A Comprehensive Study of Romanian Art Song PDF Download
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Author: Paula Boire
Publisher:
ISBN:
Category : History
Languages : en
Pages : 480
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Book Description
The third in a set of four volumes detailing the development of the art song in Romania. Interviews were conducted with composers or their surviving family members. Included are songs of each composer. A valuable resource for voice teachers, singers and musicologists interested in art song.
Author: Paula Boire
Publisher:
ISBN:
Category : History
Languages : en
Pages : 480
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Book Description
The third in a set of four volumes detailing the development of the art song in Romania. Interviews were conducted with composers or their surviving family members. Included are songs of each composer. A valuable resource for voice teachers, singers and musicologists interested in art song.
Author: Paula Boire
Publisher: Edwin Mellen Press
ISBN:
Category : History
Languages : en
Pages : 288
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Book Description
The final volume in a set of four detailing the development of the art song in Romania. Interviews were conducted with composers or their surviving family members. Included are songs of each composer. A valuable resource for voice teachers, singers and musicologists interested in art song.
Author: Paula Boire
Publisher:
ISBN: 9780889464261
Category : Songs
Languages : en
Pages : 332
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Book Description
Author: Ferdinando Giorgetti
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 150
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Book Description
Ferdinando Giorgetti's Metodo per Esercitarsi a Ben Suonare L'Alto Viola (A Self-Training Method for Playing the Viola Well) was first published in Florence in 1854. In this translation, Sciannameo (multidisciplinary studies, music, Carnegie Mellon University) gives background on Giorgetti's life an
Author: Geary Larrick
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 152
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Book Description
In this work, a broad spectrum of publication is studied, from Bach, Beethoven, and Brahms, through Rodgers and the Beatles. It contains essays annotating bibliographic entries concerning percussion. Subjects include opera, symphony orchestra, and popular and jazz music.
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 0674417992
Category : Music
Languages : en
Pages : 1020
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Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Author: James Matthew Bohn
Publisher: Edwin Mellen Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
As founder of the Experimental Music Studio at the U. of Illinois in 1958, American composer Lejaren Hiller was a pioneer in the area of computer assisted music composition. In this study, Bohn provides detailed analyses of several of Hiller's most important works, including the ILLIAC Suite and the Computer Cantata . Other topics include (for exam
Author: Pearl Yeadon McGinnis
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 588
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Book Description
John La Montaine is known primarily for his Concerto for Piano and Orchestra, Opus 9, which was awarded the Pulitzer Prize for Music in 1959. In addition, he has won countless awards for composition. However, his compositions for voice and piano are not yet an established part of the vocal solo repertoire. This work illustrates La Montaine's music for voice and piano through an analysis of musical and dramatic elements that support the text and drama. A biographical study provides details about the composer's life such as musical training, personal influences, awards and goals. In addition, the issues of philosophy, creativity, methods, musical styles, and textual considerations are discussed and are the basis for the following analysis.
Author: Mark A. Radice
Publisher: Edwin Mellen Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
For this vast array of information in these studies, Dr. Radice, Curator of the Karel Husa Archive and Gallery at Ithaca College School of Music, P. rofessor of Music History at Ithaca, has provided cohesion in his opening essay, in which he offers full biographical dat in addition to discussions of everything that Karel has written to date; he has also included selected, edited, and translated correspondence dating back into the 1940s with extensive annotations about personalities and compositions.
Author: Joseph Haydn
Publisher: Edwin Mellen Press
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
This book presents these significant scores in a modern edition that is suitable for scholars and performers. Copious critical notes and discussions of various aspects of the manuscripts, sources, will be most enlightening for musicologists interested in Haydn source materials. H. C. Robbins Landon introduced a citation of authentic parts for Symphony no. 93 in his monumental study, The Symphonies of Joseph Haydn, with the remarks: As this book goes to press, I have made the discovery that parts of all twelve London symphonies were printed by J. P. Salomon with the firm Monzani & Cimador... Textually these parts are of the utmost importance, since comparison with the autographs shows that this edition was made from Salomon's MS. orchestral material and not from the scores.1 Twenty some years after those words were written, score copies of Haydn's symphonies 97, 93, 94 and 98 came to light at the British Library2 that are likewise traceable to Salomon and clearly establish his role as one of the earliest agents for the transmission of the London symphonies in authentic guise. 1792 and 1794, most likely at his behest, using the original performing parts or Salomon's own copies of them as their model. Thus, their importance as sources for the symphonies in question can scarcely be overestimated. Michael Ruhling traces the history of these fascinating scores, examining the myriad of details that reflect their striking resemblance to Haydn's own autographs. He reveals that Salomon's scores preserve numerous details of articulation, phrasing, even of note material that are absent from the autographs; and adduces Salomon's later quintet arrangements of the symphonies, wherein the same details are duplicated, as evidence of the sound and manner that shaped the works at their earliest performances. Ruhling concludes his study with first-ever editions of Salomon's score copies. Handsomely engraved and meticulously documented, these editions present a delight to the eye as well as a provocation to thoughtful study.
