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Author: Simon R. Green
Publisher: Penguin
ISBN: 9780441011636
Category : Fiction
Languages : en
Pages : 260
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Book Description
The name’s John Taylor. I work the garish streets of the Nightside—the hidden heart of London where it’s always three A.M., where in human creatures and otherworldly gods walk side by side in the endless darkness of the soul. I have a talent for finding things. People…property…no problem. But now I’m after something different. A local diva called the Nightingale has cut herself off from her family and friends, and I’ve been hired to find out the reason. I’m also wondering why her suicide—prone fans think she has a voice to die for. Literally. To get the truth, I’ll have to lend an ear to the most enticingly beautiful and deadly voice in all of the Nightside—and survive.
Author: Simon R. Green
Publisher: Penguin
ISBN: 9780441011636
Category : Fiction
Languages : en
Pages : 260
Get Book
Book Description
The name’s John Taylor. I work the garish streets of the Nightside—the hidden heart of London where it’s always three A.M., where in human creatures and otherworldly gods walk side by side in the endless darkness of the soul. I have a talent for finding things. People…property…no problem. But now I’m after something different. A local diva called the Nightingale has cut herself off from her family and friends, and I’ve been hired to find out the reason. I’m also wondering why her suicide—prone fans think she has a voice to die for. Literally. To get the truth, I’ll have to lend an ear to the most enticingly beautiful and deadly voice in all of the Nightside—and survive.
Author: Parvīn Iʻtiṣāmī
Publisher: Mazda Publishers
ISBN:
Category : Poetry
Languages : en
Pages : 282
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Book Description
Author: Parvīn Iʻtiṣāmī
Publisher: Mazda Publishers
ISBN:
Category : Poetry
Languages : en
Pages : 288
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Book Description
Author: Farzaneh Milani
Publisher: I.B.Tauris
ISBN: 9781850435754
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
This is the first book in any language about the writing of women in Iran. For centuries any sense that there could be a literary tradition among women was suppressed. Since the middle of the 19th century, however, a number a of pioneering women have defied the traditional order to produce poetry and novels of the highest quality; but many of them have paid for their courage with accusations of immorality, promiscuity, heresy and even lunacy.
Author: Fiona Cox
Publisher: Oxford University Press
ISBN: 0192523538
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
This collection of essays examines the various ways in which the Homeric epics have been responded to, reworked, and rewritten by women writers of the twentieth and early twenty-first centuries. Beginning in 1914 with the First World War, it charts this understudied strand of the history of Homeric reception over the subsequent century up to the present day, analysing the extraordinary responses both to the Odyssey and to the Iliad by women from around the world. The backgrounds of these authors and the genres they employ - memoir, poetry, children's literature, rap, novels - testify not only to the plasticity of Homeric epic, but also to the widening social classes to whom Homer appeals, and it is unsurprising to see the myriad ways in which women writers across the globe have played their part in the story of Homer's afterlife. From surrealism to successive waves of feminism to creative futures, Homer's footprint can be seen in a multitude of different literary and political movements, and the essays in this volume bring an array of critical approaches to bear on the work of authors ranging from H.D. and Simone Weil to Christa Wolf, Margaret Atwood, and Kate Tempest. Students and scholars of not only classics, but also translation studies, comparative literature, and women's writing will find much to interest them, while the volume's concluding reflections by Emily Wilson on her new translation of the Odyssey are an apt reminder to all of just how open a text can be, and of how great a difference can be made by a woman's voice.
Author: Gregory Nagy
Publisher: Cambridge University Press
ISBN: 9780521558488
Category : History
Languages : en
Pages : 268
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Book Description
To understand the emergence of Homeric poetry as an actual written text, it is essential to trace the history of Homeric performance, from the very beginnings of literacy to the critical era of textual canonisations in the Hellenistic and Roman periods. Professor Nagy applies the comparative evidence of oral poetic traditions, including those that survived in literate societies, such as the Provençal troubadour tradition. It appears that a song cannot be fixed as a final written text so long as the oral poetic tradition in which it was created stays alive. So also with Homeric poetry, it is argued that no single definitive text could evolve until the oral traditions in which the epic was grounded became obsolete. In the time of Aristarchus, the gradual movement from relatively fluid to more rigid stages of Homeric transmission reached a near-final point of textualisation.
