Author: Ronald Polito
Publisher:
ISBN: 9780929539768
Category : Maine
Languages : en
Pages : 605
Book Description
A Directory of Massachusetts Photographers, 1839-1900
Author: Ronald Polito
Publisher:
ISBN: 9780929539768
Category : Maine
Languages : en
Pages : 605
Book Description
Publisher:
ISBN: 9780929539768
Category : Maine
Languages : en
Pages : 605
Book Description
Photographers
Author: Peter E. Palmquist
Publisher: Carl Mautz Publishing
ISBN: 9781887694186
Category : History
Languages : en
Pages : 166
Book Description
Publisher: Carl Mautz Publishing
ISBN: 9781887694186
Category : History
Languages : en
Pages : 166
Book Description
Pioneer Photographers of the Far West
Author: Peter E. Palmquist
Publisher: Stanford University Press
ISBN: 9780804738835
Category : Photography
Languages : en
Pages : 716
Book Description
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
Publisher: Stanford University Press
ISBN: 9780804738835
Category : Photography
Languages : en
Pages : 716
Book Description
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
Pioneer Photographers from the Mississippi to the Continental Divide
Author: Peter E. Palmquist
Publisher: Stanford University Press
ISBN: 9780804740579
Category : Photography
Languages : en
Pages : 784
Book Description
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
Publisher: Stanford University Press
ISBN: 9780804740579
Category : Photography
Languages : en
Pages : 784
Book Description
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
Directory of Pennsylvania Photographers, 1839-1900
Author: Linda A. Ries
Publisher: Pennsylvania Historical & Museum Commission
ISBN:
Category : Photography
Languages : en
Pages : 386
Book Description
Publisher: Pennsylvania Historical & Museum Commission
ISBN:
Category : Photography
Languages : en
Pages : 386
Book Description
The Daguerreian Annual
Author:
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 276
Book Description
Photography and Failure
Author: Kris Belden-Adams
Publisher: Routledge
ISBN: 100021320X
Category : Art
Languages : en
Pages : 222
Book Description
Throughout photography’s history, failure has played an essential, recurring part in the development and perceived value of this medium. Exploring a range of failures – individual and institutional, technological and historiographical – Photography and Failure asks what it means to fail and considers how this narrative of failure has shaped our understanding of photography. From the trial-and-error beginnings of photochemistry to poor business decisions influenced by fickle public opinion and taste, the founders and early practitioners of photography frequently faced bankruptcy and ignominy. Alongside these individual ‘failures’, this collection of essays examines the role of museums in rediscovering, preserving and presenting photographs within institutions, as well as technological limitations, such as the problematic panoramic lens or the digital, archival failures of Snapchat. Moving beyond the physical photograph and these processes, the book also investigates the limitations of photographs themselves, as purveyors of truth, time, space, documentary realism and social change, whether these failures are used to effect or not. Finally, the book probes the historiographical failures affecting the discipline, drawing on key debates, such as the perceived over-emphasis on European and American photography, and the place of photography theory in contemporary art practice. Blurring the boundaries between traditional binaries of art and non-art photography, amateur and professional practice, and individual and corporate perspectives, Photography and Failure presents a new approach to understanding and evaluating photographic history.
Publisher: Routledge
ISBN: 100021320X
Category : Art
Languages : en
Pages : 222
Book Description
Throughout photography’s history, failure has played an essential, recurring part in the development and perceived value of this medium. Exploring a range of failures – individual and institutional, technological and historiographical – Photography and Failure asks what it means to fail and considers how this narrative of failure has shaped our understanding of photography. From the trial-and-error beginnings of photochemistry to poor business decisions influenced by fickle public opinion and taste, the founders and early practitioners of photography frequently faced bankruptcy and ignominy. Alongside these individual ‘failures’, this collection of essays examines the role of museums in rediscovering, preserving and presenting photographs within institutions, as well as technological limitations, such as the problematic panoramic lens or the digital, archival failures of Snapchat. Moving beyond the physical photograph and these processes, the book also investigates the limitations of photographs themselves, as purveyors of truth, time, space, documentary realism and social change, whether these failures are used to effect or not. Finally, the book probes the historiographical failures affecting the discipline, drawing on key debates, such as the perceived over-emphasis on European and American photography, and the place of photography theory in contemporary art practice. Blurring the boundaries between traditional binaries of art and non-art photography, amateur and professional practice, and individual and corporate perspectives, Photography and Failure presents a new approach to understanding and evaluating photographic history.
