Author: George Edward Woodberry
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 218
Book Description
A History of Wood-engraving
Author: George Edward Woodberry
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 218
Book Description
A History of Wood-Engraving (Classic Reprint)
Author: George Edward Woodberry
Publisher:
ISBN: 9781332588879
Category : Art
Languages : en
Pages : 224
Book Description
Excerpt from A History of Wood-Engraving N this book I have attempted to gather and arrange such facts as should be known to men of cultivation interested in the art of engraving in wood. I have, therefore, disregard ed such matter as seems to belong rather to descriptive bib liography, and have treated wood-engraving, in its principal works, as a re ection of the life of men and an illustration of successive phases of civilization. Where there is much disputed ground, particularly in the early history of the art, the Writers on whom I have relied are referred to, and those who adopt a different view are named; but where the facts seemed plain, and are easily verifiable, reference did not ap pear necessary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Publisher:
ISBN: 9781332588879
Category : Art
Languages : en
Pages : 224
Book Description
Excerpt from A History of Wood-Engraving N this book I have attempted to gather and arrange such facts as should be known to men of cultivation interested in the art of engraving in wood. I have, therefore, disregard ed such matter as seems to belong rather to descriptive bib liography, and have treated wood-engraving, in its principal works, as a re ection of the life of men and an illustration of successive phases of civilization. Where there is much disputed ground, particularly in the early history of the art, the Writers on whom I have relied are referred to, and those who adopt a different view are named; but where the facts seemed plain, and are easily verifiable, reference did not ap pear necessary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
A History of Wood Engraving
Author: George Edward Woodberry
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979164634
Category :
Languages : en
Pages : 84
Book Description
A History of Wood Engraving By George Edward Woodberry
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979164634
Category :
Languages : en
Pages : 84
Book Description
A History of Wood Engraving By George Edward Woodberry
Wood Engraving
Author: Barry Moser
Publisher: David R. Godine Publisher
ISBN: 9781567922790
Category : Relief printing
Languages : en
Pages : 122
Book Description
" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.
Publisher: David R. Godine Publisher
ISBN: 9781567922790
Category : Relief printing
Languages : en
Pages : 122
Book Description
" From the artist whom Nicholas Basbanes calls "the most important book illustrator working in America today" comes a primer on the art of wood engraving, a pursuit which one can "learn" in less than an hour but which one can master only through years of persistence, dedication, and indefatigable energy. Learning to engrave a block, says Barry Moser, is like learning to play the piano: it is all practice, practice, practice, all teaching the muscles how to perform the basics. At first your every gesture will be halting, labored, and self-conscious; then at last will come the moment when, like Ashkenazy at the keyboard, you can forget about "process," about "technique," and focus all your mental energy on making art. "There are no shortcuts," warns Moser. "Mastery comes only with time, work, and repetition. A great number of bad wood engravings must be made before one can expect to make a good one. Once your muscles know how to do their work, once they know how to carve thin white lines into boxwood, your mind will be free to invent." There is a lifetime of knowledge in this book: how to prepare a printing block; how to think in the medium's properties of line, shape, and ink; how to transfer a drawing onto a block. There is advice, too, on tools: not only on gravers (burins, scorpers, stipplers, and spitzstickers) but also on lights (you'll need a good strong one) and engraving bags (the leather pillows that cradle the blocks as you carve). Here is how to ink, how to choose paper, and how to print. Here is how to fail, how to move on, and how to acquire the habit of work that leads to real achievement. Wood Engraving is an art lesson and a life lesson. And because it's a book by Barry Moser, it is also a gallery of prints and beautiful to behold."--Publisher's website.
The History of Wood-Engraving in America (Classic Reprint)
Author: William James Linton
Publisher: Forgotten Books
ISBN: 9780265570265
Category : Art
Languages : en
Pages : 124
Book Description
Excerpt from The History of Wood-Engraving in America About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780265570265
Category : Art
Languages : en
Pages : 124
Book Description
Excerpt from The History of Wood-Engraving in America About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Brief History of Wood-engraving from Its Invention
Author: Joseph Cundall
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 152
Book Description
The Art of the Reprint
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272047
Category : Art
Languages : en
Pages : 233
Book Description
A rich history of the nineteenth-century novel as it was re-imagined for everyday readers by extraordinary twentieth-century illustrators.
Publisher: Cambridge University Press
ISBN: 1009272047
Category : Art
Languages : en
Pages : 233
Book Description
A rich history of the nineteenth-century novel as it was re-imagined for everyday readers by extraordinary twentieth-century illustrators.
Wood Engraving
Author: Simon Brett
Publisher: Bloomsbury Publishing
ISBN: 1789941261
Category : Art
Languages : en
Pages : 160
Book Description
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.
Publisher: Bloomsbury Publishing
ISBN: 1789941261
Category : Art
Languages : en
Pages : 160
Book Description
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.
Reprint Catalog of A.L.A. Library
Author: American Library Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
Book Description
Heavenly Craft
Author: Library of Congress
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.