Author: Neda Saghaee
Publisher: Taylor & Francis
ISBN: 1000771849
Category : Religion
Languages : en
Pages : 281
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Book Description
Sufism in Eighteenth-Century India focuses on one particular treasure from surviving Persian manuscripts in India, Nāla-yi ʿAndalīb, written by Muḥammad Nāṣir ʿAndalīb (d. 1759), a Naqshbandī Mujaddidī mystical thinker. It explores the convergence and interrelation of the text with its context to find how ʿAndalīb revisits the central role of the Prophet as the main protagonist in his allegorical love story with great attention to the circumstances of the Muslim community during the eighteenth century. The present volume elucidates ʿAndalīb’s Sufism calling for a return to the pristine form of Islam and the idealization of the first Muslim community. It considers his Ṭarīqa-yi Khāliṣ Muḥammadiyya as a derivation of the Ṭarīqa-yi Muḥammadiyya, which had an important role in promoting Islam. The book attempts to clarify and systematize all of the concepts which ʿAndalīb employs within the framework of the Khāliṣ Muḥammadiyya, such as the state of the nāṣir and the Khāliṣ Muḥammadī. It addresses controversial topics in religion, such as the struggles between Shiʿa and Sunni Muslims, and the controversies between Shuhūdīs and Wujūdīs. It illuminates two key personalities, Abū Bakr al-Ṣiddīq and ʿAlī b. Abī Ṭālib, and two types of relationships, the maʿiyya and ʿayniyya, with the spirituality of the Prophet. The book will be of interest to scholars and students interested in Islamic studies, Islamic mysticism, the intellectual history of Muslims in South Asia, the history of the Mughal Empire, Persian literature, studies of manuscripts, Islamic philosophy, comparative studies of religions, social studies, anthropology, and debates concerning the eighteenth century, such as the transition from pre-colonialism to colonialism and the origins of modernity in Islam.
Author: Emily Hauser
Publisher: Princeton University Press
ISBN: 0691201072
Category : History
Languages : en
Pages : 376
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Book Description
"This book that shows how ancient poets broke the silence of literary gender norms to express their own voices, and thus illuminating long neglected discussions of gender in the ancient world. In How Women Became Poets, Emily Hauser provides a startling new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. By bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers gendered lens to issues of voice and identity in classical literature and poetry. What emerges from this is a new literary history that reframes the authors of classical literature as both enforcing and exploring gender, and shows for the first time how women broke the silence of gender norms around literary production to express their own voices. By revisiting traditional assumptions about the canon of Greek literature, and highlighting the articulated construction of masculinity in Greek poetic texts, the book places ancient women poets back onto center stage as principal actors in the drama of the debate around what it means to create poetry. Much of the importance of this work is adding in female authors to the history of Greek literature, both well-known and marginal, while demonstrating how the idea of the author was born in the battleground of gender"--
Author: Simon R. Green
Publisher: Penguin
ISBN: 9780441011131
Category : Fiction
Languages : en
Pages : 244
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Book Description
“Simon Green’s Nightside is a macabre and thoroughly entertaining world.”—#1 New York Times bestselling author Jim Butcher John Taylor works in the Nightside—the gaudy, neon noir, secret heart of London, where it’s always three in the morning, where gods and monsters make deals and seek pleasures they won’t find anywhere else. He has a gift for finding things. And sometimes what he's hired to locate can be very, very dangerous indeed. Right now, for example, he's searching for The Unholy Grail, the cup that Judas drank from at the Last Supper. It corrupts all who touch it—but it also gives enormous power. So he's not the only one hunting. Angels, devils, sinners and saints—they’re all out there, tearing apart The Nightside, seeking the dark goblet. And it’s only a matter of time until they realize that the famous John Taylor, the man with the gift for finding things, can lead them straight to it…
Author: Mauro Calcagno
Publisher: Univ of California Press
ISBN: 0520267680
Category : Music
Languages : en
Pages : 342
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Book Description
"In this bold, highly original book, Mauro Calcagno ventures into areas where no other scholar has tread. He explores the Petrarchian view of the self over a century-long arc from the early madrigal to the beginnings of opera, with Monteverdi's masterpieces taking center stage. A brilliant tour de force, From Madrigal to Opera proffers a remarkable new way to look at music, performance, and reception that rings true not only for the early modern period but also for our own age. A must read for scholars, performers, and lovers of early music."—Jane A. Bernstein, author of Print Culture and Music in Sixteenth-Century Venice "The mini-renaissance of early modern music studies continues apace, and Mauro Calcagno's From Madrigal to Opera is its latest, particularly impressive installment. Drawing on methodological impulses from a variety of sources—linguistics, phenomenology, narratology, and, above all, performance studies—Calcagno pays close attention to the interplay of the abstract text and live performance in both early opera and late madrigal. Common strategies, rooted in Petrarch's poetic practice, indeed united the two genres. This book will shape the discussion of early modern vocal music in the coming years."—Karol Berger is the author of Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. "In this pathbreaking study, Calcagno offers a new and dynamic interpretation of the relationship between Monteverdi's madrigals and operas based on perceptions of subjectivity expressed in Renaissance literature—the poetry of Petrarch in particular. Calcagno interprets Monteverdi's work as realizing a Petrarchan notion of the dialogical self, a concept that extends well beyond the early modern period to illuminate and enrich our own experience of virtually any vocal work in performance. This book should be required reading not only for those interested in music and text of the Early Modern period, but for anyone involved in performance studies."—Ellen Rosand, author of Monteverdi's Last Operas: A Venetian Trilogy.
