A New Set of Anthems and Psalm-tunes in Four Parts for the Use of Parish-churches and Other Places of Divine Worship PDF Download
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Author: John Broderip
Publisher:
ISBN:
Category : Psalms (Music)
Languages : en
Pages : 146
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Book Description
Author: John Broderip
Publisher:
ISBN:
Category : Psalms (Music)
Languages : en
Pages : 146
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Book Description
Author: John Broderip
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: John Bishop
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices), Unaccompanied
Languages : en
Pages : 80
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Book Description
Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496
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Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author: James Duff Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 484
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Book Description
Author: John Julian
Publisher:
ISBN:
Category : Hymns
Languages : en
Pages : 1642
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1074
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Book Description
Author: John Julian
Publisher:
ISBN:
Category : Hymns
Languages : en
Pages : 1796
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Book Description
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 880
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Book Description
Author: Ruth Mack Wilson
Publisher: Oxford University Press
ISBN: 9780198164241
Category : Anglican chants
Languages : en
Pages : 364
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Book Description
This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.
