Primitivism in Modern Art PDF Download
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Author: Robert Goldwater
Publisher: Harvard University Press
ISBN: 9780674704909
Category : Art
Languages : en
Pages : 374
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Book Description
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.
Author: Robert Goldwater
Publisher: Harvard University Press
ISBN: 9780674704909
Category : Art
Languages : en
Pages : 374
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Book Description
This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.
Author: Sally Price
Publisher: University of Chicago Press
ISBN: 9780226680675
Category : Art
Languages : en
Pages : 178
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Book Description
AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.
Author: Phillip Harold Lewis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 30
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Book Description
Author: William Stanley Rubin
Publisher:
ISBN: 9780870705342
Category :
Languages : en
Pages : 343
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Book Description
Published for an exhibition held at the Museum of Modern Art in 1984.
Author: Sir Edward Burnett Tylor
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 528
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Book Description
Author: William Rubin
Publisher: ABRAMS
ISBN: 9780810960671
Category :
Languages : en
Pages : 706
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Book Description
Author: Marianna Torgovnick
Publisher: University of Chicago Press
ISBN: 9780226808321
Category : Art
Languages : en
Pages : 350
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Book Description
In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture),Gone Primitivewill engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson,Voice Literary Supplement
Author: Sally Price
Publisher: University of Chicago Press
ISBN: 0226680703
Category : Art
Languages : en
Pages : 251
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Book Description
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Author: Ann Stephen
Publisher:
ISBN: 9781921330322
Category : Art
Languages : en
Pages : 103
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Book Description
This 103 page full colour exhibition catalogue features essays by Anne Stephen, Andrew McNamara and Helen Hughes. Edited by Linda Michael and published in 2013 by Heide Museum of Modern Art.Some turn the table on modernist primitivism and explore its specific local histories, reworking the legacies of colonialism; some make reparative gestures, attracted to what joins cultures or communities rather than what divides; while others sidestep the usual decorum around the subject and provoke questions about how we relate to cultures outside our own.Within today's relentless focus on the `now', many of the works in 'Future Primitive' move forward and back between past and future, going back to origins, whether ancestral, animal, or cultural, in an attempt to find out how to live better in a world in crisis or to question its values.Participating artists: Daniel Boyd, Janet Burchill & Jennifer McCamley, Sarah Contos, Mikala Dwyer, Graham Fletcher, David Griggs, Fiona Hall, Newell Harry, Siri Hayes, Brendan Huntley, Jess Johnson, Narelle Jubelin, Dylan Martorell, Alasdair McLuckie, Sanne Mestrom, TV Moore, Michelle Nikou, Ricky Swallow, Rohan Wealleans.
Author: Shelly Errington
Publisher: Univ of California Press
ISBN: 0520920341
Category : Art
Languages : en
Pages : 338
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Book Description
In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
