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Author: Jacob Dlamini
Publisher: Harvard University Press
ISBN: 0674916557
Category : Political Science
Languages : en
Pages : 401
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Book Description
An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination. All of the albums were ordered destroyed when apartheid’s violent collapse began. But three copies survived the memory purge. With full access to one of these surviving albums, award-winning South African historian and journalist Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters. Their inclusion is a stark reminder that apartheid’s guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic. With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today’s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa’s newest export: “security consultants” serving as mercenaries for Western nations and multinational corporations. The Terrorist Album is a brilliant evocation of apartheid’s tragic caprice, ultimate failure, and grim legacy.
Author: Jacob Dlamini
Publisher: Harvard University Press
ISBN: 0674916557
Category : Political Science
Languages : en
Pages : 401
Get Book Here
Book Description
An award-winning historian and journalist tells the very human story of apartheid’s afterlife, tracing the fates of South African insurgents, collaborators, and the security police through the tale of the clandestine photo album used to target apartheid’s enemies. From the 1960s until the early 1990s, the South African security police and counterinsurgency units collected over 7,000 photographs of apartheid’s enemies. The political rogue’s gallery was known as the “terrorist album,” copies of which were distributed covertly to police stations throughout the country. Many who appeared in the album were targeted for surveillance. Sometimes the security police tried to turn them; sometimes the goal was elimination. All of the albums were ordered destroyed when apartheid’s violent collapse began. But three copies survived the memory purge. With full access to one of these surviving albums, award-winning South African historian and journalist Jacob Dlamini investigates the story behind these images: their origins, how they were used, and the lives they changed. Extensive interviews with former targets and their family members testify to the brutal and often careless work of the police. Although the police certainly hunted down resisters, the terrorist album also contains mug shots of bystanders and even regime supporters. Their inclusion is a stark reminder that apartheid’s guardians were not the efficient, if morally compromised, law enforcers of legend but rather blundering agents of racial panic. With particular attentiveness to the afterlife of apartheid, Dlamini uncovers the stories of former insurgents disenchanted with today’s South Africa, former collaborators seeking forgiveness, and former security police reinventing themselves as South Africa’s newest export: “security consultants” serving as mercenaries for Western nations and multinational corporations. The Terrorist Album is a brilliant evocation of apartheid’s tragic caprice, ultimate failure, and grim legacy.
Author: I. Norwich
Publisher:
ISBN:
Category : Johannesburg (South Africa)
Languages : en
Pages : 176
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Book Description
Author: Mary Trent
Publisher: Taylor & Francis
ISBN: 1000615294
Category : Photography
Languages : en
Pages : 235
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Book Description
Through a variety of case studies by global scholars from diverse academic fields, this book explores photographic-album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts. Their albums' stories span various racial, ethnic, gender and sexual identities; nationalities; religions; and dis/abilities. The vernacular albums featured in this volume present narratives that move beyond those reflected in our existing histories. Essays examine the visual, material, and aural strategies that album-makers have used to assert control over the presentation of their histories and identities, and to direct what those narratives have to say, a point of special relevance as these albums move out of private domestic space and into public archives, institutions, and digital formats. This book does not consider photographic albums and scrapbooks as separate genres, but as a continuum of modern creative practices of photographic and mass-print collage aimed at self-expression and narrative-building that co-evolved and were readily accessible. The book will be of interest to scholars working in art history, history of photography, visual culture, material culture, media studies, and cultural studies.
Author: Carmel Schrire
Publisher: Juta and Company (Pty) Ltd
ISBN: 0799224936
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
There is a vast and varied literature on the formation of 19th-century Jewish diasporic communities worldwide. Now, added to this are the previously unpublished autobiographical works of two members of the Schrire family, which form the core of The Reb and the Rebel, mainly covering the period 1892-1913. They comprise a diary, a poem and a memoir. The first two, written by Reb Yehuda Leib Schrire (1851-1912), and translated from pre-Ben Yehuda Hebrew into English, chart his journey through a number of countries, including Lithuania, Holland, England and South Africa. The third is by his son, Harry Nathan (1895-1980). The social history within these documents paints a lively picture of South African Jewish communities at the turn of the 20th century. They reveal tiny details of shipboard life below deck; major issues of religious belief and practice in Lithuanian shtetls, Johannesburg goldfields and District Six homes; and global issues of mass migration, pandemics and war. They show how community formation in Cape Town replicates the orthodoxy of der alte heym, even as the new generation is integrated into a life undreamed of in the Old Country. Analyses of the contexts and authors, together with Appendices which include a genealogy, glossary and catalogued artworks, combine here to make the South African Jewish past come alive.
