Author: Marden Pond
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 104
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Book Description
Author: Davy Mooney
Publisher: Mel Bay Publications
ISBN: 161911934X
Category : Music
Languages : en
Pages : 68
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Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101459
Category : Music
Languages : en
Pages : 725
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Book Description
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
Author: Robert Rawlins
Publisher: Hal Leonard Corporation
ISBN: 1476840873
Category : Music
Languages : en
Pages : 275
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Book Description
(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more!
Author: Antonio J. Garcia
Publisher: Hal Leonard Corporation
ISBN: 1574631691
Category : Music
Languages : en
Pages : 163
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Book Description
(Meredith Music Resource). If grading music students in any creative course for credit is a challenge, how much more difficult is it to grade something as personal and nebulous as jazz improvisation? Should students be evaluated on their creativity in soloing or simply on technical skills such as chords and scales? What are the objectives in an improv course, and how can they be graded? The instructors whose responses are presented in this book represent over 700 years of combined experience teaching jazz improvisation over 400 of those years for credit.
Author: Hal Crook
Publisher: Alfred Music
ISBN: 9783954810659
Category :
Languages : en
Pages : 999
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Book Description
As taught at Berklee College of Music Ready, Aim, Improvise!, Book 1: Preparation and Jazz Vocabulary by Hal Crook explores the critical areas involved in learning how to improvise, including: music theory, jazz harmony, ear training, jazz execution, jazz vocabulary, practicing, self-critiquing, career planning, and much more. Ready, Aim, Improvise! is filled with musical examples, exercises, and practice routines that help make the learning process easy and enjoyable. Two enclosed play-along CDs feature modal, key-area, and modulating chord progressions performed at a slow, manageable tempo. Ready, Aim, Improvise! is a clear, comprehensive study of the most important steps in a jazz musicians education. Don't be surprised if it gets you practicing more and playing better in no time at all! So get Ready . . . Aim . . . Improvise!
Author: Noah Baerman
Publisher: Alfred Music Publishing
ISBN: 9780739031711
Category : Music
Languages : en
Pages : 148
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Book Description
National Keyboard Workshop book, approved curriculum.
