A Different Side of Bada Shanren PDF Download
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Author: Anna Louise Glaze
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
Author: Anna Louise Glaze
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Get Book Here
Book Description
Author: Fangyu Wang
Publisher: Yale University Press
ISBN: 9780300049336
Category : Art
Languages : en
Pages : 299
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Book Description
Bada Shanren created one of the most compelling and distinctive bodies of graphic art in the history of Chinese culture. A prince of the Ming imperial family, he became a Buddhist monk after the Manchu invasion of China led to the collapse of the Ming dynasty. Thirty years later, when the turmoil of the conquest had passed, he returned to secular life as a painter, poet, and calligrapher. Although portrayed by his contemporaries as a mad eccentric, his art reveals a rational genius, and evidence suggests that he feigned madness to conceal his inner emotions. Despite his enigmatic character, he has had a profound influence on later generations of Chinese artists, especially those of the 20th century.
Author: Katharine P Burnett
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964562
Category : Art
Languages : en
Pages : 444
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Book Description
This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0870999842
Category : Painting
Languages : en
Pages : 302
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Book Description
The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 64
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Book Description
Author: Wu, Jie
Publisher: IGI Global
ISBN: 1799817040
Category : Philosophy
Languages : en
Pages : 301
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Book Description
The methodologies of aesthetic thought have always had a deep, historic foundation and serve as a staple of philosophy. Researchers have begun re-examining the structure and levels of aesthetics by tracing the history of this practice and studying European and Asian traditions. This systematic perspective is an emerging topic of exploration yet requires an appropriate level of research that further investigates the recent discoveries of systemic aesthetics in today’s modern world. New Aesthetic Thought, Methodology, and Structure of Systemic Philosophy is an essential reference source that discusses the organic connection between philosophy, mathematics, and aesthetics, as well as its application to other fields of human sciences. This book analyzes the history of aesthetics and studies the contemporary laws and function of beauty and nature. Featuring research on topics such as fundamental principles, mathematical methods, and humanistic logic, this book is ideally designed for philosophers, physicians, scientific researchers, mathematicians, systems engineers, complexity professionals, anthropologists, art designers, academicians, and students seeking coverage on the structure of artistic beauty through a systematic approach.
Author: Stephen Little
Publisher: Prestel
ISBN: 9783791355214
Category : ART
Languages : en
Pages : 0
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Book Description
"Published in conjunction with the exhibition Alternative Dreams: 17th-Century Chinese Paintings from the Tsao Family Collection at the Los Angeles County Museum of Art, Los Angeles, California (august 7 through December 4, 2016)--Colophon.
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790939
Category : Art
Languages : en
Pages : 440
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Book Description
This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Author: Tamara Heimarck Bentley
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666721
Category : Art
Languages : en
Pages : 312
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Book Description
Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the late Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. In so doing, Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century, when Chinese scholar artists began to direct their work towards anonymous public markets.
Author: Aida Yuen Wong
Publisher: University of Hawaii Press
ISBN: 0824845366
Category : Art
Languages : en
Pages : 216
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Book Description
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
