A Compendium of Musical Instruments and Instrumental Terminology in the Bible PDF Download
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Author: Yelena Kolyada
Publisher: Routledge
ISBN: 1317490398
Category : History
Languages : en
Pages : 328
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Book Description
'A Compendium of Musical Instruments and Instrumental Terminology in the Bible' draws on extensive historical research, comparative linguistic analysis and musical study to offer the first compilation of its kind. The volume examines the entire range of musical instruments in the Bible - stringed, wind and percussion - drawing on ancient and modern translations of the Bible and the works of rabbinic teachers, Church Fathers and medieval, renaissance and contemporary scholars. The book offers a historical survey of Hebrew instrumental music - its origins and links with neighbouring cultures, the role of instruments in the religious, social, public and private life of ancient Israel, and the system of musical education - and explores the understanding of Hebrew musical instruments in post-biblical times. This comprehensive volume will be invaluable to musicologists, archaeologists, theologians, historians, philologists and Bible translators, as well as general readers in the subject.
Author: Yelena Kolyada
Publisher: Routledge
ISBN: 1317490398
Category : History
Languages : en
Pages : 328
Get Book Here
Book Description
'A Compendium of Musical Instruments and Instrumental Terminology in the Bible' draws on extensive historical research, comparative linguistic analysis and musical study to offer the first compilation of its kind. The volume examines the entire range of musical instruments in the Bible - stringed, wind and percussion - drawing on ancient and modern translations of the Bible and the works of rabbinic teachers, Church Fathers and medieval, renaissance and contemporary scholars. The book offers a historical survey of Hebrew instrumental music - its origins and links with neighbouring cultures, the role of instruments in the religious, social, public and private life of ancient Israel, and the system of musical education - and explores the understanding of Hebrew musical instruments in post-biblical times. This comprehensive volume will be invaluable to musicologists, archaeologists, theologians, historians, philologists and Bible translators, as well as general readers in the subject.
Author: Yelena Kolyada
Publisher: Routledge
ISBN: 9780367872151
Category :
Languages : en
Pages : 288
Get Book Here
Book Description
'A Compendium of Musical Instruments and Instrumental Terminology in the Bible' draws on extensive historical research, comparative linguistic analysis and musical study to offer the first compilation of its kind. The volume examines the entire range of musical instruments in the Bible - stringed, wind and percussion - drawing on ancient and modern translations of the Bible and the works of rabbinic teachers, Church Fathers and medieval, renaissance and contemporary scholars. The book offers a historical survey of Hebrew instrumental music - its origins and links with neighbouring cultures, the role of instruments in the religious, social, public and private life of ancient Israel, and the system of musical education - and explores the understanding of Hebrew musical instruments in post-biblical times. This comprehensive volume will be invaluable to musicologists, archaeologists, theologians, historians, philologists and Bible translators, as well as general readers in the subject.
Author: William L. Hooper
Publisher: Wipf and Stock Publishers
ISBN: 153269072X
Category : Religion
Languages : en
Pages : 313
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Book Description
This book is a study of how congregational song developed and has been used in the worship of Western churches in general and specifically churches in the United States. Beginning with the worship of ancient peoples, the Hebrews, and early Christians and continuing to the present, the author examines historically how song has been and is used as an intentional sacred ritual action, like prayer or Scripture reading. Written primarily as an introductory text for college and seminary students, the overall goal is to make a historical journey with the people, events, and ideas from which have evolved the various types of song we have in American worship today. To help readers think more deeply about the material, study questions are given at the end of each chapter.
Author: John Alexander Stinson
Publisher: Georg Olms Verlag
ISBN: 3487424703
Category : Art
Languages : en
Pages : 342
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Book Description
Die Bedeutung von musizierenden Engeln in florentinischen Trecento-Gemälden ist umstritten: Einige meinen, sie seien einfach Symbole himmlischer Musik; andere argumentieren, dass es sich um echte Menschen handele, die echte Musik machen. Eine Argumentationslinie besagt sogar, dass die textlosen Stimmen in Manuskripten weltlicher Musik für die Instrumentalaufführung gedacht waren. Diese Studie löst den Streit, indem sie den Entstehungsprozess von Kunstwerken analysiert und Bilder mit zeitgenössischen Dokumenten in Beziehung setzt. Chroniken und Zahlungsaufzeichnungen dokumentieren die Praxis von Bruderschaften, Laudesi vor einem Bild der Jungfrau Maria zu singen, wobei sie wie Engel gekleidet sind, manchmal mit Instrumentalbegleitung.
