A History of Modern Criticism 1750-1950: Volume 2, The Romantic Age PDF Download
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Author: René Wellek
Publisher: CUP Archive
ISBN: 9780521282963
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
Author: René Wellek
Publisher: CUP Archive
ISBN: 9780521282963
Category : Literary Criticism
Languages : en
Pages : 472
Get Book Here
Book Description
Author: René Wellek
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 476
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Book Description
Author: René Wellek
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages :
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Book Description
Author: René Wellek
Publisher:
ISBN:
Category :
Languages : en
Pages : 459
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Book Description
Author: René Wellek
Publisher:
ISBN: 9780300010350
Category : Criticism
Languages : en
Pages : 459
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Book Description
Author: Christopher John Murray
Publisher: Taylor & Francis
ISBN: 9781579584221
Category : Art
Languages : en
Pages : 664
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Book Description
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
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Publisher:
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Languages : en
Pages :
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ISBN:
Category :
Languages : en
Pages : 222
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Book Description
Author: René Wellek
Publisher: CUP Archive
ISBN: 9780521282956
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Vol. 2 is missing from the series.
Author: David Fuller
Publisher: Oxford University Press
ISBN: 019264839X
Category : Drama
Languages : en
Pages : 240
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Book Description
Romantic criticism, of which Shakespeare is the central figure, invented many of the modes of modern criticism. It is also distinct from many contemporary academic norms. Engaged with the social and intellectual currents of an age of revolutionary change, it is experimental, writerly, and individually expressive. Above all it is creative in response to the difficulties of understanding aesthetic experience in new ways, and in setting those experiences in new cultural and political contexts that Shakespeare's work helped to shape. This book presents the main currents of these exciting but relatively little known engagements with Shakespeare, and through Shakespeare with the theory and practice of criticism, in England, Germany, and France, from the 1760s in Germany to the aftermath of the Romanticism in France. It also discusses Shakespeare in the theatre of the period—realist stagings which prefigure Shakespeare films; adaptations which fitted Shakespeare to contemporary tastes; and bare-stage experiments which foreshadow modes of contemporary theatre. A chapter on scholarship in the period shows Shakespeare as central to modern editing and historical criticism. Much of the writing discussed is by men and women whose focus is not primarily critical but creative—poetry (Coleridge, Keats, Heine), fiction (Stendhal), drama (Lessing), or all three (Goethe, Hugo), cultural critique (Jameson, de Staël), philosophy (Hamann, Herder), politics (Hazlitt, Guizot), aesthetics (the Schlegel circle), or new original work in other media (Berlioz, Delacroix, Chassériau). It is writing directed to new modes of creating as well as new modes of understanding.
