Author: Gulbenkian Museum of Oriental Art and Archaeology
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
A Descriptive and Illustrated Catalogue of the Malcolm Macdonald Collection
Author: Gulbenkian Museum of Oriental Art and Archaeology
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 362
Book Description
Designing Modern Britain
Author: Cheryl Buckley
Publisher: Reaktion Books
ISBN: 1861894716
Category : Design
Languages : en
Pages : 260
Book Description
British culture is marked by indelible icons—red double-decker buses, large oak wardrobes, and the compact sleekness of the Mini. But British industrial and product design have long lived in the shadows of architecture and fashion. Cheryl Buckley here delves into the history of British design culture, and in doing so uniquely tracks the evolution of the British national identity. Designing Modern Britain demonstrates how interior design, ceramics, textiles, and furniture craft of the twentieth century contain numerous hallmark examples of British design. The book explores topics connected to the British design aesthetic, including the spread of international modernism, the eco-conscious designs of the 1980s and 1990s, and the influence of celebrity product designers and their labels. Buckley also investigates popular nostalgia in recent times, considering how museum and gallery exhibitions have been instrumental in reimagining Britain’s past and how the heritage industry has fueled a growing trend among designers of employing images of British culture in their work. A thoughtful look at the aesthetic heritage of a nation that has left its footprint around the globe, Designing Modern Britain will be a valuable text for students and professionals in design.
Publisher: Reaktion Books
ISBN: 1861894716
Category : Design
Languages : en
Pages : 260
Book Description
British culture is marked by indelible icons—red double-decker buses, large oak wardrobes, and the compact sleekness of the Mini. But British industrial and product design have long lived in the shadows of architecture and fashion. Cheryl Buckley here delves into the history of British design culture, and in doing so uniquely tracks the evolution of the British national identity. Designing Modern Britain demonstrates how interior design, ceramics, textiles, and furniture craft of the twentieth century contain numerous hallmark examples of British design. The book explores topics connected to the British design aesthetic, including the spread of international modernism, the eco-conscious designs of the 1980s and 1990s, and the influence of celebrity product designers and their labels. Buckley also investigates popular nostalgia in recent times, considering how museum and gallery exhibitions have been instrumental in reimagining Britain’s past and how the heritage industry has fueled a growing trend among designers of employing images of British culture in their work. A thoughtful look at the aesthetic heritage of a nation that has left its footprint around the globe, Designing Modern Britain will be a valuable text for students and professionals in design.
Collecting and Displaying China's “Summer Palace” in the West
Author: Louise Tythacott
Publisher: Routledge
ISBN: 135162489X
Category : Art
Languages : en
Pages : 345
Book Description
In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.
Publisher: Routledge
ISBN: 135162489X
Category : Art
Languages : en
Pages : 345
Book Description
In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.
Catalogue
Author: Bloomsbury Book Auctions (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 706
Book Description
The Modern in Southeast Asian Art
Author: T.K. Sabapathy
Publisher: National Gallery Singapore and NTU Centre for Contemporary Art Singapore
ISBN: 9811406642
Category : Art
Languages : en
Pages : 111
Book Description
Who spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region, by artists, critics, historians and curators in 11 languages, many of which had never before been translated into the English language. Years in the making, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia, and will be a valuable resource to students, teachers, scholars and those interested in Southeast Asian studies and art history. Looking from inside the region, the rich fecundity of art discourses becomes clear if for example we compare the 1843 text by Raden Saleh from what is now Indonesia with the 1946 text of S. Sudjojono, allowing a historical grasp of modernity from two of its original texts, or across the region to the 1971 text on Malaysia by Piyadasa. The tyranny of physical, cultural, and temporal separation are thus overcome. It is to the great credit of the editors that they have enabled this for us, and this work will be a basic art historical reference both inside and beyond the region for some time to come. —John Clark, Emeritus Professor of Art History, University of Sydney Needed now more than ever, this collection opens up new worlds in the guise of a region called Southeast Asia. Each carefully selected text offers a new point of access to thinking through, across, beyond and with the elusive idea of the “modern.” A signal achievement, this volume is both a rich introduction to the region as well as a vital resource for anyone genuinely committed to art histories that generate new spaces rather than settle for existing realms. —Joan Kee, Professor, History of Art, University of Michigan
Publisher: National Gallery Singapore and NTU Centre for Contemporary Art Singapore
ISBN: 9811406642
Category : Art
Languages : en
Pages : 111
Book Description
Who spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region, by artists, critics, historians and curators in 11 languages, many of which had never before been translated into the English language. Years in the making, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia, and will be a valuable resource to students, teachers, scholars and those interested in Southeast Asian studies and art history. Looking from inside the region, the rich fecundity of art discourses becomes clear if for example we compare the 1843 text by Raden Saleh from what is now Indonesia with the 1946 text of S. Sudjojono, allowing a historical grasp of modernity from two of its original texts, or across the region to the 1971 text on Malaysia by Piyadasa. The tyranny of physical, cultural, and temporal separation are thus overcome. It is to the great credit of the editors that they have enabled this for us, and this work will be a basic art historical reference both inside and beyond the region for some time to come. —John Clark, Emeritus Professor of Art History, University of Sydney Needed now more than ever, this collection opens up new worlds in the guise of a region called Southeast Asia. Each carefully selected text offers a new point of access to thinking through, across, beyond and with the elusive idea of the “modern.” A signal achievement, this volume is both a rich introduction to the region as well as a vital resource for anyone genuinely committed to art histories that generate new spaces rather than settle for existing realms. —Joan Kee, Professor, History of Art, University of Michigan
Library Catalog of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 902
Book Description
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 674
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 674
Book Description
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 654
Book Description
A cumulative list of works represented by Library of Congress printed cards.
The Helen D. Ling Collection of Chinese Ceramics
Author: University of Maryland, College Park. Art Gallery
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 124
Book Description
A catalogue designed to accompany the Ling Collection exhibition at The Art Gallery, University of Maryland, is a journey through the history of ceramics in China. The black and white photographs intimate the delicacy of design which is characteristic of the Chinese aesthetic, though readers may be
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 124
Book Description
A catalogue designed to accompany the Ling Collection exhibition at The Art Gallery, University of Maryland, is a journey through the history of ceramics in China. The black and white photographs intimate the delicacy of design which is characteristic of the Chinese aesthetic, though readers may be
The Hans Popper Collection of Oriental Art
Author: René Yvon Lefebvre d'Argencé
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 204
Book Description