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Author: A. J. Langguth
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392
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Book Description
A gripping, high-stakes epic that capitalizes on the wealth of primary materials--from Caesar's war stories to Cicero's intimate letters--to get straight to the heart of the political intrigues, alliances, and deal making that--now more than ever--seem especially vibrant and contemporary. Maps and photos.
Author: A. J. Langguth
Publisher:
ISBN:
Category : History
Languages : en
Pages : 392
Get Book Here
Book Description
A gripping, high-stakes epic that capitalizes on the wealth of primary materials--from Caesar's war stories to Cicero's intimate letters--to get straight to the heart of the political intrigues, alliances, and deal making that--now more than ever--seem especially vibrant and contemporary. Maps and photos.
Author: Annegret Fauser
Publisher: Oxford University Press
ISBN: 0199323763
Category : Music
Languages : en
Pages : 385
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Book Description
What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y. . . ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.
Author: Vincent B. Davis II
Publisher:
ISBN: 9780999120811
Category : Fiction
Languages : en
Pages : 330
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Book Description
Rome, 105 B.C. One of the only survivors of Rome's most crushing military defeat, Quintus Sertorius is thrust back into the fray against the barbarians who caused it. The Roman army is now under the leadership of the brilliant and charismatic Gaius Marius, who has vowed to end the northern menace once and for all. Battling night terrors and survivor's guilt, Sertorius is asked by the General to undertake his most daring feat yet: infiltrating the enemy camp. Attempting to gain intelligence about these mysterious northern tribes, Sertorius grows his beard and dresses like a Gaul, becoming like them in every way. But the more he discovers about these barbaric tribes, the more he realizes he must fight to destroy them. Will Sertorius make it back to Marius with the intelligence he's discovered, or will another massacre mark the end of the Roman empire? The Noise of War is the second book in the captivating Sertorius Scrolls historical fiction series. It takes the reader through the thick forests of Gaul, into the sprawling maritime city of Massilia, from the Roman frontlines to behind enemy lines.
Author: Jennifer Wallis
Publisher:
ISBN: 9781909394407
Category : Noise music
Languages : en
Pages : 0
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Book Description
The first book devoted to power electronics, written by artists, fans, and critics. Power electronics is a genre of industrial or 'noise' music that utilises feedback and synthesizers to produce an intense, loud, challenging sound. Fight Your Own War is the first ever English-language book primarily devoted to power electronics, bringing together essays and reviews that explore the current state of the genre, from early development through to live performance, listener experience, artist motivation, gender and subcultures, such as 'Japanoise'.
Author: Marta Lewicka
Publisher: Springer Nature
ISBN: 3030462099
Category : Mathematics
Languages : en
Pages : 258
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Book Description
This graduate textbook provides a detailed introduction to the probabilistic interpretation of nonlinear potential theory, relying on the recently introduced notion of tug-of-war games with noise. The book explores both basic and more advanced constructions, carefully explaining the parallel between linear and nonlinear cases. The presentation is self-contained with many exercises, making the book suitable as a textbook for a graduate course, as well as for self-study. Extensive background and auxiliary material allow the tailoring of courses to individual student levels.
Author: J. Martin Daughtry
Publisher:
ISBN: 0199361495
Category : History
Languages : en
Pages : 361
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Book Description
A landmark work within the study of conflict, sound studies, and ethnomusicology, Listening to War offers a broad theorization of sound, violence, music, listening and place, while also providing a discrete window into the lives of individual Iraqis and Americans struggling to orient themselves within the fog of war.
Author: Robert Freedman
Publisher: Algora Publishing
ISBN: 0875867154
Category : Social Science
Languages : en
Pages : 205
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Book Description
Let me place on your radar screen an issue that for most people goes by unnoticed. Every day it is there for all of us to see and hear? if we can just notice it for that first time. This is the rising use of media, the use of media in abusive, penetrating ways. Our freedom to choose whether or not we consume that media is taken away from us. & br / & br /With their business model coming under pressure from shrinking audiences, media companies seek to regain their footing by forcing people to consume TV and other digital content outside the home by turning public and private settings into captive-
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Kathryn Meyrick
Publisher: Childs Play International Limited
ISBN: 9780859533270
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
Melancholy because he and his children have lost their music in a world filled with nasty noise, Gustav Mole circles the globe and shows his children the music of the world.
Author: Steve Goodman
Publisher: MIT Press
ISBN: 0262266334
Category : Music
Languages : en
Pages : 291
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Book Description
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
