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Author: S. Panse
Publisher: Springer
ISBN: 1137014180
Category : Social Science
Languages : en
Pages : 467
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Book Description
A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.
Author: S. Panse
Publisher: Springer
ISBN: 1137014180
Category : Social Science
Languages : en
Pages : 467
Get Book Here
Book Description
A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.
Author: S. Panse
Publisher: Springer
ISBN: 1137014180
Category : Social Science
Languages : en
Pages : 304
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Book Description
A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment.
Author: Douglas Burnham
Publisher: Indiana University Press
ISBN: 0253220351
Category : Philosophy
Languages : en
Pages : 226
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Book Description
Emanuel Kant's Critique of Pure Reason is one of the most widely read texts in the history of philosophy. Douglas Burnham and Harvey Young unravel this difficult text, passage by passage, making reading and appreciating this work achievable and enjoyable. Designed to be read alongside the original, this guide is essential for students and scholars at all levels.
Author: Alexandra Juhasz
Publisher: John Wiley & Sons
ISBN: 1119685664
Category : Performing Arts
Languages : en
Pages : 696
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Book Description
A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film – the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media
Author: Laurence Raw
Publisher: McFarland
ISBN: 0786478721
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
Critics and audiences often judge films, books and other media as "great" --but what does that really mean? This collection of new essays examines the various criteria by which degrees of greatness (or not-so) are constructed--whether by personal, political or social standards--through topics in cinema, literature and adaptation. The contributors recognize how issues of value vary across different cultures, and explore what those differences say about attitudes and beliefs.
Author: Lars Kristensen
Publisher: Springer
ISBN: 1137378611
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.
Author: Steven Gerrard
Publisher: Emerald Group Publishing
ISBN: 1787691039
Category : Social Science
Languages : en
Pages : 258
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Book Description
Horror has found a resurgence on television in the post-millennial years. This book will investigate the changing and challenging roles that gender has undergone in TV horror, examining a range of shows, including Hannibal, American Horror Story, The Walking Dead, Penny Dreadful, Supernatural, The Exorcist, iZombie, and Bates Motel.
Author: Tanya Horeck
Publisher: Wayne State University Press
ISBN: 0814340644
Category : True Crime
Languages : en
Pages : 260
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Book Description
Explores the proliferation of true crime audiovisual texts across multiple media platforms. Justice on Demand: True Crime in the Digital Streaming Eraoffers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serialand My Favorite Murderto long-form crime documentaries such as The Jinxand Making a Murderer,Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener/viewer acts as a "desktop detective" or "internet sleuth." While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demandaddresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered "true crime," including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an "on demand" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and "witness" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demandwill be of interest to film, media, and digital studies scholars.
Author: Matt Wanat
Publisher: University of New Mexico Press
ISBN: 0826359523
Category :
Languages : en
Pages : 288
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Book Description
The indefatigable Clint Eastwood, the great old man of American film, is still controversial after all these years. Many of the critical essays in this collection focus on Eastwood's 2014 American Sniper, a particularly controversial film and a devastating personal account of the horrors of war. Additional essays within the collection address his films that deserve more recognition than they have received to date. The chapters vary by topic and identify themes ranging from aging, race, and gender to uses of Western conventions and myth to the subtleties of quieter themes and stylistic choices in Eastwood's body of cinematic work. As a collection, these essays show that none of these themes account for Eastwood's entire vision, which is multifaceted and often contradictory, dramatizing complex issues in powerful, character-driven narratives.
Author: Hannah Ginsborg
Publisher:
ISBN: 019954798X
Category : Philosophy
Languages : en
Pages : 373
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Book Description
Why read Kant's Critique of Judgment? For most readers, the importance of the work lies in its contributions to aesthetics and, to a lesser extent, the philosophy of biology. Hannah Ginsborg, by contrast, sees the Critique of Judgment as a central contribution to the understanding of human cognition generally. The fourteen essays collected here advance a common interpretive project: that of bringing out the philosophical significance of the notion of judgment which figures in the third Critique and showing its importance both to Kant's own theoretical philosophy and to contemporary views of human thought and cognition. For us to possess the capacity of judgment, on the interpretation defended here, is for our natural perceptual and imaginative responses to involve a claim to their own normativity with respect to the objects which cause them. It is in virtue of this capacity that we are able not merely to respond discriminatively to objects, as animals do, but to bring objects under concepts. The Critique of Judgment, on this reading, rejects the traditional dichotomy between the natural and the normative: our natural psychological responses to the spatio-temporal objects which affect our senses are both causally determined by those objects, and normatively appropriate to them. The essays in this book aim collectively to develop and illuminate this understanding of judgment in its own right, and to use it to address specific interpretive issues in Kant's aesthetics, theory of knowledge, and philosophy of biology; they are also concerned to bring out the relevance of this conception of judgment to contemporary debates regarding concept-acquisition, the content of perception, and skepticism about rules and meaning.
