Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
A History of Early Nineteenth Century, Drama, 1800-1850: Hand list of plays produced between 1800 and 1850
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
A History of Early Nineteenth Centry Drama 1800-1850
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 280
Book Description
A History of Early Ninteenth Century Drama 1800-1850
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 340
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 340
Book Description
A History of Early Nineteenth Century, Drama, 1800-1850
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
Book Description
A History of English Drama, 1660-1900: Early nineteenth century drama. 1800-1850. 2d ed
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 688
Book Description
The Repertory Movement
Author: George Rowell
Publisher: Cambridge University Press
ISBN: 9780521319195
Category : Drama
Languages : en
Pages : 246
Book Description
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
Publisher: Cambridge University Press
ISBN: 9780521319195
Category : Drama
Languages : en
Pages : 246
Book Description
This is an account of the origins, development and current state of the repertory theatre movement in Britain. The movement had its roots in ideas, experiments and traditions stretching back into the nineteenth century, and first found its voice in 1907 with Miss Horniman's company in Manchester. Since then it has played a vital - often a dominant - role in British twentieth-century theatre. As a method of theatre organisation, repertory refers to those theatres based primarily in the regions, housing a resident acting company and seeking to maintain each season a programme of plays catering for the tastes of the whole community. But the theory has never been dogmatic and the movement has evolved from a gamut of complex factors, not least the visions of particular personalities. Major landmarks in the history include the effects of the two World Wars, the advent of substantial state funding for the Arts, the growth of cinema and television and the renewal of theatre's link with the community in the form of such initiatives as Theatre- in-Education. The history concludes with a detailed study of six representative regional theatres: The Nottingham Playhouse; The Citizens' Theatre, Glasgow; The Salisbury Playhouse; The Victoria Theatre, Stoke; The Everyman, Liverpool; and The Royal Exchange, Manchester. Appendixes include a Chronology, sample repertory programmes from the period, audience attendance figures and some comparative statistics about funding. Interspersed through the text are photographs of selected theatre exteriors, auditoria, stages and productions.
Sovereign of the Market
Author: Jeffrey Sklansky
Publisher: University of Chicago Press
ISBN: 022648033X
Category : Business & Economics
Languages : en
Pages : 320
Book Description
The elusive sovereign -- Paper money and the problem of circulation in the colonial era -- John Wise and the natural law of commerce -- William Douglass and the natural history of credit -- Commercial banking and the problem of representation in the Jacksonian era -- William Leggett and the melodrama of the market -- Nicholas Biddle and the beauty of banking -- Big business and the problem of association in the Gilded Age and progressive era -- Charles Macune and the currency of cooperation -- Charles Conant and the fund of trust -- Conclusion: the magician's glass
Publisher: University of Chicago Press
ISBN: 022648033X
Category : Business & Economics
Languages : en
Pages : 320
Book Description
The elusive sovereign -- Paper money and the problem of circulation in the colonial era -- John Wise and the natural law of commerce -- William Douglass and the natural history of credit -- Commercial banking and the problem of representation in the Jacksonian era -- William Leggett and the melodrama of the market -- Nicholas Biddle and the beauty of banking -- Big business and the problem of association in the Gilded Age and progressive era -- Charles Macune and the currency of cooperation -- Charles Conant and the fund of trust -- Conclusion: the magician's glass
The Collected Poems of Amelia Alderson Opie
Author: Amelia Alderson Opie
Publisher: Oxford University Press
ISBN: 0199218900
Category : Art
Languages : en
Pages : 718
Book Description
The Collected Poems of Amelia Alderson Opie is the first annotated scholarly edition of the poetic corpus of Amelia Opie (1769-1853), a woman writer who made a significant contribution to literary culture in Britain during the Romantic and early Victorian periods.
Publisher: Oxford University Press
ISBN: 0199218900
Category : Art
Languages : en
Pages : 718
Book Description
The Collected Poems of Amelia Alderson Opie is the first annotated scholarly edition of the poetic corpus of Amelia Opie (1769-1853), a woman writer who made a significant contribution to literary culture in Britain during the Romantic and early Victorian periods.
London 1808-1870
Author: Francis Sheppard
Publisher: Univ of California Press
ISBN: 0520329201
Category : History
Languages : en
Pages : 480
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.
Publisher: Univ of California Press
ISBN: 0520329201
Category : History
Languages : en
Pages : 480
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.
Staging the Peninsular War
Author: Susan Valladares
Publisher: Routledge
ISBN: 1317050703
Category : Performing Arts
Languages : en
Pages : 577
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
Publisher: Routledge
ISBN: 1317050703
Category : Performing Arts
Languages : en
Pages : 577
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.