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Author: Julia Kuehn
Publisher: Routledge
ISBN: 1134663064
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction? This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction. This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.
Author: Julia Kuehn
Publisher: Routledge
ISBN: 1134663064
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction? This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction. This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.
Author: Xiaorong Li
Publisher: University of Washington Press
ISBN: 0295804432
Category : History
Languages : en
Pages : 264
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Book Description
This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.
Author: Walter S. H. Lim
Publisher: University of Delaware Press
ISBN: 9780874136418
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This book focuses its reading of the poetics and politics of colonial expansion in Renaissance England on the lives and writings of such diverse figures as Sir Walter Ralegh, John Donne, Richard Hakluyt, Samuel Purchas, William Shakespeare, Edmund Spenser, and John Milton. It studies a wide range of texts, including The Discoverie of Guiana, Virginia's Verger, Othello, The Faerie Queene, A View of the Present State of Ireland, Paradise Lost, and Paradise Regained. It also examines the inscription in these writings of themes, motifs, and tropes frequently found in colonial texts: the land as desiring female body and object of desire; the masculinist gaze responding to the exotic; and the experience of the thrilling sensations of wonder.
Author: Safaa Abdulrahim
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Josephine Balmer
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 168
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Book Description
Fragmented and forgotten, the women poets of ancient Greece and Rome have long been overlooked by translators and scholars. Yet to Antipater of Thessalonica, writing in the first century AD, these were the 'earthly Muses' whose poetic skills rivalled those of their heavenly namesakes. Today only a fraction of their work survives - lyrical, witty, often innovative, and always moving - offering surprising insights into the closed world of women in antiquity, from childhood friendships through love affairs and marriage to motherhood and bereavement. Josephine Balmer's translations breathe new life into long-lost works by over a dozen poets from early Greece to the late Roman empire, including Sappho, Corinna, Erinna and Sulpicia, as well as inscriptions, folk-songs and even graffiti. Each poet is introduced by a brief bibliographical note, and where necessary her poems are annotated to guide readers through unfamiliar mythological or historical references. In an illuminating introduction, Josephine Balmer examines the nature of women's poetry in antiquity, as well as the problems (and pleasures) of translating such fragmentary works. Classical Women Poets is a complete collection for anyone interested in women's literature, the ancient world, and - above all - poetry. It is a companion volume to Josephine Balmer's edition Sappho: Poems and Fragments, also published by Bloodaxe.
Author: Mecca Jamilah Sullivan
Publisher: University of Illinois Press
ISBN: 0252052897
Category : Social Science
Languages : en
Pages : 191
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Book Description
Winner of the Modern Language Association (MLA)’s William Sanders Scarborough Prize From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women’s queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women’s literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship. Innovative and timely, The Poetics of Difference illuminates understudied queer contours of black women’s writing.
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612884
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: Theresa Kircher
Publisher:
ISBN:
Category : Feminism in literature
Languages : en
Pages :
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Book Description
This thesis seeks to place the poetry of Sylvia Plath and Anne Sexton within a larger discussion of contemporary feminist thought regarding corporeality and Hélène Cixous’ idea of l’ecriture feminine from her 1976 essay “The Laugh of the Medusa.” Beginning with the basic premise of the mind/body dichotomy that was the basis for western philosophy, this thesis argues that contemporary feminist discourse shies away from viewing women’s bodies as a source of empowerment, hoping to avoid exposure to bioessentialist critiques, and instead focusing on women’s access to areas of intellectual power. This thesis posits that rather than uphold the power dynamics imbued within the mind/body dichotomy, feminist theory has much to gain from refiguring this restrictive binary in a way where women’s bodies are viewed as a locus of power and strength, rather than a site of weakness. To achieve these aims, this thesis discusses poetry of Sylvia Plath (“Edge” and “The Applicant”) and Anne Sexton (“Menstruation at Forty” and “In Celebration of My Uterus”) as examples of l’ecriture feminine. Plath’s poetics utilize images of women’s bodies as sites of violence and brutality to demonstrate the dangers for women inherent within patriarchal systems. In Sexton’s poetics, she utilizes both form and content to move towards a feminine writing that mirrors the biological processes of the body, as argued in “Laugh of the Medusa.” While Plath’s poetics figure women’s brutalized bodies as what is left in the wake of patriarchal power structures, Sexton’s poetics go a step further, and move towards l’ecriture feminine as a Cixous understood it: a reconfiguring of language that mirrors women’s bodies, as a way out of the insidious hegemonic power structures that ensnare, brutalize, and eventually destroy women as collateral damage.
Author: Clare R. Kinney
Publisher: Routledge
ISBN: 1351964933
Category : History
Languages : en
Pages : 330
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Book Description
The last twenty-five years have seen exciting new developments in scholarly work on Lady Mary Wroth, whose Urania and Pamphilia to Amphilanthus constitute the first romance and the first sonnet sequence to be published by an Englishwoman. Wroth's writings enter into a suggestive and gendered dialogue with the lyric and narrative works of her uncle, Sir Philip Sidney, even as they carve out a place for her own literary experiments. This volume gathers together some of the most striking recent criticism addressing Wroth's oeuvre; many of its essays also discuss the intellectual and cultural contexts in which she wrote. The collection is prefaced by an extended editorial overview of scholarship in the field.
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
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Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
