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Author: Nathan T. Elkins
Publisher: JHU Press
ISBN: 1421432560
Category : History
Languages : en
Pages : 179
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Book Description
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world—a paragon of Roman engineering prowess. Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even—when flooded—small-scale naval battles, the building itself was also a marvel. Rising to a height of approximately 15 stories and occupying an area of 6 acres—more than four times the size of a modern football field—the Colosseum was the largest of all amphitheaters in the Roman Empire. In A Monument to Dynasty and Death, Nathan T. Elkins tells the story of the Colosseum's construction under Vespasian, its dedication under Titus, and further enhancements added under Domitian. The Colosseum, Elkins argues, was far more than a lavish entertainment venue: it was an ideologically charged monument to the new dynasty, its aspirations, and its achievements. A Monument to Dynasty and Death takes readers on a behind-the-scenes tour of the Colosseum from the subterranean tunnels, where elevators and cages transported gladiators and animals to the blood-soaked arena floor, to the imperial viewing box, to the amphitheater's decoration and amenities, such as fountains and an awning to shade spectators. Trained as an archaeologist, an art historian, and a historian of ancient Rome, Elkins deploys an interdisciplinary approach that draws on contemporary historical texts, inscriptions, archaeology, and visual evidence to convey the layered ideological messages communicated by the Colosseum. This engaging book is an excellent resource for classes on Roman art, architecture, history, civilization, and sport and spectacle.
Author: Nathan T. Elkins
Publisher: JHU Press
ISBN: 1421432560
Category : History
Languages : en
Pages : 179
Get Book Here
Book Description
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world—a paragon of Roman engineering prowess. Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even—when flooded—small-scale naval battles, the building itself was also a marvel. Rising to a height of approximately 15 stories and occupying an area of 6 acres—more than four times the size of a modern football field—the Colosseum was the largest of all amphitheaters in the Roman Empire. In A Monument to Dynasty and Death, Nathan T. Elkins tells the story of the Colosseum's construction under Vespasian, its dedication under Titus, and further enhancements added under Domitian. The Colosseum, Elkins argues, was far more than a lavish entertainment venue: it was an ideologically charged monument to the new dynasty, its aspirations, and its achievements. A Monument to Dynasty and Death takes readers on a behind-the-scenes tour of the Colosseum from the subterranean tunnels, where elevators and cages transported gladiators and animals to the blood-soaked arena floor, to the imperial viewing box, to the amphitheater's decoration and amenities, such as fountains and an awning to shade spectators. Trained as an archaeologist, an art historian, and a historian of ancient Rome, Elkins deploys an interdisciplinary approach that draws on contemporary historical texts, inscriptions, archaeology, and visual evidence to convey the layered ideological messages communicated by the Colosseum. This engaging book is an excellent resource for classes on Roman art, architecture, history, civilization, and sport and spectacle.
Author: Valerie Hope
Publisher: Routledge
ISBN: 1134323093
Category : Education
Languages : en
Pages : 286
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Book Description
Presenting a wide range of relevant, translated texts on death, burial and commemoration in the Roman world,this book is organized thematically and supported by discussion of recent scholarship. The breadth of material included ensures that this sourcebook will shed light on the way death was thought about and dealt with in Roman society.
Author: Keith Hopkins
Publisher: Harvard University Press
ISBN: 0674063597
Category : History
Languages : en
Pages : 225
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Book Description
Byron and Hitler were equally entranced by Rome’s most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die...” and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument—as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
Author: Penelope J. E. Davies
Publisher: University of Texas Press
ISBN: 9780292702752
Category : Social Science
Languages : en
Pages : 292
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Book Description
"Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor." ?Times Literary Supplement "This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics." ?Bryn Mawr Classical Review "Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community." ?American Journal of Archaeology
Author: Sanford Levinson
Publisher: Duke University Press
ISBN: 1478004347
Category : History
Languages : en
Pages : 130
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Book Description
Twentieth Anniversary Edition with a new preface and afterword From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space. This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.
Author: Joseph J. Walsh
Publisher: Johns Hopkins University Press
ISBN: 1421433710
Category : History
Languages : en
Pages : 187
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Book Description
Readers interested in ancient (and modern) Rome, urban life, and civic disasters, among other things, will be fascinated by this book.
Author: Patrick Radden Keefe
Publisher: Anchor
ISBN: 038554569X
Category : Biography & Autobiography
Languages : en
Pages : 574
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Book Description
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A grand, devastating portrait of three generations of the Sackler family, famed for their philanthropy, whose fortune was built by Valium and whose reputation was destroyed by OxyContin. From the prize-winning and bestselling author of Say Nothing. "A real-life version of the HBO series Succession with a lethal sting in its tail…a masterful work of narrative reportage.” – Laura Miller, Slate The history of the Sackler dynasty is rife with drama—baroque personal lives; bitter disputes over estates; fistfights in boardrooms; glittering art collections; Machiavellian courtroom maneuvers; and the calculated use of money to burnish reputations and crush the less powerful. The Sackler name has adorned the walls of many storied institutions—Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, but the source of the family fortune was vague—until it emerged that the Sacklers were responsible for making and marketing a blockbuster painkiller that was the catalyst for the opioid crisis. Empire of Pain is the saga of three generations of a single family and the mark they would leave on the world, a tale that moves from the bustling streets of early twentieth-century Brooklyn to the seaside palaces of Greenwich, Connecticut, and Cap d’Antibes to the corridors of power in Washington, D.C. It follows the family’s early success with Valium to the much more potent OxyContin, marketed with a ruthless technique of co-opting doctors, influencing the FDA, downplaying the drug’s addictiveness. Empire of Pain chronicles the multiple investigations of the Sacklers and their company, and the scorched-earth legal tactics that the family has used to evade accountability. A masterpiece of narrative reporting, Empire of Pain is a ferociously compelling portrait of America’s second Gilded Age, a study of impunity among the super-elite and a relentless investigation of the naked greed that built one of the world’s great fortunes.