Author: Loren T. Stuckenbruck
Publisher: Bloomsbury Publishing
ISBN: 0567660931
Category : Religion
Languages : en
Pages : 821
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Book Description
The T&T Clark Encyclopedia of Second Temple Judaism provides a comprehensive reference resource of over 600 scholarly articles aimed at scholars and students interested in Judaism of the Second Temple Period. The two-volume work is split into four parts. Part One offers a prolegomenon for the contemporary study and appreciation of Second Temple Judaism, locating the discipline in relation to other relevant fields (such as Hebrew Bible, Rabbinics, Christian Origins). Beginning with a discussion of terminology, the discussion suggests ways the Second Temple period may be described, and concludes by noting areas of study that challenge our perception of ancient Judaism. Part Two presents an overview of respective contexts of the discipline set within the broad framework of historical chronology corresponding to a set of full-colour, custom-designed maps. With distinct attention to primary sources, the author traces the development of historical, social, political, and religious developments from the time period following the exile in the late 6th century B.C.E. through to the end of the Bar Kokhba revolt (135 C.E.). Part Three focuses specifically on a wide selection of primary-source literature of Second Temple Judaism, summarizing the content of key texts, and examining their similarities and differences with other texts of the period. Essays here include a brief introduction to the work and a summary of its contents, as well as examination of critical issues such as date, provenance, location, language(s), and interpretative matters. The early reception history of texts is also considered, and followed by a bibliography specific to that essay. Numerous high-resolution manuscript images are utilized to illustrate distinct features of the texts. Part Four addresses topics relevant to the Second Temple Period such as places, practices, historical figures, concepts, and subjects of scholarly discussion. These are often supplemented by images, maps, drawings, or diagrams, some of which appear here for the first time. Copiously illustrated, carefully researched and meticulously referenced, this resource provides a reliable, up-to-date and complete guide for those studying early Judaism in its literary and historical settings.
Author: John Arthur Smith
Publisher: Routledge
ISBN: 1000210324
Category : Music
Languages : en
Pages : 201
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Book Description
Music in Religious Cults of the Ancient Near East presents the first extended discussion of the relationship between music and cultic worship in ancient western Asia. The book covers ancient Israel and Judah, the Levant, Anatolia, Mesopotamia, Elam, and ancient Egypt, focusing on the period from approximately 3000 BCE to around 586 BCE. This wide-ranging book brings together insights from ancient archaeological, iconographic, written, and musical sources, as well as from modern scholarship. Through careful analysis, comparison, and evaluation of those sources, the author builds a picture of a world where religious culture was predominant and where music was intrinsic to common cultic activity.
Author: Jonathan L. Friedmann
Publisher: McFarland
ISBN: 0786474092
Category : Music
Languages : en
Pages : 209
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Book Description
Music was integral to the daily life of ancient Israel. It accompanied activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to deliver messages, convey emotions, strengthen communal bonds and establish human-divine contact. This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres: the Song of the Sea (Exod. 15), King Saul and David's harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel.
Author:
Publisher: Rowman & Littlefield
ISBN: 1442232641
Category : Music
Languages : en
Pages : 214
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Book Description
In the two centuries after Martin Luther’s affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin’s earlier work, Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque, traced this development in Lutheran theological thought. In this current work, Foretastes of Heavenly Music: Johann Mattheson and Christoph Raupach on Music in Time and Eternity, Irwin provides translations and commentary for two eighteenth-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann. A Truth Lover’s Clear Reasonings on Which the Correct Use of Music Rests (1717) by Christoph Raupach, with an introduction by Johann Mattheson, serves as a cumulative statement of Lutheran advocacy of music. Mattheson’s Affirmation of Heavenly Music (1747) goes a step further in defending the reality of music in heaven and even the ultimate superiority of music over theology and sermons. Irwin’s introduction traces the centrality of Mattheson’s belief in heavenly music throughout the course of his life, even while he was writing works of music theory that earned him a reputation as an Enlightenment thinker. Though influenced by Enlightenment philosophy, specifically British empiricism, he rejected the rationalist philosophies of his German contemporaries and expressed no sympathy for the emerging school of biblical criticism. This work is ideal for music historians, Bach scholars, theologians, and researchers in the field of sacred music.
Author: Joseph Jordania
Publisher: Cambridge Scholars Publishing
ISBN: 1527594289
Category : Music
Languages : en
Pages : 275
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Book Description
This collection provides a comprehensive review of the current state of Georgian ethnomusicology, with the accent on historical trends. It presents a tribute to Anzor Erkomaishvili, a pivotal figure in Georgian traditional music, the author of many widely known masterpieces of Georgian traditional and church-song repertoires. The steadily increasing popularity of Georgian traditional music, among both professional ethnomusicologists and lovers of choral singing, provides an urgent need for this volume.
Author: Rūta Stanevičiūtė
Publisher: Springer
ISBN: 3030144712
Category : Music
Languages : en
Pages : 402
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Book Description
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
