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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 608
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 608
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Book Description
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1228
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Book Description
Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 512
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 664
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Book Description
Author: M. S. Dimand
Publisher: Metropolitan Museum of Art
ISBN:
Category : Design
Languages : en
Pages : 330
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Book Description
The first history of Mohammedan decorative arts to appear in English, this publication from 1930 highlights The Metropolitan Museum of Art's strong Islamic art collection with over 170 works discussed. The diverse selection objects spans over twelve centuries and includes richly illuminated manuscripts, colorful glazed pottery, and intricate woven carpets, among others. Dimand contextualizes Mohammedan decorative arts within the history of Islam and its spread across the world, from the Middle East to Egypt and India.
Author:
Publisher:
ISBN:
Category : Islam
Languages : en
Pages : 344
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Book Description
Author: M. S. Dimand
Publisher:
ISBN: 9781494085704
Category :
Languages : en
Pages : 326
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Book Description
This is a new release of the original 1930 edition.
Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
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Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
