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Author: Oddvar Holmesland
Publisher: Springer
ISBN: 1349182214
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Author: Oddvar Holmesland
Publisher: Springer
ISBN: 1349182214
Category : Literary Criticism
Languages : en
Pages : 259
Get Book Here
Book Description
Author: Peter Wolfe
Publisher: McFarland
ISBN: 1476631050
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
By mid-career, many successful writers have found a groove and their readers come to expect a familiar consistency and fidelity. Not so with Henry Green (1905-1973). He prefers uncertainty over reason and fragmentation over cohesion, and rarely lets the reader settle into a nice cozy read. Evil, he suggests, can be as instructive as good. Through Green's use of paradoxical and ambiguous language, his novels bring texture to the flatness of life, making the world seem bigger and closer. We soon stop worrying about what Hitler's bombs have in store for the Londoners of Caught (1943) and Back (1946) and start thinking about what they have in store for each other. Praised in his lifetime as England's top fiction author, Green is largely overlooked today. This book presents a comprehensive analysis of his work for a new generation of readers.
Author: Nick Shepley
Publisher: Oxford University Press
ISBN: 0191081833
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Henry Green: Class, Style, and the Everyday offers a critical prism through which Green's fiction—from his earliest published short stories, as an Eton schoolboy, through to his last dialogic novels of the 1950s—can be seen as a coherent, subtle, and humorous critique of the tension between class, style, and realism in the first half of the twentieth century. The study extends on-going critical recognition that Green's work is central to the development of the novel from the twenties to the fifties, acting as a vital bridge between late modernist, inter-war, post-war, and postmodernist fiction. The overarching contention is that the shifting and destabilizing nature of Green's oeuvre sets up a predicament similar to that confronted by theorists of the everyday. Consequently, each chapter acknowledges the indeterminacy of the writing, whether it be: the non-singular functioning (or malfunctioning) of the name; the open-ended, purposefully ambiguous nature of its symbols; the shifting, cinematic nature of Green's prose style; the sensitive, but resolutely unsentimental depictions of the working-classes and the aristocracy in the inter-war period; the impact of war and its inconsistent irruptions into daily life; or the ways in which moments or events are rapidly subsumed back into the flux of the everyday, their impact left uncertain. Critics have, historically, offered up singular readings of Green's work, or focused on the poetic or recreative qualities of certain works, particularly those of the 1940s. Green's writing is, undoubtedly, poetic and extraordinary, but this book also pays attention to the clichéd, meta-textual, and uneventful aspects of his fiction.
Author: Marius Hentea
Publisher: Liverpool University Press
ISBN: 1782841121
Category : Literary Collections
Languages : en
Pages : 231
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Book Description
Although Henry Green has been recognised by James Wood, David Lodge and John Updike as one of the most innovative writers of his time, his significant achievement remains largely neglected. Henry Green at the Limits of Modernism provides a theoretically sophisticated and historically nuanced reading of Green's novels and makes the case for Green's importance in reconsiderations of modernism, late modernism and post-war realism. This work is the most ambitious reassessment of Green's oeuvre to date and thus critical reading for scholars interested in modernism, late modernism, and the evolution of British post-war fiction. Arguing against the predominant view of Green's fiction as an autonomous literary construction, the work connects Green to a number of social and literary contexts, resulting in fresh readings of his novels and also a greater accessibility to an author long considered 'oblique' and 'elusive'. With significant investigations of Green's connection to his literary generation, his multifaceted and formally innovative handling of social class, his negotiations of narrative authority and authorship, and the importance of disability studies to understanding Green's fiction, this study charts the complex trajectories of Green's fiction against both social and literary contexts. The work also moves beyond the narrow confines of British literature to explore Green's connections to broader trends in European literature.
Author: Andrew Gibson
Publisher: Springer
ISBN: 1349205451
Category : Fiction
Languages : en
Pages : 184
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Book Description
Author: Christoph Reinfandt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110369486
Category : Literary Criticism
Languages : en
Pages : 613
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Book Description
The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
Author: Oddvar Holmesland
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Author: Sandrine Sorlin
Publisher: Bloomsbury Publishing
ISBN: 1350062987
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
This book focuses on how readers can be 'manipulated' during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse genres, including crime fiction, short stories, poetry and novels, the book deciphers various linguistic, pragmatic and multimodal techniques. These are skilfully used by authors to achieve specific effects through a subtle manipulation of deixis, metalepsis, dialogue, metaphors, endings, inferences or rhetorical, narratorial and typographical control. Exploring contemporary texts such as The French Lieutenant's Woman, The Remains of the Day and We Need to Talk About Kevin, chapters delve into how readers are pragmatically positioned or cognitively (mis)directed as the author guides their attention and influences their judgment. They also show how readers' responses can, conversely, bring about a certain form of manipulation as readers challenge the positions the texts invite them to occupy.
Author: Brian W. Shaffer
Publisher: John Wiley & Sons
ISBN: 1405192445
Category : Literary Criticism
Languages : en
Pages : 1581
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Book Description
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Author: Adrian Poole
Publisher: Cambridge University Press
ISBN: 1139828118
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
In this Companion, leading scholars and critics address the work of the most celebrated and enduring novelists from the British Isles (excluding living writers): among them Defoe, Richardson, Sterne, Austen, Dickens, the Brontës, George Eliot, Hardy, James, Lawrence, Joyce, and Woolf. The significance of each writer in their own time is explained, the relation of their work to that of predecessors and successors explored, and their most important novels analysed. These essays do not aim to create a canon in a prescriptive way, but taken together they describe a strong developing tradition of the writing of fictional prose over the past 300 years. This volume is a helpful guide for those studying and teaching the novel, and will allow readers to consider the significance of less familiar authors such as Henry Green and Elizabeth Bowen alongside those with a more established place in literary history.
