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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category :
Languages : es
Pages : 72
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN: 9783337685508
Category :
Languages : en
Pages :
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Book Description
Author: Shelley Percy Bysshe
Publisher:
ISBN: 9789358592214
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Percy Bysshe Shelley, one of the most well-known poets of the Romantic period, published a collection of essays titled "A Defence of Poetry and Other Essays" in 1818. Several notable articles that provide deep insights on the nature and function of poetry, as well as other subjects including art, politics, and society, are included in this book. In literary criticism, the article with the same title, "A Defence of Poetry," is regarded as a classic. According to Shelley, poetry has a strong influence that goes beyond simple enjoyment and plays a significant part in influencing society. He argues that poetry has the power to spark the imagination, motivate moral and social change, and foster a better knowledge of the human condition. The eloquence, poetic sensitivity, and visionary viewpoint that define Shelley's writing. His work is characterized by a deep trust in the transformational power of art and a sincere excitement for the power of the imagination. In addition to demonstrating Shelley's talent as a poet, "A Defence of Poetry and Other Essays" also demonstrates his breadth of knowledge and dedication to utilizing literature as a tool for social and political reform.
Author: Glyn White
Publisher: Manchester University Press
ISBN: 1526130777
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This book critically engages with the visual appearance of prose fiction where it is manipulated by authors, from alterations in typography to the deconstruction of the physical form of the book. It reappraises the range of effects it is possible to create through the use of graphic devices and explores why literary criticism has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodern decadence. Through the examination of problematical texts which utilise the graphic surface in innovative and unusual ways, including Samuel Beckett’s Watt, B. S. Johnson’s Albert Angelo, Christine Brooke-Rose’s Thru and Alasdair Gray’s Lanark, this book demonstrates that an awareness of the graphic surface can make significant contributions to interpretation.
Author: Job Y. Jindo
Publisher: BRILL
ISBN: 9004368183
Category : Language Arts & Disciplines
Languages : en
Pages : 368
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Book Description
How do we understand the characteristically extensive presence of imagery in biblical prophecy? Poetic metaphor in prophetic writings has commonly been understood solely as an artistic flourish intended to create certain rhetorical effects. It thus appears expendable and unrelated to the core content of the composition—however engaging it may be, aesthetically or otherwise. Job Jindo invites us to reconsider this convention. Applying recent studies in cognitive science, he explores how we can view metaphor as the very essence of poetic prophecy—namely, metaphor as an indispensable mode to communicate prophetic insight. Through a cognitive reading of Jeremiah 1-24, Jindo amply demonstrates the advantage and heuristic ramifications of this approach in biblical studies.
Author: Christoph Lehner
Publisher: Cambridge Scholars Publishing
ISBN: 1443891819
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world’s cultural memory. This book examines key stages of Dante’s appropriation in Western cultural history by exploring the intermedial relationship between Dante’s Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T. S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T. S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. The main focus of this study, therefore, is on how Dante’s image was fixed in the first 200 years of his appropriation in Florence, how fruitfully the Dantean images and his text have been taken up and used for creative and intellectual production in Britain over the course of the past centuries, and what moral, literary, or political messages they continue to convey.
Author:
Publisher: BRILL
ISBN: 9401202311
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This volume specifically addresses Romantic-period scholarship about Italian literature, history, and culture under the interconnected rubrics of ‘translating’, ‘reviewing’, and ‘rewriting’. The essays in this book consider this rich field of scholarly activity in order to redraw its contours and examine its connections with the fictional images of Italy and the general fascination with this land and its civilization that are a crucial component of British culture between the eighteenth and nineteenth centuries.
Author: Svetlana Evdokimova
Publisher: Univ of Wisconsin Press
ISBN: 9780299190248
Category : Drama
Languages : en
Pages : 412
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Book Description
Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays-"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
