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Author: Morgan Rooney
Publisher: Rowman & Littlefield
ISBN: 1611484766
Category : History
Languages : en
Pages : 233
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Book Description
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
Author: Morgan Rooney
Publisher: Rowman & Littlefield
ISBN: 1611484766
Category : History
Languages : en
Pages : 233
Get Book Here
Book Description
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
Author: Edmund Burke
Publisher:
ISBN:
Category : Political science
Languages : en
Pages : 474
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Book Description
Author: Jack Fruchtman
Publisher: JHU Press
ISBN: 0801895375
Category : Political Science
Languages : en
Pages : 305
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Book Description
A study of the work, philosophy, and life of the influential eighteenth-century American writer. This concise, thoughtful introduction to the work of Thomas Paine, author of Common Sense and Rights of Man, explores the impact of one of the most influential minds of the American and French Revolutions and the sources from which his thinking evolved. In Jack Fruchtman Jr.’s helpful interpretation, Paine built his argument for radical revolution in 1776 on a study of nature and Providence and a belief in natural rights. Men and women owed it to themselves to break the chains of rank, hierarchy, and even organized religion in order to live freely, embracing the possibilities of invention, progress, and equality that lay ahead. In 1793, at the height of the French Revolution and its secularizing fury, Paine reminded readers that it was nature's God who created natural rights. The rights of man thus held out both the great potential of freedom and the requirement that human beings be responsible for those who were the least fortunate in society. On balance we may think of Paine as a secular preacher for the rule of reason. “A compelling portrait of Thomas Paine as a serious, complex, and often surprising writer. . . . This is a very useful volume for new students of U.S. political thought, as well as for scholars seeking a quick but illuminating overview of Paine’s writings and philosophy.” —Choice “A great way for the newcomer to appreciate the range, diversity, and raw power and brilliance of Paine's ideas.” —Claremont Review of Books “Fruchtman’s concise analysis is tightly focused. . . . A coherent vision of Paine’s work, encompassing his many contradictions.” —Times Literary Supplement (UK)
Author: David Fallon
Publisher: Springer
ISBN: 1137390352
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
This book provides compelling new readings of William Blake’s poetry and art, including the first sustained account of his visionary paintings of Pitt and Nelson. It focuses on the recurrent motif of apotheosis, both as a figure of political authority to be demystified but also as an image of utopian possibility. It reevaluates Blake’s relationship to Enlightenment thought, myth, religion, and politics, from The French Revolution to Jerusalem and The Laocoön. The book combines careful attention to cultural and historical contexts with close readings of the texts and designs, providing an innovative account of Blake’s creative transformations of Enlightenment, classical, and Christian thought.
Author: Derek Roper
Publisher: Taylor & Francis
ISBN: 1000962261
Category : History
Languages : en
Pages : 340
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Book Description
First published in 1978, Reviewing before the Edinburgh is a study of English literary reviewing during the fifteen years before the founding in1802 of the Edinburgh Review, and an assessment of the reviewers’ achievement. The long introductory chapter describes the aims, methods, staffing, readership, influence, and development of the five important Reviews of the 1790s: the Monthly Review, Critical Review, English Review, Analytical Review, and British Critic. The author argues that this type of Review declined during the 19th century, not because of poor performance, but because the ambitious aim of comprehensive reviewing had become impossible to achieve. The remaining chapters discuss and evaluate the work of these Reviews, chiefly in the fields of poetry, fiction, and political and religious controversy. The book fills a gap in the literary and political history of the period; provides a compact summary of its review criticism; and gives a better perspective on both reviewers and reviewed in years that were unusually fertile in political controversy and literary experiment. It will be of interest to students of literature and history.
Author: J. Mackintosh
Publisher: Springer
ISBN: 023059056X
Category : History
Languages : en
Pages : 235
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Book Description
This new edition offers an extensive editor's introduction, a fully annotated text of the first edition of Vindiciæ Gallicæ and an appendix which includes the significant substantive revisions that Mackintosh made to Vindiciæ Gallicæ in the late summer of 1791.
Author: Kate Horgan
Publisher: Routledge
ISBN: 1317318013
Category : History
Languages : en
Pages : 272
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Book Description
Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.
Author:
Publisher: Broadview Press
ISBN:
Category : English literature
Languages : en
Pages : 1609
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Book Description
Author: D.L. Macdonald
Publisher: Broadview Press
ISBN: 1551110512
Category : Literary Collections
Languages : en
Pages : 1609
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Book Description
The selections from 132 authors in this anthology represent gender, social class, and racial and national origin as inclusively as possible, providing both greater context for canonical works and a sense of the era’s richness and diversity. In terms of genre, poetry, non-fiction prose, philosophy, educational writing, and prose fiction are included. Geographically, America, Canada, Australia, India, and Africa are represented along with Britain, emphasizing Romantic literature as a world literature. Biographical headnotes, explanatory footnotes, and an extensive bibliography clarify and illuminate the texts for readers.
Author: David O'Shaughnessy
Publisher: Routledge
ISBN: 1317323742
Category : History
Languages : en
Pages : 224
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Book Description
William Godwin is one of the most important figures of the Romantic period. He wrote four plays at the end of the 18th/beginning of the 19th centuries. This book has two main objectives: to provide the first comprehensive discussion of these four plays, and to consider the notion of theatricality in relation to Godwin’s political project.
