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Author: Robert Anning Bell
Publisher: Forgotten Books
ISBN: 9780266792536
Category :
Languages : en
Pages : 20
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Book Description
Excerpt from A Lecture on Stained Glass The practical function of stained glass is comparable with that of mosaic. Mosaic is an enrichment of the shadow. Buildings def signed for mosaic usually have quite small windows, low down in the big domes or sparsely set in the side walls, and it is the mo saic enrichment of shadow, vaguely lit by reflected light from these windows, which gives it its highest beauty. The peculiar charm of mosaic depends largely on the gold treatment of the background, which is infinitely more attractive when seen on curved surfaces and lit from below. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Robert Anning Bell
Publisher: Forgotten Books
ISBN: 9780266792536
Category :
Languages : en
Pages : 20
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Book Description
Excerpt from A Lecture on Stained Glass The practical function of stained glass is comparable with that of mosaic. Mosaic is an enrichment of the shadow. Buildings def signed for mosaic usually have quite small windows, low down in the big domes or sparsely set in the side walls, and it is the mo saic enrichment of shadow, vaguely lit by reflected light from these windows, which gives it its highest beauty. The peculiar charm of mosaic depends largely on the gold treatment of the background, which is infinitely more attractive when seen on curved surfaces and lit from below. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Lewis Foreman Day
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 182
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Book Description
Author: Robert Anning Bell
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 15
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Book Description
Author: Robert Anning Bell
Publisher:
ISBN: 9780243618064
Category :
Languages : en
Pages :
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Author: Robert Anning Bell
Publisher: Forgotten Books
ISBN: 9781330082973
Category : Crafts & Hobbies
Languages : en
Pages : 20
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Book Description
Excerpt from A Lecture on Stained Glass My subject of Stained Glass is a very wide, vague, large sort of subject, and of course it is quite impossible to talk about it in any thorough way in the course of an evening. You want to write books about it. I thought it would be interesting to you, perhaps, to talk about the more recent variations and changes, the evolution in the use of glass. The fact that this modification in Stained Glass is very largely the work of artists trained in this College should interest you particularly. Stained Glass, commonly so-called - it is a misnomer, for it is really coloured and painted glass - is one of the three great Christian decorative arts: Mosaic, Stained Glass, Fresco. They are in sequence, roughly speaking, but they overlap. First, Mosaic in the earlier ten centuries. It began about the 4th century and went on to the Renaissance, when its character changed. You then get Stained Glass, overlapping it about the 12th century; and the third great Christian art is Fresco Painting, which flourished from the 14th century onward, following a long and slow development from a very early period. These three seem to be the main arts through which the expression of the Christian religious scheme, its story, and its emotion have been conveyed - Sculpture has found expression in all religions. They have a considerable sympathy in the fact that they all demand plain surfaces, flat or curved, and are all closely associated with architecture. Each of them also has been so important, so dominating, that it has affected the architectural treatment of the buildings which it was designed to adorn. Coloured and painted glass is the outstanding decorative treatment of the Gothic period - the age of the cathedrals. The earliest stained glass which we know is, I believe, of the 10th or 11th century, and there are but few examples existing now. The great period runs from about 1200 to 1550 or so in its full vigour. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Lewis Foreman Day
Publisher: Forgotten Books
ISBN: 9780282777210
Category : Architecture
Languages : en
Pages : 172
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Book Description
Excerpt from Stained Glass Stained glass, as the term is used, is taken to include also painting upon glass. As a matter of fact, glass staining and glass painting are two quite different things. To build up a mosaic with pieces of coloured glass, each separate tint cut out of a separate sheet of potmetal, is one thing; to paint upon a sheet of white or coloured glass is another thing altogether. 'in fact, they are not merely two different ways but two opposite ways of arriving at a result. But there is this excuse for grouping them (as it is the custom to do) under one title, that from very early days the two processes of work were used together. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: CHRISTOPHER. WHALL
Publisher:
ISBN: 9781033008287
Category :
Languages : en
Pages : 0
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Author: Alfred Werck
Publisher: Forgotten Books
ISBN: 9781330719756
Category : Art
Languages : en
Pages : 208
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Book Description
Excerpt from Stained Glass: A Handbook on the Art of Stained and Painted Glass, Its Origin and Development From the Time of Charlemagne to Its Decadence, (850-1650 A. D.) Early training in the workshop, long prae tice in designing and painting in all styles, a deep interest in Stained glass, and a loving study of it, combined with painstaking te search extending over many years, I may plead as my justification for writing this book. The following chapters are the prod oct of an experience of thirty years, during which glass painting and collecting old glass has been my delight and recreation. Minute investigation into the history of this art seemed to me at first safer in the hands of English and Continental authorities, yet in the course of time I was confronted with so many puzzling details and antiquarian prob lems that I started to look into the mysteries of this half-forgotten art. I have succeeded in uncovering the secrets of the brilliant col ors of medieval Stained glass, thus striking at the root of the problems of an art that has the minerals of the earth as its source and medium. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hugh Arnold
Publisher:
ISBN: 9781330843123
Category : Architecture
Languages : en
Pages : 480
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Book Description
Excerpt from Stained Glass: Of the Middle Ages in England and France The Cathedral verger, conducting his flock of tourists round the building, while giving them plenty of really interesting and valuable information about it (for the verger of to-day is a different man from his predecessor, and is often very intelligent and well informed), remarks briefly, "The glass is of the thirteenth century" - or fourteenth or fifteenth, as the case may be; the procession gazes carelessly at it, and passes on. Yet from out of that dazzling and glowing labyrinth of coloured jewels a past age is speaking far more articulately, if one stops to unravel the message, than ever in stone or wood, and it is for those who can be induced to take that second look which will be followed by a third and a fourth and many more that I have written this book. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Henry Holiday
Publisher: Forgotten Books
ISBN: 9780266352297
Category : Art
Languages : en
Pages : 278
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Book Description
Excerpt from Stained Glass as an Art In the first place I desire to express my sincere and cordial thanks to my friends Sir Edward Burne Jones and Mr. William Blake Richmond, for their courtesy in allowing me to reproduce some of their designs, and thus to give specimens of the best work in stained glass of the nineteenth century. In the next place I must explain why the direct illustrations of my text are taken from my own work only. Considerations _of convenience and of good taste determined me to take this course. I am quite convinced of a general accord between my brother artists and myself as to the main principles laid down in this treatise, but it is more than probable that we may differ on minor points; and I might find myself quoting some features in their designs in illustration of an argument of my own, with which they might not Wholly agree; I might read some thing into their work which was not really in their intention. On the other hand, there _are some few matters about which we do not absolutely agree, and by employing my friends' designs in direct illustration of my principles, I might appear to be guilty of an inconsistency, unless I adopted the objectionable alternative of calling attention to the points in question for the purpose of adverse criticism. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
