Author: Denis Diderot
Publisher: New York : Dover Publications
ISBN:
Category : Decorative arts
Languages : en
Pages : 418
Book Description
A Diderot Pictorial Encyclopedia of Trades and Industry
Author: Denis Diderot
Publisher: New York : Dover Publications
ISBN:
Category : Decorative arts
Languages : en
Pages : 418
Book Description
Publisher: New York : Dover Publications
ISBN:
Category : Decorative arts
Languages : en
Pages : 418
Book Description
The Encyclopédie of Diderot and D'Alembert
Author: Diderot
Publisher: Cambridge University Press
ISBN: 9780521113465
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The publication of the Encyclopedie in the middle of the eighteenth century is generally recognised as a decisive factor in the conflict ideas which led to the French Revolution of 1789. Yet, despite its importance in the history of eighteenth-century French thought, no outstanding work of the period is less read today, simple because of its bulk and inaccessibility. Those parts reproduced in this edition cover religion, philosophy, science and political and social ideas and include articles which reflect the humanitarian outlook of the contributors and their attitude to the abuses of the ancien regime. The selection is of value not only to students of French literature and thought, but also to all those interested in the history and political ideas of France on the eve of the Revolution; in these pages Diderot, D'Alembert and D'Holbach are allowed to speak for themselves, instead of having their ideas summarised (and sometimes misinterpreted) by others.
Publisher: Cambridge University Press
ISBN: 9780521113465
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The publication of the Encyclopedie in the middle of the eighteenth century is generally recognised as a decisive factor in the conflict ideas which led to the French Revolution of 1789. Yet, despite its importance in the history of eighteenth-century French thought, no outstanding work of the period is less read today, simple because of its bulk and inaccessibility. Those parts reproduced in this edition cover religion, philosophy, science and political and social ideas and include articles which reflect the humanitarian outlook of the contributors and their attitude to the abuses of the ancien regime. The selection is of value not only to students of French literature and thought, but also to all those interested in the history and political ideas of France on the eve of the Revolution; in these pages Diderot, D'Alembert and D'Holbach are allowed to speak for themselves, instead of having their ideas summarised (and sometimes misinterpreted) by others.
Preliminary Discourse to the Encyclopedia of Diderot
Author: Jean Le Rond d'Alembert
Publisher: University of Chicago Press
ISBN: 9780226134765
Category : Foreign Language Study
Languages : en
Pages : 228
Book Description
Preliminary Discourse to the Encyclopedia of Diderot expresses the hopes, dogmas, assumptions, and prejudices that have come to characterize the French Enlightenment. In this preface to the Encyclopedia, d'Alembert traces the history of intellectual progress from the Renaissance to 1751. Including a revision of Diderot's Prospectus and a list of contributors to the Encyclopedia, this edition, elegantly translated and introduced by Professor Richard Schwab, is one of the great works of the Enlightenment and an outstanding introduction to the philosophes.
Publisher: University of Chicago Press
ISBN: 9780226134765
Category : Foreign Language Study
Languages : en
Pages : 228
Book Description
Preliminary Discourse to the Encyclopedia of Diderot expresses the hopes, dogmas, assumptions, and prejudices that have come to characterize the French Enlightenment. In this preface to the Encyclopedia, d'Alembert traces the history of intellectual progress from the Renaissance to 1751. Including a revision of Diderot's Prospectus and a list of contributors to the Encyclopedia, this edition, elegantly translated and introduced by Professor Richard Schwab, is one of the great works of the Enlightenment and an outstanding introduction to the philosophes.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The European Encyclopedia
Author: Jeff Loveland
Publisher: Cambridge University Press
ISBN: 1108481094
Category : History
Languages : en
Pages : 463
Book Description
Organized thematically, this book tells the story of the European encyclopedia from 1650 to the present.
Publisher: Cambridge University Press
ISBN: 1108481094
Category : History
Languages : en
Pages : 463
Book Description
Organized thematically, this book tells the story of the European encyclopedia from 1650 to the present.
Encyclopedic Liberty
Author: Denis Diderot
Publisher: Liberty Fund
ISBN: 9780865978546
Category : Philosophy
Languages : en
Pages : 0
Book Description
This anthology of 81 articles is the first attempt to translate and collect the most significant political writing from the Encyclopédie (1751-1765). It includes every aspect of the ideas, practices, and institutions of Western political life.
