A Dead Narrator in Charles Higson’s Getting Rid of Mister Kitchen PDF Download
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Author: Andreas Raab
Publisher: GRIN Verlag
ISBN: 3640309367
Category : Foreign Language Study
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2006 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Vienna, course: Novels of the Nineties, language: English, abstract: The plot of Charles Higson’s novel Getting Rid of Mister Kitchen published in 1996 is fairly straightforward. In the first chapter of the book the protagonist or anti-hero of the novel, who is telling the story at the same time, stabs Mister Kitchen with a candlestick during a quarrel they have while Mister Kitchen is visiting the protagonist to buy his car. In the course of the text the anti-hero desperately tries to get rid of the (more or less) dead body, a task that becomes both his destiny and burden. Whenever the protagonist seems to get one step closer to dispose of Mister Kitchen, he is thrown back at least two steps due to a consistent unfortunate concatenation of events. Finally, all of the protagonist’s bad luck combined with his inability to a make plans that work literally lead to his downfall. It is this ending of the novel that raises the most challenging question since the protagonist’s further fate is up to the respective reader’s interpretation. In addition, the reader does not only never gets to know the narrator’s name, but he/she also does not know his motivation for telling the story. However, these matters basically revolve around the central question whether the protagonist dies or stays alive at or after, respectively, the end of the novel. The main aim of this paper is, therefore, to examine whether the story is or can be told by a dead narrator. This problem will be discussed by means of relating it to and embedding it into a general analysis and description of the novel’s narrative techniques. Since the topic of this paper is narratological in its character and since there is an obvious relation between the subject-matter of this essay and the novel’s narrative situation, this is of crucial importance to fully grasp the issue and to discuss it comprehensively. Thus, this paper is basically divided into two main parts. The first part presents a general overview of the novel’s narrative techniques and particularly focuses on characterisation in the novel and on the reliability of the narrator. In the second part of this essay some readings that either support or oppose the fact that the story is told by a dead or dying narrator are specified. All these interpretations will be based on evidence from and related to the text itself. On the whole, this essay will encourage different approaches to answer the underlying question of this essay, namely whether Charles Higson’s novel Getting Rid of Mister Kitchen features a dead narrator.
Author: Andreas Raab
Publisher: GRIN Verlag
ISBN: 3640309367
Category : Foreign Language Study
Languages : en
Pages : 29
Get Book Here
Book Description
Seminar paper from the year 2006 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Vienna, course: Novels of the Nineties, language: English, abstract: The plot of Charles Higson’s novel Getting Rid of Mister Kitchen published in 1996 is fairly straightforward. In the first chapter of the book the protagonist or anti-hero of the novel, who is telling the story at the same time, stabs Mister Kitchen with a candlestick during a quarrel they have while Mister Kitchen is visiting the protagonist to buy his car. In the course of the text the anti-hero desperately tries to get rid of the (more or less) dead body, a task that becomes both his destiny and burden. Whenever the protagonist seems to get one step closer to dispose of Mister Kitchen, he is thrown back at least two steps due to a consistent unfortunate concatenation of events. Finally, all of the protagonist’s bad luck combined with his inability to a make plans that work literally lead to his downfall. It is this ending of the novel that raises the most challenging question since the protagonist’s further fate is up to the respective reader’s interpretation. In addition, the reader does not only never gets to know the narrator’s name, but he/she also does not know his motivation for telling the story. However, these matters basically revolve around the central question whether the protagonist dies or stays alive at or after, respectively, the end of the novel. The main aim of this paper is, therefore, to examine whether the story is or can be told by a dead narrator. This problem will be discussed by means of relating it to and embedding it into a general analysis and description of the novel’s narrative techniques. Since the topic of this paper is narratological in its character and since there is an obvious relation between the subject-matter of this essay and the novel’s narrative situation, this is of crucial importance to fully grasp the issue and to discuss it comprehensively. Thus, this paper is basically divided into two main parts. The first part presents a general overview of the novel’s narrative techniques and particularly focuses on characterisation in the novel and on the reliability of the narrator. In the second part of this essay some readings that either support or oppose the fact that the story is told by a dead or dying narrator are specified. All these interpretations will be based on evidence from and related to the text itself. On the whole, this essay will encourage different approaches to answer the underlying question of this essay, namely whether Charles Higson’s novel Getting Rid of Mister Kitchen features a dead narrator.
Author: Catherine Jinks
Publisher: HarperCollins
ISBN: 054741613X
Category : Young Adult Fiction
Languages : en
Pages : 515
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Book Description
Cadel Piggott has a genius IQ and a fascination with systems of all kinds. At seven, he was illegally hacking into computers. Now he’s fourteen and studying for his World Domination degree, taking classes like embezzlement, forgery, and infiltration at the institute founded by criminal mastermind Dr. Phineas Darkkon. Although Cadel may be advanced beyond his years, at heart he’s a lonely kid. When he falls for the mysterious and brilliant Kay-Lee, he begins to question the moral implications of his studies. But is it too late to stop Dr. Darkkon from carrying out his evil plot? This ebook includes a sample chapter of GENIUS SQUAD.
