Author: Parker Tyler
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
Book Description
"Gay rape, " p. 148-149; "The gay sexes, " p. 150-162; "Camp sex, " p. 163-174.
A Pictorial History of Sex in Films
Author: Parker Tyler
Publisher:
ISBN: 9780806505404
Category : Performing Arts
Languages : en
Pages : 262
Book Description
Publisher:
ISBN: 9780806505404
Category : Performing Arts
Languages : en
Pages : 262
Book Description
A Pictorial History of Sex in Films
Author: Parker Tyler
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
Book Description
"Gay rape, " p. 148-149; "The gay sexes, " p. 150-162; "Camp sex, " p. 163-174.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
Book Description
"Gay rape, " p. 148-149; "The gay sexes, " p. 150-162; "Camp sex, " p. 163-174.
The Columbia Companion to American History on Film
Author: Peter C. Rollins
Publisher: Columbia University Press
ISBN: 0231508395
Category : History
Languages : en
Pages : 695
Book Description
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
Publisher: Columbia University Press
ISBN: 0231508395
Category : History
Languages : en
Pages : 695
Book Description
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
Hard to Imagine
Author: Thomas Waugh
Publisher: Columbia University Press
ISBN: 9780231099981
Category : Education
Languages : en
Pages : 504
Book Description
Waugh identifies four primary aspects of homoerotic photography and film - the artistic, the commercial, the illicit, and the politico-scientific - tracing their development against a background of advances in visual technology. This comprehensive work explores a vast, eclectic tradition in its totality, analyzing the visual imagery in addition to its production, circulation, and consumption.
Publisher: Columbia University Press
ISBN: 9780231099981
Category : Education
Languages : en
Pages : 504
Book Description
Waugh identifies four primary aspects of homoerotic photography and film - the artistic, the commercial, the illicit, and the politico-scientific - tracing their development against a background of advances in visual technology. This comprehensive work explores a vast, eclectic tradition in its totality, analyzing the visual imagery in addition to its production, circulation, and consumption.
Swinging Single
Author: Hilary Radner
Publisher: U of Minnesota Press
ISBN: 9780816633517
Category : Social Science
Languages : en
Pages : 484
Book Description
Critics and defenders alike connect today's widespread anxieties about sexuality and culture to the political activism of the 1960s and the counterculture's preoccupation with the individual pursuit of pleasure. In contrast, the essays in Swindling Single attribute the new sexual mores of that era not to its political upheavals but to a confluence of social, cultural, and economic factors that encouraged personal gratification and altered traditionally defined gender roles. Contributors analyze a broad range of topics: the commercialization of avant-garde and exploitation films; new visions of female sexuality in That Girl and The Avengers; the social context of such cultural icons as Hugh Hefner and Charles Manson; the intersection of race and sexuality in Eldridge Cleaver's Soul oil Ice; and depictions of sexual pleasure in pornography and scientific films.
Publisher: U of Minnesota Press
ISBN: 9780816633517
Category : Social Science
Languages : en
Pages : 484
Book Description
Critics and defenders alike connect today's widespread anxieties about sexuality and culture to the political activism of the 1960s and the counterculture's preoccupation with the individual pursuit of pleasure. In contrast, the essays in Swindling Single attribute the new sexual mores of that era not to its political upheavals but to a confluence of social, cultural, and economic factors that encouraged personal gratification and altered traditionally defined gender roles. Contributors analyze a broad range of topics: the commercialization of avant-garde and exploitation films; new visions of female sexuality in That Girl and The Avengers; the social context of such cultural icons as Hugh Hefner and Charles Manson; the intersection of race and sexuality in Eldridge Cleaver's Soul oil Ice; and depictions of sexual pleasure in pornography and scientific films.
Censoring Sex
Author: John E. Semonche
Publisher: Rowman & Littlefield Publishers
ISBN: 0742572757
Category : History
Languages : en
Pages : 309
Book Description
In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution.
Publisher: Rowman & Littlefield Publishers
ISBN: 0742572757
Category : History
Languages : en
Pages : 309
Book Description
In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution.
The Complete Films of Mae West
Author: Jon Tuska
Publisher: Citadel Press
ISBN: 9780806513591
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Publisher: Citadel Press
ISBN: 9780806513591
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Hollywood V. Hard Core
Author: Jon Lewis
Publisher: NYU Press
ISBN: 0814751431
Category : Business & Economics
Languages : en
Pages : 389
Book Description
An intriguing look at how the American film industry imposed the rating system upon itself to control competition from films independently produced and distributed.
Publisher: NYU Press
ISBN: 0814751431
Category : Business & Economics
Languages : en
Pages : 389
Book Description
An intriguing look at how the American film industry imposed the rating system upon itself to control competition from films independently produced and distributed.
Catalogue of the Book Library of the British Film Institute, London, England: Title catalogue, G-Z. Script catalogue. Subject catalogue. Personality index. Film index
Author: British Film Institute. Library
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 866
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 866
Book Description
The Complete Films of Laurence Olivier
Author: Jerry Vermilye
Publisher: Citadel Press
ISBN: 9780806513027
Category : Biography & Autobiography
Languages : en
Pages : 294
Book Description
Laurence Olivier portrayed characters that were as diverse as they were memorable. From Hamlet to Heathcliff, from a Nazi dentist in 'Marathon Man' to a cunning mystery writer in 'Sleuth' his roles made him one of the most highly acclaimed actors of all time. This book celebrates his career, including casts, credits, synopses and production notes from every movie in which he appeared. Photographs illustrate the text, wit hrare candids borrowed from Olivier collectors.
Publisher: Citadel Press
ISBN: 9780806513027
Category : Biography & Autobiography
Languages : en
Pages : 294
Book Description
Laurence Olivier portrayed characters that were as diverse as they were memorable. From Hamlet to Heathcliff, from a Nazi dentist in 'Marathon Man' to a cunning mystery writer in 'Sleuth' his roles made him one of the most highly acclaimed actors of all time. This book celebrates his career, including casts, credits, synopses and production notes from every movie in which he appeared. Photographs illustrate the text, wit hrare candids borrowed from Olivier collectors.