Publisher: Liberty Fund
ISBN: 9780865978546
Category : Philosophy
Languages : en
Pages : 0
Book Description
This anthology of 81 articles is the first attempt to translate and collect the most significant political writing from the Encyclopédie (1751-1765). It includes every aspect of the ideas, practices, and institutions of Western political life.
Extinct
Author: Barbara Penner
Publisher: Reaktion Books
ISBN: 1789144531
Category : Design
Languages : en
Pages : 391
Book Description
Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Publisher: Reaktion Books
ISBN: 1789144531
Category : Design
Languages : en
Pages : 391
Book Description
Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
On Their Own Terms
Author: Benjamin A. Elman
Publisher: Harvard University Press
ISBN: 0674036476
Category : History
Languages : en
Pages : 606
Book Description
In On Their Own Terms, Benjamin A. Elman offers a much-needed synthesis of early Chinese science during the Jesuit period (1600-1800) and the modern sciences as they evolved in China under Protestant influence (1840s-1900). By 1600 Europe was ahead of Asia in producing basic machines, such as clocks, levers, and pulleys, that would be necessary for the mechanization of agriculture and industry. In the seventeenth and eighteenth centuries, Elman shows, Europeans still sought from the Chinese their secrets of producing silk, fine textiles, and porcelain, as well as large-scale tea cultivation. Chinese literati borrowed in turn new algebraic notations of Hindu-Arabic origin, Tychonic cosmology, Euclidian geometry, and various computational advances. Since the middle of the nineteenth century, imperial reformers, early Republicans, Guomindang party cadres, and Chinese Communists have all prioritized science and technology. In this book, Elman gives a nuanced account of the ways in which native Chinese science evolved over four centuries, under the influence of both Jesuit and Protestant missionaries. In the end, he argues, the Chinese produced modern science on their own terms.
Publisher: Harvard University Press
ISBN: 0674036476
Category : History
Languages : en
Pages : 606
Book Description
In On Their Own Terms, Benjamin A. Elman offers a much-needed synthesis of early Chinese science during the Jesuit period (1600-1800) and the modern sciences as they evolved in China under Protestant influence (1840s-1900). By 1600 Europe was ahead of Asia in producing basic machines, such as clocks, levers, and pulleys, that would be necessary for the mechanization of agriculture and industry. In the seventeenth and eighteenth centuries, Elman shows, Europeans still sought from the Chinese their secrets of producing silk, fine textiles, and porcelain, as well as large-scale tea cultivation. Chinese literati borrowed in turn new algebraic notations of Hindu-Arabic origin, Tychonic cosmology, Euclidian geometry, and various computational advances. Since the middle of the nineteenth century, imperial reformers, early Republicans, Guomindang party cadres, and Chinese Communists have all prioritized science and technology. In this book, Elman gives a nuanced account of the ways in which native Chinese science evolved over four centuries, under the influence of both Jesuit and Protestant missionaries. In the end, he argues, the Chinese produced modern science on their own terms.
Invention of Hysteria
Author: Georges Didi-Huberman
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Publisher: MIT Press
ISBN: 0262541807
Category : Psychology
Languages : en
Pages : 387
Book Description
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
Deciphering Reality
Author: Benjamin B. Olshin
Publisher: BRILL
ISBN: 9004353070
Category : Philosophy
Languages : en
Pages : 285
Book Description
In Deciphering Reality: Simulations, Tests, and Designs, Benjamin B. Olshin takes a problem-based approach to the question of the nature of reality. In a series of essays, the book examines the detection of computer simulations from the inside, wrestles with the problem of visual models of reality, explores Daoist conceptions of reality, and offers possible future directions for deciphering reality. The ultimate goal of the book is to provide a more accessible approach, unlike highly complex philosophical works on metaphysics, which are inaccessible to non-academic readers, and overly abstract (and at times, highly speculative) popular works that offer a mélange of physics, philosophy, and consciousness.
Publisher: BRILL
ISBN: 9004353070
Category : Philosophy
Languages : en
Pages : 285
Book Description
In Deciphering Reality: Simulations, Tests, and Designs, Benjamin B. Olshin takes a problem-based approach to the question of the nature of reality. In a series of essays, the book examines the detection of computer simulations from the inside, wrestles with the problem of visual models of reality, explores Daoist conceptions of reality, and offers possible future directions for deciphering reality. The ultimate goal of the book is to provide a more accessible approach, unlike highly complex philosophical works on metaphysics, which are inaccessible to non-academic readers, and overly abstract (and at times, highly speculative) popular works that offer a mélange of physics, philosophy, and consciousness.