Author: Charlie Higson
Publisher: Little, Brown Books for Young Readers
ISBN: 1423188993
Category : Juvenile Fiction
Languages : en
Pages : 452
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Book Description
In the wake of a devastating disease, everyone sixteen and older is either dead or a decomposing, brainless creature with a ravenous appetite for flesh. Teens have barricaded themselves in buildings throughout London and venture outside only when they need to scavenge for food. The group of kids living a Waitrose supermarket is beginning to run out of options. When a mysterious traveler arrives and offers them safe haven at Buckingham Palace, they begin a harrowing journey across London. But their fight is far from over???the threat from within the palace is as real as the one outside it. Full of unexpected twists and quick-thinking heroes, The Enemy is a fast-paced, white-knuckle tale of survival in the face of unimaginable horror.
Author: G. Allrath
Publisher: Springer
ISBN: 0230501001
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
In the context of a systematic overview of the possibilities of applying narratological concepts to a study of TV series, ten case studies are explored in depth, demonstrating how series such as 24, Buffy, Twin Peaks, Star Trek, Blackadder, and Sex and the City make use of innovative audiovisual means of storytelling. Transgressing the traditional confines of narrative theory, the chapter authors address the question of how form, content, and function intersect in these series.
Author: Sam Selvon
Publisher: Penguin UK
ISBN: 0241189462
Category : Fiction
Languages : en
Pages : 136
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Book Description
Both devastating and funny, The Lonely Londoners is an unforgettable account of immigrant experience - and one of the great twentieth-century London novels At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London. This Penguin Modern Classics edition includes an introduction by Susheila Nasta. 'His Lonely Londoners has acquired a classics status since it appeared in 1956 as the definitive novel about London's West Indians' Financial Times 'The unforgettable picaresque ... a vernacular comedy of pathos' Guardian
Author: Sue Parrill
Publisher: McFarland
ISBN: 0786481412
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Jane Austen's career as a novelist began in 1811 with the publication of Sense and Sensibility. Her work was finally adapted for the big screen with the 1940 filming of Pride and Prejudice (very successful at the box office). No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared, first Clueless, then Persuasion, followed by Pride and Prejudice, Sense and Sensibility, the Miramax Emma, and the Meridian/A&E Emma. This book traces the history of film and television adaptations (nearly 30 to date) of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.
Author: Steven Sanders
Publisher: University Press of Kentucky
ISBN: 0813172810
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.
Author: Jill Corby
Publisher: Ladybird Books
ISBN: 9780721415291
Category : Juvenile Fiction
Languages : en
Pages : 48
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Book Description
This reading scheme comprises eight titles that can be used alongside any other method of learning to read. The books are intended for beginner readers and focus on phonics. The series introduces most of the 44 sounds in the English language - 26 initial sounds, digraphs (2 letters such as ch), phenomes (blends as in str), middle blends (oo) and final blends (ing). The first 100 most used words are introduced, repeated and carried over from book to book. A further 200 words are used and repeated a minimum of 3 times each in the story in which they first appear. Extra repitition is given in the activity books through a variety of reading, writing and other activities. Through their games and activities the reader is transported to a world of make-believe. Each book begins with pages introducing particular sounds which are then used in the story.
Author: Nick Harkaway
Publisher: Vintage
ISBN: 0307270378
Category : Fiction
Languages : en
Pages : 514
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Book Description
A hilarious, action-packed look at the apocalypse that combines a touching tale of friendship, a thrilling war story, and an all out kung-fu infused mission to save the world. “A flat-out ferociously good novel.... Reads like a surrealist smashup of Pynchon and Pratchett, Vonnegut and Heller.” —Austin Chronicle Gonzo Lubitch and his best friend have been inseparable since birth. They grew up together, they studied kung-fu together, they rebelled in college together, and they fought in the Go Away War together. Now, with the world in shambles and dark, nightmarish clouds billowing over the wastelands, they have been tapped for an incredibly perilous mission. But they quickly realize that this assignment is more complex than it seems, and before it is over they will have encountered everything from mimes, ninjas, and pirates to one ultra-sinister mastermind, whose only goal is world domination.
Author: Ann-Kristin Wallengren
Publisher: Nordic Academic Press
ISBN: 9187675137
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
Between 1840 and 1940, more than one million people emigrated from Sweden to America. The fact that so many chose to leave to seek a better life across the Atlantic was a major trauma for the Swedish nation. Filmmakers were not slow to pick up on an exodus that proved to be of lasting importance for the Swedes' national identity. In Welcome Home Mr Swanson, film studies scholar Ann-Kristin Wallengren analyzes the ways in which Swedish emigrants and Swedish-American returnees are depicted in Swedish film between 1910 and 1950, continuing on to recent films and television shows. Were Sweden's emigrants seen as national traitors or as brave trailblazers who might return home with modern ideas? Many of the Swedish films were distributed to the United States, and Wallengren discusses the notions of Sweden and Swedishness that circulated there as a result. She also considers the image of Swedish immigrant women in American films - a representation that bore little resemblance to the Swedes' idealized view. Wallengren shows how ideologies of nationality had a prominent place in the films' narratives, resulting in movies that project enduring perceptions of Swedish national identity and the American way of life.
