Author: John Conolly
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
A Lecture on the Attractions and Advantages of Knowledge
The Penny Magazine of the Society for the Diffusion of Useful Knowledge
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1020
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1020
Book Description
THE PENNY MAGAZINE FO THE SOCIETY FOT HE DIFFUSION OF USEFUL KNOWLEDGE
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Catalogue of the Library of the Patent Office
Author: Great Britain. Patent Office. Library
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1020
Book Description
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1020
Book Description
The Penny Magazine of the Society for the Diffusion of Useful Knowledge
Author: Society for the Diffusion of Useful Knowledge
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 524
Book Description
Knight's Penny Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 542
Book Description
Sympathetic Attractions
Author: Patricia Fara
Publisher: Princeton University Press
ISBN: 1400864364
Category : Science
Languages : en
Pages : 342
Book Description
In this interdisciplinary study of eighteenth-century England, Patricia Fara explores how natural philosophers constructed magnetism as a science, appropriating the skills and knowledge of experienced navigators. For people of this period, magnetic phenomena reverberated with the symbolism of occult mystery, sexual attraction, and universal sympathies; in this maritime nation, magnetic instruments such as navigational compasses heralded imperial expansion, commercial gain, and scientific progress. By analyzing such multiple associations, Fara reconstructs cultural interactions in the days just prior to the creation of disciplinary science. Not only does this illustrated book provide a kaleidoscopic view of a changing society, but it also portrays the emergence of public science. Linking this rise in interest to the utility and mysteriousness of magnetism, Fara organizes her discussion into themes, including commercialization, imperialism, instruments and invention, the role of language, attitudes toward the past, and the relationship between religion and natural philosophy. Fara shows that natural philosophers, proclaiming themselves as the only true experts on magnetism, actively participated in massive transformations of English life. In their bids for public recognition as elite specialists, they engaged in controversies that resonated with religious, economic, moral, gender, and political implications. These struggles for social and scientific authority in the eighteenth century provide the background for better understanding the cultural topography of modern society. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400864364
Category : Science
Languages : en
Pages : 342
Book Description
In this interdisciplinary study of eighteenth-century England, Patricia Fara explores how natural philosophers constructed magnetism as a science, appropriating the skills and knowledge of experienced navigators. For people of this period, magnetic phenomena reverberated with the symbolism of occult mystery, sexual attraction, and universal sympathies; in this maritime nation, magnetic instruments such as navigational compasses heralded imperial expansion, commercial gain, and scientific progress. By analyzing such multiple associations, Fara reconstructs cultural interactions in the days just prior to the creation of disciplinary science. Not only does this illustrated book provide a kaleidoscopic view of a changing society, but it also portrays the emergence of public science. Linking this rise in interest to the utility and mysteriousness of magnetism, Fara organizes her discussion into themes, including commercialization, imperialism, instruments and invention, the role of language, attitudes toward the past, and the relationship between religion and natural philosophy. Fara shows that natural philosophers, proclaiming themselves as the only true experts on magnetism, actively participated in massive transformations of English life. In their bids for public recognition as elite specialists, they engaged in controversies that resonated with religious, economic, moral, gender, and political implications. These struggles for social and scientific authority in the eighteenth century provide the background for better understanding the cultural topography of modern society. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Guide to Knowledge
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Sunshine and Shadow
Author: James Hickman
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Fairground Attractions
Author: Deborah Philips
Publisher: A&C Black
ISBN: 1849666660
Category : Art
Languages : en
Pages : 305
Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The study investigates the cultural production of the visual iconography of popular pleasure grounds from the eighteenth century pleasure garden to the contemporary theme park. Deborah Philips identifies the literary genres, including fairy tale, gothic horror, Egyptiana and the Western which are common to carnival sites, tracing their historical transition across a range of media to become familiar icons of popular culture.Though the bricolage of narratives and imagery found in the contemporary leisure zone has been read by many as emblematic of postmodern culture, the author argues that the clash of genres and stories is less a consequence of postmodern pastiche than it is the result of a history and popular tradition of conventionalised iconography.
Publisher: A&C Black
ISBN: 1849666660
Category : Art
Languages : en
Pages : 305
Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The study investigates the cultural production of the visual iconography of popular pleasure grounds from the eighteenth century pleasure garden to the contemporary theme park. Deborah Philips identifies the literary genres, including fairy tale, gothic horror, Egyptiana and the Western which are common to carnival sites, tracing their historical transition across a range of media to become familiar icons of popular culture.Though the bricolage of narratives and imagery found in the contemporary leisure zone has been read by many as emblematic of postmodern culture, the author argues that the clash of genres and stories is less a consequence of postmodern pastiche than it is the result of a history and popular tradition of conventionalised iconography.