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Author: John D. Cox
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590
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Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Author: John D. Cox
Publisher: Columbia University Press
ISBN: 9780231102438
Category : Drama
Languages : en
Pages : 590
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Book Description
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Author: Adolphus William Ward
Publisher: Atlantic Publishers & Dist
ISBN: 9788171566853
Category : English drama
Languages : en
Pages : 592
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Book Description
... The Most Exhaustive And Important In Its Field... Thus, The Judgment Of An Outstanding 19Th Century Literary Figure (See Below On Ward S Masterly History Of English Dramatic Literature). It Is A Judgment That Has Stood Up Remarkably Well In The Passing Of Almost A Century Since The Work Was First Published. Students And Scholars Alike Will Find This Famous History An Invaluable Source Book On English Literature.Ward S Lucid Survey Starts With The Origin Of The Drama In England And The Beginnings Of Regular Drama. After An Excellent Account Of Shakespeare S Predecessors There Is A Long And Astute Section On Shakespeare Himself, Including A Discussion Of The Dramatist S Early Influence On The Continent, Especially In Germany. Volume Ii Also Covers Ben Jonson And The Later Elizabethans, Concluding With The Merits And Defects Of Beaumont And Fletcher. Volume Iii Ends The Work With An Examination Of The Later Stuart Drama When Prose Had Become Permanently The Vehicle Of Dramatic Speech In English Comedy And The Decay Of Tragedy. From An Early Review By Richard Burton In The Dial : ... The Work Is Beyond All Compare The Most Exhaustive And Important ... In Its Field .... When This Monument Of Scholarly Investigation Appeared, In 1874, It Was At Once Recognized As Authoritative, And Has Held The Position Ever Since.... Dr. Ward S Survey Of The Native Drama......Stands Alone Among Scholarly Achievements By Englishmen.The Prime Merit Of The Work, Aside From Thoroughness, Good Judgment In Ample Illustration, And The Deduction Of Sound Principles Therefrom, Lies In This Giving Of Due Attention To The History Of The Stage, While At The Same Time Keeping The Student To A Realization Of The Drama S Literary Splendors ... Drama In Its Technique As Well As In Its Imaginative Triumphs ... ... Take His Admirable Monograph (Vol. I, Chap. Iv) On Shakespeare .... It Would Be Difficult, Even In The Mass Of Similar Attempts, To Indicate Another Eighty Pages Which Tell So Much So Well, And Are So Little Open To Criticism... This Critic S Independence And Originality Of Thought Appear To Advantage In His Closing Remarks On The Tailend Of The Stuart Drama.
Author: Richard W. Bevis
Publisher: Routledge
ISBN: 1317870913
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author: Adolphus William Ward
Publisher: Atlantic Publishers & Dist
ISBN: 9788171566853
Category : English drama
Languages : en
Pages : 612
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Book Description
... The Most Exhaustive And Important In Its Field... Thus, The Judgment Of An Outstanding 19Th Century Literary Figure (See Below On Ward S Masterly History Of English Dramatic Literature). It Is A Judgment That Has Stood Up Remarkably Well In The Passing Of Almost A Century Since The Work Was First Published. Students And Scholars Alike Will Find This Famous History An Invaluable Source Book On English Literature.Ward S Lucid Survey Starts With The Origin Of The Drama In England And The Beginnings Of Regular Drama. After An Excellent Account Of Shakespeare S Predecessors There Is A Long And Astute Section On Shakespeare Himself, Including A Discussion Of The Dramatist S Early Influence On The Continent, Especially In Germany. Volume Ii Also Covers Ben Jonson And The Later Elizabethans, Concluding With The Merits And Defects Of Beaumont And Fletcher. Volume Iii Ends The Work With An Examination Of The Later Stuart Drama When Prose Had Become Permanently The Vehicle Of Dramatic Speech In English Comedy And The Decay Of Tragedy. From An Early Review By Richard Burton In The Dial : ... The Work Is Beyond All Compare The Most Exhaustive And Important ... In Its Field .... When This Monument Of Scholarly Investigation Appeared, In 1874, It Was At Once Recognized As Authoritative, And Has Held The Position Ever Since.... Dr. Ward S Survey Of The Native Drama......Stands Alone Among Scholarly Achievements By Englishmen.The Prime Merit Of The Work, Aside From Thoroughness, Good Judgment In Ample Illustration, And The Deduction Of Sound Principles Therefrom, Lies In This Giving Of Due Attention To The History Of The Stage, While At The Same Time Keeping The Student To A Realization Of The Drama S Literary Splendors ... Drama In Its Technique As Well As In Its Imaginative Triumphs ... ... Take His Admirable Monograph (Vol. I, Chap. Iv) On Shakespeare .... It Would Be Difficult, Even In The Mass Of Similar Attempts, To Indicate Another Eighty Pages Which Tell So Much So Well, And Are So Little Open To Criticism... This Critic S Independence And Originality Of Thought Appear To Advantage In His Closing Remarks On The Tailend Of The Stuart Drama.
Author: Peter Happe
Publisher: Routledge
ISBN: 131787112X
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Laura Estill
Publisher: Rowman & Littlefield
ISBN: 1611495156
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts into their commonplace books, verse miscellanies, diaries, and songbooks. This is the first book to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays.
Author: Ward
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Book Description
Author: Helen Hackett
Publisher: Bloomsbury Publishing
ISBN: 0857723367
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.
Author: Charles S. Watson
Publisher: University Press of Kentucky
ISBN: 081318889X
Category : Drama
Languages : en
Pages : 416
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Book Description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
