Author: Arthur M. Hind
Publisher: Courier Corporation
ISBN: 0486148874
Category : Art
Languages : en
Pages : 513
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Book Description
British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 0
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Book Description
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 520
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Book Description
Author: John Morgan-Guy
Publisher: University of Wales Press
ISBN: 1786839032
Category : History
Languages : en
Pages : 383
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Book Description
Many of the selected volumes are extremely rare, and in some cases believed to be unique survivors. The selected volumes cover over seven hundred years of the ‘history of the book’. It is published to mark the bicentenary of the University of Wales Trinity Saint David, 1822-2022.
Author: Arthur M. Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 0
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Book Description
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Arthur Magyer Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 0
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Book Description
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 520
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Book Description
Author: Roy Bishop Stokes
Publisher: Scarecrow Press
ISBN: 9780810839229
Category : Language Arts & Disciplines
Languages : en
Pages : 426
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Book Description
Designed for the literary student, the student librarian and the beginning book collector, this manual assumes nothing but interest at the outset. In clear language, it serves to take readers to the point at which they are prepared to turn to advanced texts to develop specialized interests.
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
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Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
