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Author: Peter Fuhring
Publisher: Getty Publications
ISBN: 1606064509
Category : Art
Languages : en
Pages : 348
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Book Description
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Author: Peter Fuhring
Publisher: Getty Publications
ISBN: 1606064509
Category : Art
Languages : en
Pages : 348
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Book Description
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Author: Michael Camille
Publisher: Reaktion Books
ISBN: 1780232500
Category : Art
Languages : en
Pages : 178
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Book Description
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Author: Emmanuel Alloa
Publisher: Columbia University Press
ISBN: 0231547579
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.
Author: Paul Zanker
Publisher: University of Michigan Press
ISBN: 9780472081240
Category : Architecture
Languages : en
Pages : 404
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Book Description
Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar
Author: J. P. Philpott
Publisher: BoD – Books on Demand
ISBN: 3385354277
Category : Fiction
Languages : en
Pages : 538
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Book Description
Reprint of the original, first published in 1883.
Author: Jeremy Pilcher
Publisher:
ISBN: 9781789381139
Category : Technology
Languages : en
Pages :
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Book Description
Author: Jim Naughten
Publisher: Prestel Publishing
ISBN: 9783791382470
Category : Animals
Languages : en
Pages : 0
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Book Description
Throughout his life photographer Jim Naughten has been fascinated with the natural world. As a child, he collected fossils he found near his home in Dover. Now a renowned photographer, Naughten has started to experiment with stereography and has turned to his boyhood interest, gaining access to the archives of some of the world's most prestigious natural history museums. This gorgeously produced book contains fifty images of marine life, reptiles, mammals, birds and primates photographed expressly for viewing through a stereoscope, which is included with the book. Stereoscopy was invented in 1839 to study and explain binocular vision. Having two eyes allows humans to determine distance and depth and stereoscopy shows a left- and right-eye view from a slightly different angle, as we see things in day-to-day life. Looking through the stereo viewer, readers will see the specimens as three-dimensional objects. As the images jump off the page, their incredible details become apparent-delicate bat wings, the spiraling skeleton of a python, the almost mythic form of a leafy sea dragon.A foreword by Martin Barnes of the Victoria and Albert Museum, London offers an assessment of the work while essays on the specimens themselves and the history of stereoscopy provide rich background to this photographic technology, and to Naughten's achievement in bringing to life a world that seamlessly melds the past and present.
Author: Peter Scheele
Publisher: Peter Scheele
ISBN:
Category : Religion
Languages : en
Pages : 350
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Book Description
The book of Revelation has many clues in it, that tell us how it should be understood. These clues include many references to the Old Testament that it's using. By putting these texts from other prophets alongside those of Revelation, the true meaning of the images of Revelation become obvious. But also the true meaning of the other prophets becomes clear. This might be a little bit different than what is being thaught all over the place today. Revelation is far more about God's plan with Israel/Judah than most people would like. Revelation is written while Nero was emperor. Revelation predicted the suicide of Nero and the civil war in Rome that erupted after that. Revelation predicted the destruction of Jerusalem in the year 70. Revelation predicted Hitler and his Third Reich. Revelation predicted the resurrection of the people of Juda, that happened in 1948. Revelation predicts that Israel/Judah will accept Jesus as Mesiah to a large extend. Revelation shows what the true reading of Daniel 12 should be. Daniel 12 shows that the season in which Jesus will come back has already started and this season will end at 2060.
Author: James L. Williams
Publisher: Christian Faith Publishing, Inc.
ISBN:
Category : Religion
Languages : en
Pages : 286
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Book Description
The Image Breaker is a book of reconciling truths poised to challenge traditional thought, conventional wisdom, and core convictions with respect to many cherished beliefs. It is destined to provoke the reexamination of scientific theories like evolution while bridging cosmological theory with the events of the biblical creation story. It also provides an intriguing look into unlocking man’s genetic potential and promise of longevity. There will be an unveiling of the purpose for which the Kingdom of God on earth exists, and what it truly means to be Sons of God. Mysteries like the location of the Garden of Eden and the key to Enoch’s translation will all be revealed. You will gain insight into the truth behind religious denominationalism and its hindrances to spiritual unity. The reason for catastrophic events like earthquakes, tornadoes, and tsunamis will be uncovered with new insights into the cause of many of them being spiritual in nature. It is far time the Church heeds the call to embrace a deeper, more revealing truth of scripture, as well as whom Christ is and who we are in Him. The mandate is to uncover and expose anything that does not hold up to the standard of biblical truth. The Image Breaker is your guide to fresh revelation and expanded insight. It is an unveiling of truth and reality that has long been masked by the cloak of religious piety, social tradition, and false representations of scientific observation. It is a clarion call to awaken the twenty-first-century Church to the vices that are a manipulation of a culture lost to modernism, postmodernism, and social and religious tradition.
Author: Paul Sevier Minear
Publisher: Westminster John Knox Press
ISBN: 9780664227791
Category : Religion
Languages : en
Pages : 322
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Book Description
First published in 1960, Paul Minear's classic work identifies and explicates ninety-six images for the church found in the New Testament. Comprehensive and accessibly written, it has been used in seminary classes for over thirty years. Its range of reach and incredibly rich discussions of the many images and metaphors make this book a splendid resource for students and pastors. The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.
