Author: Paul Griffiths
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
A Concise History of Avant-garde Music
Author: Paul Griffiths
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
There has long been a need for an introduction to modern music for the general reader. This book fills that need. Beginning at the threshold between Romanticism and the modern era, with the music of Debussy and Mahler, the author traces the new directions of music. The various paths are made clear by a concentration on the major works and the major turning-points in the music of our time; the new rhythmic force that came in with The Rite of Spring, the unbounded universe of Schoenberg's atonality, the undreamt-of possibilites opened up by electronics, the role of chance in the music of John Cage. Naturally the emphasis is on those composers who have contributed most to forming the widened musical outlook of today. Apart from those already mentioned, the book considers the music of Alban Berg and Anton Webern, Charles Ives and the American experimentalists who followed him, Edgard Varese and Olivier Messiaen, Karlheinz Stockhausen and Pierre Boulez. All are surveyed in a presentation which, without being technical, helps to explain how and why music has developed in the ways that it has. The illustrations include portraits, posters, costume designs, instruments and orchestras, as well as extracts from a wide variety of sources, many of which are beautiful as art objects in their own right.
A Concise History of Western Music
Author: Paul Griffiths
Publisher: Cambridge University Press
ISBN: 0521842948
Category : Music
Languages : en
Pages : 335
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 0521842948
Category : Music
Languages : en
Pages : 335
Book Description
Publisher Description
Music of the Twentieth-Century Avant-Garde
Author: Larry Sitsky
Publisher: Greenwood
ISBN: 9780313296895
Category : Music
Languages : en
Pages : 0
Book Description
Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.
Publisher: Greenwood
ISBN: 9780313296895
Category : Music
Languages : en
Pages : 0
Book Description
Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context. Distinguished contributors from around the world consider specific composers who represent the most progressive musical thinking of their time and place. Editor Larry Sitsky, an eminent Australian composer and teacher, has assembled an accessible, unique, and clearly written collection. Also exploring the links among this diverse group of composers, the guide offers a cross-index of names that will help the researcher formulate a cohesive view of the 20th-century avant-garde. A bibliography and list of selected works round out the volume, which succeeds in demystifying an area that, until now, has been the exclusive province only of the specialist.
Avant-garde Film
Author: Michael O'Pray
Publisher: Wallflower Press
ISBN: 9781903364567
Category : Performing Arts
Languages : en
Pages : 150
Book Description
Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.
Publisher: Wallflower Press
ISBN: 9781903364567
Category : Performing Arts
Languages : en
Pages : 150
Book Description
Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.
Experimentalism Otherwise
Author: Benjamin Piekut
Publisher: Univ of California Press
ISBN: 0520268512
Category : Art
Languages : en
Pages : 296
Book Description
A book about the links between avant garde music and the art scene in New York City in the 1960s. John Cage and Iggy Pop, together at last.
Publisher: Univ of California Press
ISBN: 0520268512
Category : Art
Languages : en
Pages : 296
Book Description
A book about the links between avant garde music and the art scene in New York City in the 1960s. John Cage and Iggy Pop, together at last.
A History of Experimental Film and Video
Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210
Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Avant-Garde on Record
Author: Jonathan Goldman
Publisher:
ISBN: 1009363409
Category : Music
Languages : en
Pages : 338
Book Description
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.
Publisher:
ISBN: 1009363409
Category : Music
Languages : en
Pages : 338
Book Description
An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.
Experimental Music
Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
A Concise History of American Music Education
Author: Michael L. Mark
Publisher: Rowman & Littlefield
ISBN: 1578868505
Category : Education
Languages : en
Pages : 185
Book Description
Co-published by MENC: The National Association for Music Education. A History of American Music Education covers the history of American music education, from its roots in Biblical times through recent historical events and trends. It describes the educational, philosophical, and sociological aspects of the subject, always putting it in the context of the history of the United States. It offers complete information on professional organizations, materials, techniques, and personalities in music education.
Publisher: Rowman & Littlefield
ISBN: 1578868505
Category : Education
Languages : en
Pages : 185
Book Description
Co-published by MENC: The National Association for Music Education. A History of American Music Education covers the history of American music education, from its roots in Biblical times through recent historical events and trends. It describes the educational, philosophical, and sociological aspects of the subject, always putting it in the context of the history of the United States. It offers complete information on professional organizations, materials, techniques, and personalities in music education.
Music 109
Author: Alvin Lucier
Publisher: Wesleyan University Press
ISBN: 0819572985
Category : Music
Languages : en
Pages : 233
Book Description
Composer and performer Alvin Lucier brings clarity to the world of experimental music as he takes the reader through more than a hundred groundbreaking musical works, including those of Robert Ashley, John Cage, Charles Ives, Morton Feldman, Philip Glass, Pauline Oliveros, Steve Reich, Christian Wolff, and La Monte Young. Lucier explains in detail how each piece is made, unlocking secrets of the composers' style and technique. The book as a whole charts the progress of American experimental music from the 1950s to the present, covering such topics as indeterminacy, electronics, and minimalism, as well as radical innovations in music for the piano, string quartet, and opera. Clear, approachable and lively, Music 109 is Lucier's indispensable guide to late 20th-century composition. No previous musical knowledge is required, and all readers are welcome.
Publisher: Wesleyan University Press
ISBN: 0819572985
Category : Music
Languages : en
Pages : 233
Book Description
Composer and performer Alvin Lucier brings clarity to the world of experimental music as he takes the reader through more than a hundred groundbreaking musical works, including those of Robert Ashley, John Cage, Charles Ives, Morton Feldman, Philip Glass, Pauline Oliveros, Steve Reich, Christian Wolff, and La Monte Young. Lucier explains in detail how each piece is made, unlocking secrets of the composers' style and technique. The book as a whole charts the progress of American experimental music from the 1950s to the present, covering such topics as indeterminacy, electronics, and minimalism, as well as radical innovations in music for the piano, string quartet, and opera. Clear, approachable and lively, Music 109 is Lucier's indispensable guide to late 20th-century composition. No previous musical knowledge is required, and all readers are welcome.