Author: Jerry Toner
Publisher: JHU Press
ISBN: 1421415860
Category : Architecture
Languages : en
Pages : 145
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Book Description
The Roman Emperor Commodus wanted to kill a rhinoceros with a bow and arrow, and he wanted to do it in the Colosseum. For fourteen days near the end of AD 192, the emperor mounted one of the most lavish gladiatorial games Rome had ever seen. People rushed from all over Italy to witness the spectacle. Why did Roman rulers spend vast resources on such over-the-top displays? Why did the Roman rabble enjoy watching the slaughter of animals and the sight of men fighting to the death? In this book, Jerry Toner set out to answer these questions by describing what it would have been like to attend Commodus' fantastic shows.
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985070769
Category :
Languages : en
Pages : 98
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Book Description
*Includes pictures *Includes ancient accounts *Includes online resources and a bibliography for further reading The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life. At the Circus Maximus, the guttural cheers of the spectators reverberated across the enormous open space, but their cries could hardly be heard over the rumble of the ground. On the ellipse-shaped track, 5 charioteers would skew their bodies and steer their magnificent vehicles around the curves. Gusts of sand and dirt flew up from the whizzing wheels and encircled the pounding hooves of the stunning stallions. Distracted personnel and guards dragging their feet were considered fair game. As one chariot careened to the side, preparing to collide with another chariot, a row of guards might have to try to duck out of the way in the nick of time. Some would be trampled by hooves. Chariot races were dangerous for participants too. A charioteer could become disoriented and fail to position himself as his horses moved instinctively, sending his body catapulting forward out of the chariot. Needless to say, chariot racing in Rome was a nail-biting spectacle. When the Colosseum was built in the late 1st century A.D., the Romans, a people known for their architectural acumen, managed to amaze themselves. Martial, a Roman poet writing during the inauguration of the Colosseum, clearly believed the Colosseum was so grand a monument that it was even greater than the other Wonders of the Ancient World, which had been written about and visited endlessly by the Romans and Greeks in antiquity. Indeed, although the Wonders were wondrous to behold, the Colosseum was a spectacular achievement in architecture, something new and innovative, and therefore an amazing "Wonder" in its own way. The Colosseum was designed to be both a symbol and show of strength by the famous Flavian emperors, most notably Vespasian and his sons Titus and Domitian. Vespasian had started the construction of the Colosseum shortly after becoming emperor in 69 A.D., but he died before he could present any spectacles in his giant amphitheatre. That honor went to his son Titus, who celebrated the inaugural opening in 80 A.D. with 100 days of games, despite the fact that the Colosseum was not completely finished. When his brother Domitian came to power in 81 A.D., he finished the amphitheatre, but not without making some changes to the overall design. By the time it was truly finished, the Colosseum stood about 150 feet tall, with the oval in the center stretching nearly two football fields long and over 500 feet across. The Colosseum is a large stadium even by today's standards, and its great size conveys the power of the empire as it dominates the landscape and towers over nearby buildings. Nearly 2,000 years later, the Colosseum still amazes millions of people who come to visit it, and when asked to visualize a monument that represents the Roman Empire, many conjure up an image of the large amphitheater. As Keith Hopkins and Mary Beard put it, the Colosseum is "the most famous, and instantly recognizable, monument to have survived from the classical world." At the same time, the Colosseum also represents the Roman games and spectacles, particularly the gladiatorial combats that so many people today find both abhorrent yet fascinating. Given its massive size and the architectural ingenuity involved, the Colosseum played host to all sorts of games, including massive hunts of exotic animals and even sea battles.
Author: J. Rasmus Brandt
Publisher: Oxbow Books
ISBN: 1785703609
Category : History
Languages : en
Pages : 1104
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Book Description
Life and Death in Asia Minor combines contributions in both archaeology and bioarchaeology in Asia Minor in the period ca. 200 BC – AD 1300 for the first time. The archaeology topics are wide-ranging including death and territory, death and landscape perception, death and urban transformations from pagan to Christian topography, changing tomb typologies, funerary costs, family organization, funerary rights, rituals and practices among pagans, Jews, and Christians, inhumation and Early Byzantine cremations and use and reuse of tombs. The bioarchaeology chapters use DNA, isotope and osteological analyses to discuss, both among children and adults, questions such as demography and death rates, pathology and nutrition, body actions, genetics, osteobiography, and mobility patterns and diet. The areas covered in Asia Minor include the sites of Hierapolis, Laodikeia, Aphrodisias, Tlos, Ephesos, Priene, Kyme, Pergamon, Amorion, Gordion, Boğazkale, and Arslantepe. The theoretical and methodological approaches used make it highly relevant for people working in other geographical areas and time periods. Many of the articles could be used as case studies in teaching at schools and universities. An important objective of the publication has been to see how the different types of results emerging from archaeological and natural science studies respectively could be integrated with each other and pose new questions on ancient societies, which were far more complex than historical and social studies of the past often manage to transmit.