Author: Santu Mofokeng
Publisher:
ISBN: 9783869303109
Category : Photography
Languages : en
Pages : 100
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Book Description
"...with the so-called civilised workers, almost without exception their civilisation was only skin deep." O. Pirow, quoting South African Prime Minister J. B. M. Hertzog For this book Santu Mofokeng collected private photographs which urban black working and middle-class families in South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those designated as "natives". Painterly in style, the images evoke the artifices of Victorian photography. Some of them are fiction, a creation of the artist in terms of setting, props, clothing and pose - yet there is no evidence of coercion. We believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social recognition in times of colonial rule and suppression. The Black Photo Album / Look at Me: 1890-1950 is drawn from an ongoing research project of the University of Witwatersrand in Johannesburg.
Author: Marcus Garvey
Publisher: Univ of California Press
ISBN: 9780520932753
Category : History
Languages : en
Pages : 1002
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Book Description
"Africa for the Africans" was the name given to the extraordinary movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism into an African social movement. The most extensive collection of documents ever gathered on the early African nationalism of the interwar period, Volume X provides a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa.
Author: Ashwin Desai
Publisher: Stanford University Press
ISBN: 0804797226
Category : History
Languages : en
Pages : 442
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Book Description
A biography detailing Gandhi’s twenty-year stay in South Africa and his attitudes and behavior in the nation’s political context. In the pantheon of freedom fighters, Mohandas Karamchand Gandhi has pride of place. His fame and influence extend far beyond India and are nowhere more significant than in South Africa. “India gave us a Mohandas, we gave them a Mahatma,” goes a popular South African refrain. Contemporary South African leaders, including Mandela, have consistently lauded him as being part of the epic battle to defeat the racist white regime. The South African Gandhi focuses on Gandhi’s first leadership experiences and the complicated man they reveal—a man who actually supported the British Empire. Ashwin Desai and Goolam Vahed unveil a man who, throughout his stay on African soil, stayed true to Empire while showing a disdain for Africans. For Gandhi, whites and Indians were bonded by an Aryan bloodline that had no place for the African. Gandhi’s racism was matched by his class prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and he wrote their resistances and compromises in surviving a brutal labor regime out of history. The South African Gandhi writes the indentured and working class back into history. The authors show that Gandhi never missed an opportunity to show his loyalty to Empire, with a particular penchant for war as a means to do so. He served as an Empire stretcher-bearer in the Boer War while the British occupied South Africa, he demanded guns in the aftermath of the Bhambatha Rebellion, and he toured the villages of India during the First World War as recruiter for the Imperial army. This meticulously researched book punctures the dominant narrative of Gandhi and uncovers an ambiguous figure whose time on African soil was marked by a desire to seek the integration of Indians, minus many basic rights, into the white body politic while simultaneously excluding Africans from his moral compass and political ideals. Praise for The South African Gandhi “In this impressively researched study, two South African scholars of Indian background bravely challenge political myth-making on both sides of the Indian Ocean that has sought to canonize Gandhi as a founding father of the struggle for equality there. They show that the Mahatma-to-be carefully refrained from calling on his followers to throw in their lot with the black majority. The mass struggle he finally led remained an Indian struggle.” —Joseph Lelyveld, author of Great Soul: Mahatma Gandhi and His Struggle with India “This is a wonderful demonstration of meticulously researched, evocative, clear-eyed and fearless history writing. It uncovers a story, some might even call it a scandal, that has remained hidden in plain sight for far too long. The South African Gandhi is a big book. It is a serious challenge to the way we have been taught to think about Gandhi.” —Arundhati Roy, author of The God of Small Things
Author: Frank Bridge
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Melissa Ursula Dawn Goldsmith
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933
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Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.
