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Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category : Stratford-upon-Avon (England)
Languages : en
Pages : 126
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Book Description
Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category : Stratford-upon-Avon (England)
Languages : en
Pages : 126
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Book Description
Author: afterwards HALLIWELL-PHILLIPPS HALLIWELL (James Orchard)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Berryman
Publisher: Macmillan + ORM
ISBN: 146680811X
Category : Literary Criticism
Languages : en
Pages : 456
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Book Description
Edited by John Haffenden With a Preface by Robert Giroux John Berryman, one of America's most talented modern poets, was winner of the Pulitzer Prize for 77 Dream Songs and the National Book Award for His Toy, His Dream, His Rest. He gained a reputation as an innovator whose bold literary adventures were tempered by exacting discipline. Berryman was also an active, prolific, and perceptive critic whose own experience as a major poet served to his advantage. Berryman was a protégé of Mark Van Doren, the great Shakespearean scholar, and the Bard's work remained one of his most abiding passions--he would devote a lifetime to writing about it. His voluminous writings on the subject have now been collected and edited by John Haffenden.
![A Bibliographical Account of the Works of Shakespeare, including every known edition, translation, and commentary. By H. G. Bohn. Printed off separately from his enlarged edition of the Bibliographer's Manual [of W. T. Lowndes] with some additions PDF](https://books.google.com/books/content/images/frontcover/YHVZAAAAcAAJ?fife=w80-h100)
Author: Henry George BOHN
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Author: Franz J. L. THIMM
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
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Author: Franz Thimm
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Author: Julia Thomas
Publisher: University of Pennsylvania Press
ISBN: 0812206622
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Anyone who has paid the entry fee to visit Shakespeare's Birthplace on Henley Street in Stratford-upon-Avon—and there are some 700,000 a year who do so—might be forgiven for taking the authenticity of the building for granted. The house, as the official guidebooks state, was purchased by Shakespeare's father, John Shakespeare, in two stages in 1556 and 1575, and William was born and brought up there. The street itself might have changed through the centuries—it is now largely populated by gift and tea shops—but it is easy to imagine little Will playing in the garden of this ancient structure, sitting in the inglenook in the kitchen, or reaching up to turn the Gothic handles on the weathered doors. In Shakespeare's Shrine Julia Thomas reveals just how fully the Birthplace that we visit today is a creation of the nineteenth century. Two hundred years after Shakespeare's death, the run-down house on Henley Street was home to a butcher shop and a pub. Saved from the threat of an ignominious sale to P. T. Barnum, it was purchased for the English nation in 1847 and given the picturesque half-timbered façade first seen in a fanciful 1769 engraving of the building. A perfect confluence of nationalism, nostalgia, and the easy access afforded by rail travel turned the house in which the Bard first drew breath into a major tourist attraction, one artifact in a sea of Shakespeare handkerchiefs, eggcups, and door-knockers. It was clear to Victorians on pilgrimage to Stratford just who Shakespeare was, how he lived, and to whom he belonged, Thomas writes, and the answers were inseparable from Victorian notions of class, domesticity, and national identity. In Shakespeare's Shrine she has written a richly documented and witty account of how both the Bard and the Warwickshire market town of his birth were turned into enduring symbols of British heritage—and of just how closely contemporary visitors to Stratford are following in the footsteps of their Victorian predecessors.
Author: Jillian M. Hess
Publisher: Oxford University Press
ISBN: 0192648489
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection "Fly-Catchers", while George Eliot referred to one of her commonplace books as a "Quarry," and Michael Faraday kept quotations in his "Philosophical Miscellany." Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the schoolroom and into the home, it took on elements of the friendship album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this volume unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two sections, the first half of the book contends that methods for organizing knowledge developed in line with the period's dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); "real time" entries signalling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six). Richly illustrated, this book brings an archive of commonplace books, scrapbooks, and albums to the reader.
