“A” Descriptive Catalogue of the Pictures in the National Gallery PDF Download
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Author: William Young Ottley
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Author: William Young Ottley
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Brandon Taylor
Publisher: Manchester University Press
ISBN: 9780719054532
Category : Art
Languages : en
Pages : 346
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Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Author: sir John Charles Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Book Description
Author: Anna Jameson
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: Mrs. Jameson (Anna)
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 764
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Book Description
Author: Steve Edwards
Publisher: Yale University Press
ISBN: 9780300077445
Category : Art
Languages : en
Pages : 364
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Book Description
Published with six accompanying books in the series 'Art and its Histories'.
Author: Gillian Perry
Publisher: Yale University Press
ISBN: 9780300077438
Category : Art
Languages : en
Pages : 278
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Book Description
"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Author: Susan Pearce
Publisher: A&C Black
ISBN: 056740854X
Category : Art
Languages : en
Pages : 304
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Book Description
Canvasses past and contemporary problems of cultural representation and the relationship between the artist, the museum and society.
Author: Carole Paul
Publisher: Getty Publications
ISBN: 1606061208
Category : Art
Languages : en
Pages : 372
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Book Description
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University. Show more Show less
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 396
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Book Description
