Author: C. W. E. Bigsby
Publisher: Cambridge [Cambridgeshire] ; New York : Cambridge University Press
ISBN:
Category : Drama
Languages : en
Pages : 504
Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
A Critical Introduction to Twentieth-Century American Drama: Volume 3, Beyond Broadway
Author: C. W. E. Bigsby
Publisher: Cambridge [Cambridgeshire] ; New York : Cambridge University Press
ISBN:
Category : Drama
Languages : en
Pages : 504
Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
Publisher: Cambridge [Cambridgeshire] ; New York : Cambridge University Press
ISBN:
Category : Drama
Languages : en
Pages : 504
Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
A Critical Introduction to Twentieth-Century American Drama: Volume 3, Beyond Broadway
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521278966
Category : Drama
Languages : en
Pages : 500
Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
Publisher: Cambridge University Press
ISBN: 9780521278966
Category : Drama
Languages : en
Pages : 500
Book Description
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
A Critical Introduction to Twentieth-Century American Drama: Volume 2, Williams, Miller, Albee
Author: C. W. E. Bigsby
Publisher: Cambridge University Press
ISBN: 9780521258111
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
This is the second volume in Christopher Bigsby's critical history of the important American dramatists and theatrical movements in the twentieth-century. Volume 1 brought the story to 1940 and included the last plays of O'Neill. In two further volumes Dr Bigsby covers the period from 1940 onwards. In Volume 2 he steps aside from the strict chronological progression to consider at length and in detail the achievement of the three great playwrights who dominate the post-war scene and who have earned an international reputation: Tennessee Williams, Arthur Miller and Edward Albee. All three brought to the Broadway Theatre (discussed separately in Volume 3) a strong degree of moral seriousness and aesthetic sensitivity. Dr Bigsby gives a full account of the early unpublished plays and the major works by each playwright, drawing on biographical detail and political background to illuminate his reading of the plays, which are illustrated by photographs of important productions.
Publisher: Cambridge University Press
ISBN: 9780521258111
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
This is the second volume in Christopher Bigsby's critical history of the important American dramatists and theatrical movements in the twentieth-century. Volume 1 brought the story to 1940 and included the last plays of O'Neill. In two further volumes Dr Bigsby covers the period from 1940 onwards. In Volume 2 he steps aside from the strict chronological progression to consider at length and in detail the achievement of the three great playwrights who dominate the post-war scene and who have earned an international reputation: Tennessee Williams, Arthur Miller and Edward Albee. All three brought to the Broadway Theatre (discussed separately in Volume 3) a strong degree of moral seriousness and aesthetic sensitivity. Dr Bigsby gives a full account of the early unpublished plays and the major works by each playwright, drawing on biographical detail and political background to illuminate his reading of the plays, which are illustrated by photographs of important productions.
A Critical Introduction to Twentieth-century American Drama: The theatre of images : art, theatre and the real. Robert Wilson ; Richard Foreman ; Lee Breuer
Author: C. W. E. Bigsby
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages :
Book Description
American Theatre
Author: Theresa Saxon
Publisher: Edinburgh University Press
ISBN: 0748631275
Category : History
Languages : en
Pages : 216
Book Description
Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.
Publisher: Edinburgh University Press
ISBN: 0748631275
Category : History
Languages : en
Pages : 216
Book Description
Argues for the recognition of American theatre history as long, rich, diverse and critically compelling.Embracing all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, Theresa Saxon situates American theatre as a lively, dynamic and diverse arena. She considers the implications of political manoeuvrings, economics - state-funding and commercial enterprises - race and gender, as well as material factors such as technology, riot and fire, as major forces in determining the structure of America's playhouses and productions. She goes on to investigate critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.
Modern American Drama: Playwriting in the 1960s
Author: Mike Sell
Publisher: Bloomsbury Publishing
ISBN: 1350153621
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).
Publisher: Bloomsbury Publishing
ISBN: 1350153621
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).
The Cambridge Guide to American Theatre
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Dramatists and Dramas
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791093743
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on drama and dramatists.
Publisher: Infobase Publishing
ISBN: 0791093743
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on drama and dramatists.
After-School Theatre Programs for At-Risk Teenagers
Author: Philip Zwerling
Publisher: McFarland
ISBN: 1476612056
Category : Social Science
Languages : en
Pages : 253
Book Description
Where intervention programs such as D.A.R.E. and "Scared Straight" have failed to adequately address the problems of at-risk teenagers, inexpensive and easily-implemented after school theatre programs may offer promising new possibilities. This book suggests that low-cost, non-coercive theatre programs can demonstrably lower the incidence of youth violence, drug use, teen pregnancy, truancy, and gang membership. The author considers the problems facing today's teenagers, discusses the history of using theatre for social change in the United States and Britain, and takes an in-depth look at three U.S. theatre programs. An appendix provides an alphabetical directory of 106 after school theatre programs in the U.S., including contact information and a brief description of each program.
Publisher: McFarland
ISBN: 1476612056
Category : Social Science
Languages : en
Pages : 253
Book Description
Where intervention programs such as D.A.R.E. and "Scared Straight" have failed to adequately address the problems of at-risk teenagers, inexpensive and easily-implemented after school theatre programs may offer promising new possibilities. This book suggests that low-cost, non-coercive theatre programs can demonstrably lower the incidence of youth violence, drug use, teen pregnancy, truancy, and gang membership. The author considers the problems facing today's teenagers, discusses the history of using theatre for social change in the United States and Britain, and takes an in-depth look at three U.S. theatre programs. An appendix provides an alphabetical directory of 106 after school theatre programs in the U.S., including contact information and a brief description of each program.
Great North American Stage Directors Volume 6
Author: Ann M. Shanahan
Publisher: Bloomsbury Publishing
ISBN: 1350189375
Category : Performing Arts
Languages : en
Pages : 342
Book Description
This volume assesses the work of Meredith Monk, Richard Foreman, and Robert Wilson, three artists who have revolutionized the craft of directing and the art of theatre in both related and unique ways. Though their early artistic backgrounds differ, ranging from architecture, music and dance to writing, they are similar in that none of them began their career as a director per se or received formal training as such. They each assumed the director's role based on the demands of their complex artistic visions, which combine art forms, but resist synthesis, finding expression in the differences and tensions between the forms. The essays in this volume explore how these auteur directors combine text, movement, film, sound and music, installation and visual arts to achieve their visions, employing multi-perceptual modes to evoke full and rich theatrical experiences. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.
Publisher: Bloomsbury Publishing
ISBN: 1350189375
Category : Performing Arts
Languages : en
Pages : 342
Book Description
This volume assesses the work of Meredith Monk, Richard Foreman, and Robert Wilson, three artists who have revolutionized the craft of directing and the art of theatre in both related and unique ways. Though their early artistic backgrounds differ, ranging from architecture, music and dance to writing, they are similar in that none of them began their career as a director per se or received formal training as such. They each assumed the director's role based on the demands of their complex artistic visions, which combine art forms, but resist synthesis, finding expression in the differences and tensions between the forms. The essays in this volume explore how these auteur directors combine text, movement, film, sound and music, installation and visual arts to achieve their visions, employing multi-perceptual modes to evoke full and rich theatrical experiences. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.