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Author: Sir John Young Walker MacAlister
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 618
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Book Description
Author: Sir John Young Walker MacAlister
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 618
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Book Description
Author: Daniel Berkeley Updike
Publisher:
ISBN:
Category : Graphic design (Typography)
Languages : en
Pages : 980
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Book Description
Author: William S. Peterson
Publisher: Univ of California Press
ISBN: 9780520061385
Category : Language Arts & Disciplines
Languages : en
Pages : 400
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Book Description
From a quantitative point of view the achievement of the Kelmscott Press may not seem impressive: between 1891 and 1898 it produced fifty-two books and a set of specimen pages for another book. Yet each was remarkably beautiful. Designed by William Morris, printed on hand-presses, ornamented with initials and borders by Morris, and illustrated often by Edward Burne-Jones, these few Kelmscott Press books are famous everywhere today. Why they have so profoundly affected twentieth-century theories of book design and what cultural significance the founding of the Kelmscott Press played are some of the questions the author considers.
Author: Benjamin Morgan
Publisher: University of Chicago Press
ISBN: 022645746X
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 506
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Book Description
Issues for 1918-1940 include the Proceedings of the annual convention of the United Typothetae of America.
Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 320
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Book Description
Author: Dulau & Co., ltd., Booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 1084
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 912
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1130
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Book Description
Author: Frederick D. King
Publisher: Edinburgh University Press
ISBN: 1399525964
Category :
Languages : en
Pages : 274
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Book Description
Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality.
