A New Variorum Edition of Shakespeare: Henry the fourth. Part II. 1940

A New Variorum Edition of Shakespeare: Henry the fourth. Part II. 1940 PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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A New Variorum Edition of Shakespeare: Henry the fourth. Part II. 1940

A New Variorum Edition of Shakespeare: Henry the fourth. Part II. 1940 PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940

A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 744

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The Second Part of King Henry IV

The Second Part of King Henry IV PDF Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 9780521276528
Category : Drama
Languages : en
Pages : 260

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Book Description
Giorgio Melchiori offers a new approach to the text of The Second Part of King Henry IV, which he sees as an unplanned sequel to The First Part, itself a 'remake' of an old non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humour gives a comic dimension to the play which makes it a unique blend of history, morality play and comedy. Among modern editions of the play this is the one most firmly based on the Quarto. Professor Melchiori presents an eminently actable text, by showing how Shakespeare's own choices are superior for practical purposes to suggested emendations, and by keeping interferences in the original stage directions to a minimum, in order to respect, as Shakespeare did, the players' freedom.

Shakespeare's Tudor History: A Study of Henry IV Parts 1 and 2

Shakespeare's Tudor History: A Study of Henry IV Parts 1 and 2 PDF Author: Tom McAlindon
Publisher: Routledge
ISBN: 1351785974
Category : Social Science
Languages : en
Pages : 244

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Book Description
This title was first published in 2002: An intensive study of Shakespeare's most ambitious and complex achievement in the historical mode. The book offers an account of the play's critical history from 1700 until the 1980s, deals with the aspects of Tudor history relevant to an understanding, and offers close readings of the text structured around what the author believes to be the play's three dominant concepts: time; truth; and grace. In an attempt to correct what he sees as a certain falsification of critical history, the author aligns his account of the play's reception with one of its major preoccupations - the inescapable and informing presence of the past.

A New Variorum Edition of Shakespeare: The second part of Henry the Fourth. 1940

A New Variorum Edition of Shakespeare: The second part of Henry the Fourth. 1940 PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 744

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Catalog of Printed Books of the Folger Shakespeare Library, Washington, D.C.

Catalog of Printed Books of the Folger Shakespeare Library, Washington, D.C. PDF Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 682

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A Producing Director's Study of Henry IV, Part II

A Producing Director's Study of Henry IV, Part II PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 562

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Henry IV, Part 2

Henry IV, Part 2 PDF Author: William Shakespeare
Publisher: Oxford University Press
ISBN: 9780192831439
Category : Drama
Languages : en
Pages : 308

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Book Description
This edition offers a fully modernized text of Shakespeare's play "Henry IV, Part 2" - the only play in the canon whose structure almost exactly mirrors that of its predecessor, and thereby affords unique perspectives on Shakespeare's art and craft.

Stages of History

Stages of History PDF Author: Phyllis Rackin
Publisher: Cornell University Press
ISBN: 150172472X
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated—and its representation in subsequent criticism still participates—in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.

Such a King Harry

Such a King Harry PDF Author: Phyllis N. Braxton
Publisher: Xlibris Corporation
ISBN: 1469169010
Category : Literary Criticism
Languages : en
Pages : 242

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Book Description
This study of Shakespeares Falstaff versus Shakespeare Criticism takes a view of Falstaff that is critically unorthodox but which is supported by the text. This reading of the Falstaff plays sees the playwright basing his fiction on natural law, but bending natural law to present a world of personified natural phenomena. This reading is logically consistent, and conforms to all fictional requirements for necessity and probability, thus eliminating the supposed errors that criticism, which sees the plays as strictly realistic vehicles, appears to find in these plays.