Eugenics, 'Aristogenics', Photography
Author: Kris Belden-Adams
Publisher: Routledge
ISBN: 1000185850
Category : Photography
Languages : en
Pages : 252
Book Description
This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics – which first took hold in the United States at Harvard University. Eugenics, "Aristogenics," Photography takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
Publisher: Routledge
ISBN: 1000185850
Category : Photography
Languages : en
Pages : 252
Book Description
This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics – which first took hold in the United States at Harvard University. Eugenics, "Aristogenics," Photography takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
My Wars Are Laid Away in Books
Author: Alfred Habegger
Publisher: Modern Library
ISBN: 0812966015
Category : Biography & Autobiography
Languages : en
Pages : 802
Book Description
Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson’s growth–a richly contextualized story of genius in the process of formation and then in the act of overwhelming production. Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson’s own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson’s story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father’s political isolation after the Whig Party’s collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice. The definitive treatment of Dickinson’s life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.
Publisher: Modern Library
ISBN: 0812966015
Category : Biography & Autobiography
Languages : en
Pages : 802
Book Description
Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson’s growth–a richly contextualized story of genius in the process of formation and then in the act of overwhelming production. Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson’s own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson’s story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father’s political isolation after the Whig Party’s collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice. The definitive treatment of Dickinson’s life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.
Cape Ann in Stereo Views
Author: Carolyn Thompson
Publisher: Arcadia Publishing
ISBN: 9780738504919
Category : History
Languages : en
Pages : 132
Book Description
The years that followed the bloody Great War, which divided the nation, up through the start of the twentieth century were a remarkable era of growth and prosperity for the towns and villages of Cape Ann. Swift-sailing schooners manned by hardy and able seamen from the fisheries of Gloucester ranged far out into the Atlantic. Millions of tons of granite laboriously cut from the bountiful quarries of Rockport were shipped to ports near and far. Essex shipyards, fueled by the demands of the Gloucester fisheries and the Rockport granite industries, turned out new and larger ships in even greater numbers. Tourism became a major industry, as dozens of the famous and grand North shore hotels were erected along the shores of Gloucester, Rockport, Magnolia, and Manchester-by-the-Sea. Coincidentally, the years from 1865 to the early twentieth century were a time when stereo photography and stereoscopic images, especially stereoview cards, enjoyed immense popularity. Cape Ann was fortunate to have several outstanding stereo photographers and publishers during this grand era, and they produced many excellent views of the Cape's natural wonders, its commercial activities, and the life and times of its industrious townspeople.
Publisher: Arcadia Publishing
ISBN: 9780738504919
Category : History
Languages : en
Pages : 132
Book Description
The years that followed the bloody Great War, which divided the nation, up through the start of the twentieth century were a remarkable era of growth and prosperity for the towns and villages of Cape Ann. Swift-sailing schooners manned by hardy and able seamen from the fisheries of Gloucester ranged far out into the Atlantic. Millions of tons of granite laboriously cut from the bountiful quarries of Rockport were shipped to ports near and far. Essex shipyards, fueled by the demands of the Gloucester fisheries and the Rockport granite industries, turned out new and larger ships in even greater numbers. Tourism became a major industry, as dozens of the famous and grand North shore hotels were erected along the shores of Gloucester, Rockport, Magnolia, and Manchester-by-the-Sea. Coincidentally, the years from 1865 to the early twentieth century were a time when stereo photography and stereoscopic images, especially stereoview cards, enjoyed immense popularity. Cape Ann was fortunate to have several outstanding stereo photographers and publishers during this grand era, and they produced many excellent views of the Cape's natural wonders, its commercial activities, and the life and times of its industrious townspeople.