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Author: John Hawkins
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
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Book Description
Author: John Hawkins
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 538
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Book Description
Author: John Hawkins
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 504
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Book Description
Author: John Hawkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 622
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Book Description
![A General History of the Science and Practice of Music, by Sir John Hawkins. Volume the First [- Fifth]. PDF](https://books.google.com/books/content/images/frontcover/uS1QsARsdwAC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Book Description
Author: Sir John Hawkins
Publisher: BoD – Books on Demand
ISBN: 3368717987
Category : Fiction
Languages : en
Pages : 526
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Book Description
Reprint of the original, first published in 1875.
![General history of the science and practice of music. [With] vol. of portraits PDF](https://books.google.com/books/content/images/frontcover/BwcVAAAAQAAJ?fife=w80-h100)
Author: sir John Hawkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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Author: John Hawkins
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 465
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Author: Rebecca Herissone
Publisher: Routledge
ISBN: 131704326X
Category : Music
Languages : en
Pages : 558
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Book Description
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author: Maria Semi
Publisher: Routledge
ISBN: 1317092201
Category : Music
Languages : en
Pages : 197
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Book Description
Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.
Author: Bennett Zon
Publisher: Cambridge University Press
ISBN: 1107020441
Category : History
Languages : en
Pages : 377
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Book Description
Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.
